Photographer Ian Ruhter has been creating one-of-a-kind landscapes using the vintage wet-plate collodion process, developed in the 19th century. He drives a mobile darkroom, fitted into a van, into beautiful locations and uses enormous metal plates to record the scene…or at least he tries. This video captures not only the technique he uses, but his frequent frustration with the temperamental process.
On the closing night of the Palm Springs Photo Festival, organizer Jeff Dunas screened Ruhter’s video, “Silver & Light,” noting that he couldn’t resist its depiction of one photographer’s obsession and passion for photography.
You can see more videos about Ruhter’s wet-plate on his Vimeo page.
A study published this spring by The City University of New York’s Guttman College argued that the art world remains predominantly white and male. Nearly 70 percent of the artists represented at 45 prominent New York galleries were male, the study suggested. One exception to this trend is Yancey Richardson, who represents 18 women and... More ›
How the legendary street photographer Henri-Cartier Bresson used dynamic symmetry and geometry in his work. More ›
Formerly homeless photographer Robert Shults recently explained in a Q&A with PDN the ethical and esthetic challenges of photographing homeless people, and how photographers can approach the topic in ways that dignify the subjects and elicit empathy and deeper understanding on the part of viewers. In his own photography, Shults has concentrated lately on scientific... More ›