In 1993, photographer Gerd Ludwig began documenting the consequences of the 1986 Chernobyl nuclear disaster while on assignment for National Geographic. “I got involved accidentally [while] covering a story about pollution in the [former] Soviet Union,” he says. “I was struck by the post-apocalyptic feel of the whole zone.” He ended up returning nine times over 20 years to tell the story of a human and environmental catastrophe that continues to reverberate, and he recently published The Long Shadow of Chernobyl, a 252-page tri-lingual book about the disaster. In this video, Ludwig describes the challenge and drama of photographing inside the destroyed nuclear reactor, and what drove him to take great personal risk to tell the story.
In preparation for PDN’s July issue on Ethics, we asked photojournalist Victor J. Blue to explain what he does and doesn’t do to gain access, how he avoids conflicts of interest, his thoughts on fairness vs. neutrality, and the “Define the Relationship” talk he has with his subjects. More ›
Photographer Gerd Ludwig is a lighting master with TTL strobe lights. He uses them in unusual and unpredictable ways to direct the the viewer’s eye through his photographs, convey a sense of place, and define his visual style. Yet his strobe lights are all but invisible, blending with available light sources. In this video, Ludwig... More ›
The Nine, fine-art photographer Katy Grannan’s first feature film, will have its U.S. premier at the Hot Springs Documentary Film Festival in Hot Springs, Arkansas in October, and will also feature at the New Orleans Film Festival that same month. Grannan recently spoke with PDN about the the film, which chronicles the lives of a... More ›