You Thought Condé Nast Was Only Cheap to Photographers?

Posted by on Wednesday December 29, 2010 | Fashion

© Vogue/Photo by Mikael Jansson

Condé Nast CEO Chuck Townsend told staff at the publishing company last week that its magazine business is doing well despite the recession, and ends 2010 with 3,000 more ad pages than its competitors. Townsend announced the success in his year-end memo to staff, according to MediaWeek.

Photographers who shoot for Condé Nast publications–those who don’t have lucrative contracts with the publisher, that is—know that the company hasn’t shared these economic windfalls with its contributors. Their day rates are low, their contracts demand extensive re-use of images and they don’t want to pay extra for additional content created for their iPad editions.  But photographers aren’t the only ones who sacrifice payment in exchange for the exposure they hope to get from having their names in the pages of Vogue, Glamour, Architectural Digest or Conde Nast Traveler. Fashion models help Condé Nast by working for far less than they could make in non-editorial work.

Buried among the documents filed in the lawsuit brought against the modeling agency Next by three of its former models is an earnings statement that shows how little Vogue and Vogue Paris pays fashion models  – and how long they take to pay.

Models Anna Jagodzinska, Anna Cywinska and Karmen Pedaru allege that Next stole earnings from them and, since they left the agency in April, has failed to pay them money they were owed by clients with outstanding bills. As evidence, lawyer filed Jagodzinska’s account statement at Next, dated April 23, 2010.

The statement, which was posted on the site Jezebel, shows Jagodzinska was owed $15,000 for a job for J. Crew shot in January; $172,500 for a job for ad agency Grey Paris done in April; $60,000 for a job for H&M shot in March. Nice money, right?  She was also owed two payments of $250 for Vogue shoots in October and December of 2009. French Vogue owed her $125 for a shoot on May 20, 2009. Calling French Vogue a “deadbeat client” that owed the model payment for almost a year, the Jezebel article notes, “Doing a magazine editorial is basically volunteer work; where a model makes her money — if she makes money — is in advertising campaigns (which are rare but extremely lucrative) and catalogs (which are somewhat easier to book and generally offer day rates in the low-to-mid thousands).”

The article continues, “The lessons here? Vogue Paris pays crap, Vogue pays not much better, neither of them pays particularly quickly, and campaigns are worth a mint to everyone lucky enough to work on them.”

It may be hard to feel sorry for skinny, beautiful women who can earn $60,000 a day at the age of 21. But they’re freelancers, too, and while their agencies may be well capitalized, models (like freelance photographers) bear most of the financial risk of waiting out payment from their clients and the cost of promoting their careers. That includes financing the magazines that promise them  “exposure” in lieu of higher fees.



Second Model Accuses Bruce Weber of Sexual Harassment

Posted by on Wednesday December 6, 2017 | Copyright/Legal, Fashion

Days after a model filed a sexual harassment lawsuit against photographer Bruce Weber, a second model has stepped forward with sex harassment accusations against the photographer, according to a USA Today report. Model Jason Boyce filed a lawsuit against Weber last week, claiming he was sexually harassed by the photographer at a 2014 photo shoot.... More

Long Reads for Traveling Photographers

Posted by on Tuesday November 21, 2017 | Fashion, Fine Art, Media

If you happen to be traveling for the Thanksgiving holiday, fighting your way through a stiff current of people like a spawning salmon returning instinctively to your home waters, you may find yourself sitting for long periods of time, wondering: “How did I get here? What should I read?” For help with that second question,... More

LOOK3: Chris Morris on Shooting War, Fashion and Politics

Posted by on Thursday June 23, 2016 | Fashion, Photojournalism

The candid conversation between Christopher Morris and MaryAnne Golon at the LOOK3 Festival of the Photograph in Charlottesville, Viriginia, highlighted the varied paths Morris’s career has taken, from documenting conflict and politics to shooting fashion, and the struggles photographers face in a changing industry. Morris, a founding member of the VII photo agency and contract... More