After a long silence, journalists are now talking about the inequality in care paid to photojournalists working in war zones, and the local fixers who help them in their work. The issue is now being addressed by the Poynter institute, the non-profit journalism education organization.
Reporting on the Poynter Web site, writer Steve Myers talks to photographers and editors about what protection, if any, they are authorized to offer local fixers if they are injured or threatened while on the job. Joel Simon of the Committee to Protect Journalists notes, “I’ve seen news organizations absolutely step up and support people—even people who have been contracted informally—and I’ve seen news orgs turn their back on people.”
One problem, Simon explains, is the variety of relationships between fixers and the organizations who hire them, “from the one-time assignment to the everyday job, from the driver hired by a full-time employee to one picked up by a freelancer.”
Photographer Lynsey Addario, who worked with two drivers who met bad ends—one, a driver in Afghanistan’s Swat valley who was killed when he fell asleep at the wheel, another who was very likely murdered when Addario and three New York Times colleagues were captured in Libya—argues that the Times has compensated locals when appropriate, but points out that not all hires are alike. “A blanket rule would presume that all situations abroad with local hires are black and white, and anyone who has worked overseas knows that that just isn’t the case.”
The New York Times has been criticized for its treatment of the three media assistants who have died while working for the Times since 2003. Bill Keller, executive editor of the Times, tells Myers that the paper has spent hundreds of thousand of dollars to repatriate media assistants who have been in danger in Iraq and elsewhere. “We have relocated local hires when their work put them at risk, paying all of their costs.” Keller adds that freelancers on assignment for the Times are placed on the newspaper’s insurance plan when they enter conflict zones; for locals, however, “we assume responsibility for death, disability and medical at our own expense.”
One interesting note: the Committee to Protect Journalists says that media companies can get specialized insurance for its fixers in conflict areas. The policies are expensive. Photojournalist Teru Kuwayama, who has been outspoken in his criticism of news organizations’ treatment of fixers, says taking out such policies on fixers would be a “massive step forward.”
The full article can be found at: Poynter.org.
Gus Powell, a member of the street photography collective iN-PUBLiC and author of two monographs of street photography, will lead a seminar called “Street Photography How & Why” at PhotoPlus Expo on October 25. Street photographers Michelle Groskopf and Elizabeth Bick will also participate in the panel. The following excerpt from “Q&A: Gus Powell on... More ›
Shahidul Alam, the award-winning photographer, teacher, and founder of the photo agencies Drik Photo and Majority World, was denied bail at a hearing on September 11, 36 days after plainclothes police dragged him from his home. Alam has been charged under Section 57 of Bangladesh’s Information and Communication Technology (ICT) Act, which criminalizes the sharing... More ›
Photojournalist Antonin Kratochvil has resigned from VII, weeks after a July 16 article in Columbia Journalism Review reported that he sexually assaulted one female member of the agency and was abusive to others. The agency announced the resignation on its website September 3 without offering any details. “On August 24th, 2018, Antonin Kratochvil submitted his... More ›