Magnum photographer Steve McCurry pulled strings two years ago to get his hands on the last roll of Kodachrome film that Kodak produced. Now Vanity Fair has posted a slideshow of the images McCurry shot with that film.
So how did he do with the final frames of this legendary film stock? Did he do justice to the roll? And if not, to whom should Kodak have given the film instead? (View the rest of the images here.)
Photojournalist Natalie Keyssar discusses how women (and photographers of color) are denied the same opportunities as white men in the photo industry, and why that needs to change. “It robs everyone, including white men, of the ability to understand other perspectives. In such a terribly polarized country as we’re in today, lack of empathy... More ›
Photographer Minzayar Oo, who was reporting on the Rohingya crisis in Bangladesh on assignment for GEO magazine, was detained with his assistant Hkun Lat on September 7, according to Oo’s agency, Panos Pictures. The two men have been accused of espionage. Police say the journalists entered the country on tourist visas rather than journalist visas, and... More ›
After five months of planning, Diversify Photo today launched a database of 340 photographers of color from around the U.S. Brent Lewis, senior photo editor at ESPN’s The Undefeated, told PDN in May that he and independent photo editor Andrea Wise had begun compiling the database to show photo editors, art buyers and other creatives... More ›