Major sporting events such as the Super Bowl and Olympic games are the incubation grounds for new camera technology, because news organizations are jockeying for competitive advantage and a chance to show off. And the Summer Olympics in London are no exception.
Associated Press has posted this promotional video touting the robotic cameras it has developed for this year’s games. Remote cameras are usually fixed, but operators of AP’s remote robotic cameras will be able to pan, zoom, and swivel the camera up and down using a joy stick, as they monitor the view on a computer screen–and click the shutter at decisive moments.
AP says it will have a robotic camera in each of 12 different venues. Anticipating where all this might be leading, we asked whether a single operator will be controlling several cameras at once, and whether operators can work from far-off locations–say a desk in New York–similar to the way the military flies its drones.
AP spokesperson Paul Colford says there will be one operator per camera. He adds that according to AP director of photography Santiago Lyon, the operator has to be at the venue where the camera is located, “because otherwise there would be a delay in what the operator is seeing.”
A professor of photojournalism ethics wrestles with the question of whether the media should run images of carnage following gun violence. More ›
There's something rotten in the state of landscape photography. More ›
Magnus Wennman, staff photographer at the Swedish daily newspaper Aftonbladet, has won Newspaper Photographer of the Year honors at the 75th annual Pictures of the Year International competition. German photographer Matthias Hangst of Getty Images won Sports Photographer of the Year. The POYi competition is run by the University of Missouri School of Journalism. Other... More ›