From Sara Terry, photographer, grant-writer, and Aftermath Project founder:
“I think one of the best tips ever given to me as a writer was: If you have just been to an event, or if something just happened, and you picked up the phone and called your grandmother, what’s the first thing you would tell her about what you just saw? You’re not writing for Congressmen or bankers. You want to be able to communicate in a clear and dynamic way to someone you care about. That’s an amazing writing tip, in terms of keeping [applications] conversational, intelligible, dynamic and human.
“You don’t want to quote a Doctors Without Borders report for the first couple of paragraphs. You might cite reports and statistics. But a really well-written, successful grant application—at least for the types of grants we’re talking about—just has a compelling conversational quality to it. Not an academic quality.”
The Magnum Foundation Fund has announced the recipients of its 2018 grant. The winners will receive grants of varying amounts as well as “project development support” to explore “new models of storytelling.” The Magnum Foundation announced the news today. The eight winning projects are: “Eclipse” by Sagar Chhetri; “Orinoco Women’s Journal” by Juanita Escobar; “Santa Barbara”... More ›
Grant competition jurors reject hundreds of applications because photographers often treat them like contest entry forms, “with a project description, but little or nothing about how they’re going to execute it or distribute the work,” says Chelsea Matiash, senior editor at The New York Times and a juror for the 2017 Getty Editorial grants. “Jurors... More ›
Eight photographers have won the first Reuters photojournalism grants of $5,000, the news service announced today. Reuters created the grant program to support “a diverse new generation of photojournalists” who can tell stories from new and different perspectives. Reuters launched the initiative last year at Visa pour l‘image international festival of photojournalism in Perpignan, France.... More ›