One of our “Studio Tour” features this month goes inside the studio of fine-art photographer Adrien Broom, where she builds the large sets for “The Color Project,” her ongoing series of fantastical narratives. Located in the old Erector Set toy factory in New Haven, Connecticut, the 900-square-foot space has an open plan, large windows and a lot of storage for many of the props and gear she needs when she and her team are spending weeks building the sets. “I have painted the floors over at least ten times, and the walls a few times as well,” she notes. To learn more about the complicated productions she mounts in her studio, we looked at some of the behind-the-scenes videos she has created while working on “The Color Project.” In addition to showing Broom at work, they give a sense of what it takes to turn her workspace into, say, the ocean floor.
All Broom’s behind-the-scenes and stop-motion videos can be found on her Vimeo page.
Studio Tour: Adrien Broom’s Place to Work and Play
In preparation for PDN’s July issue on Ethics, we asked photojournalist Victor J. Blue to explain what he does and doesn’t do to gain access, how he avoids conflicts of interest, his thoughts on fairness vs. neutrality, and the “Define the Relationship” talk he has with his subjects. More ›
Photographer Gerd Ludwig is a lighting master with TTL strobe lights. He uses them in unusual and unpredictable ways to direct the the viewer’s eye through his photographs, convey a sense of place, and define his visual style. Yet his strobe lights are all but invisible, blending with available light sources. In this video, Ludwig... More ›
The Nine, fine-art photographer Katy Grannan’s first feature film, will have its U.S. premier at the Hot Springs Documentary Film Festival in Hot Springs, Arkansas in October, and will also feature at the New Orleans Film Festival that same month. Grannan recently spoke with PDN about the the film, which chronicles the lives of a... More ›