Before she launched her own career, fashion and beauty photographer Kat Borchart spent five years as post-production supervisor for fashion photographer Dewey Nicks. “It was a huge game changer,” she says. “I got to see everything about what being a photographer is: promotions, treatments, pitches, managing the archive.” She adds, “When I went on set I absorbed everything I could.” She paid close attention to how Nicks worked with clients, handled talent on set, and directed crew. “He shot a lot of celebrities. I saw how he gave them inspiration and direction,” Borchart says. “I also saw the importance of great hair styling and makeup, and [choosing] great locations.”
A year after she started working for Nicks, Borchart started doing her own test shoots on the side, applying the things she was learning from Nicks. That enabled her to build a portfolio that eventually led to her first assignments.
The NewsGuild of New York, the union representing The New York Times staffers, told members in a newsletter this morning that it will fight The Times’ proposed 20 percent reduction in photo desk staff via buyout. “As the Times makes changes to become a more ‘visually oriented’ news source, it is simply illogical to buy... More ›
Reuters has published a message from Editor-in-Chief Steve Adler to his staff that outlines how the news agency should cover the Trump administration in a “challenging” climate. “It’s not every day that a U.S. president calls journalists ‘among the most dishonest human beings on earth’ or that his chief strategist dubs the media ‘the opposition... More ›
Patagonia is using their recent winter catalogue to raise awareness of an environmental issue they’ve been working on for years: Protecting the Arctic National Wildlife Refuge from oil drilling and other resource exploitation. The outdoor clothing and gear company licensed images for the catalogue and its communications from conservation photographer Florian Schulz, who is currently... More ›