The Copyright Office is proposing to raise fees to register new works, and is currently seeking public comments on the proposed hike. The fee to file copyright registrations electronically would go up from $35 to $65. The fee to submit a paper registration would rise from $64 to $100. (These fees cover the cost of bulk registration of unpublished images.)
The Copyright Office is accepting comments from the public through May 14. Concerned that the increased fees will discourage photographers from protecting their copyrighted works, the Advertising Photographers of America (APA) is encouraging photographers and other artists to voice their opinions now.
The Copyright Office’s proposed new fees and rules are spelled out in the Federal Register, which can be downloaded here in a PDF.
The Copyright Office claims it needs the fee increase to cover costs: “In fiscal year 2011, the Office recovered only 64 percent of its cost to process an online claim and only 58 percent of its cost to process paper applications.” And given that copyright registration service “benefits both copyright owners and the public,” the Office figures copyright holders will cough up the extra money. Registering copyright before a work is infringed, for example, makes you eligible to collect statutory damages if you win an infringement claim in court. That’s useful clout when dealing with infringers.
The problem is, of course, that many creators fail to register copyrights until after they’ve seen their works copied, and want to take legal action. A higher fee isn’t going to encourage photographers to make registering and protecting their works part of their routine workflow, but how many photographers will it deter?
Comments on the proposed fee hike can be submitted using a form available here:
“I always have a plan B in my back pocket [on a shoot], or what my crew refers to as my bag of tricks,” says Ramona Rosales, who photographs celebrities for clients including ESPN, BUST, GQ, The Hollywood Reporter, The New York Times Magazine and TIME, among many others. Rosales spoke with PDN for our... More ›
Clients are notorious for tight budgets and high expectations for photo shoots, or as art producer Karen Meenaghan says, “It’s beer budgets and champagne tastes.” In our story “7 Tips for Getting Clients to Pay What You Are Worth,” photographer James Farrell explains that he always asks clients who call to hire him what their... More ›
A big challenge for documentary filmmakers is raising money to fund their projects. The key is developing an effective funding pitch, says Sean Flynn, program director at Points North Institute. The institute provides intensive training on how to pitch film projects, and holds a forum to give filmmakers a chance to practice their pitches on... More ›