“The Art of Portrait Photography” is the latest episode for the PBS online video series Off Book, which focuses on people who contribute to different artistic mediums as well as Internet culture. In the eight-minute episode, four photographers talk about different aspects of shooting portrait photography: Matt Hoyle discusses The History of Portraiture; Bex Finch discusses Personal Storytelling; Jamie Diamond discusses Challenging the Language of Portraits; and Ethan Levitas discusses the Relationship of Photographer and Subject.
In April, when photographer Vincent Laforet unveiled a new, handheld camera stabilization system at NAB, it created lots of buzz. Called MōVi and produced by Freefly Systems, the device is a “digital 3-axis gyro-stabilized handheld camera gimbal,” which Laforet promised would revolutionize “your way of thinking about camera movement.” We saw what the handheld rig could do for tracking shots through some pretty outstanding videos Laforet filmed with the MōVi.
Now, Freefly has announced that the MōVI M10 will start shipping on August 15th, 2013 on a first-come-first-served basis to customers who have pre-ordered units. New customers can visit www.freeflysystems.com for more information and place their MōVI M10 preorders now at www.movirig.com (and in the near future via select dealers worldwide). The M10 will set you back $15,000 and a $2,500 deposit is required upon pre-ordering. However, in some good news, the smaller DSLR sized MōVi M5 has been priced at $5,000. This is well under the $7,500 estimate that was announced at NAB and will be welcome news to professional photographers, videographers, and small budget filmmakers. The MōVi M5 will ship in Q4 of 2013 and you can pre-order it with a $500 deposit.
In case you haven’t seen it, below is a “behind the scenes” video of Vincent Laforet’s “MōVi” film that made everyone so excited. Take special note of the taxi shot that they show at 2:50 or so and how it is done by a cameraman on rollerblades. You can see more of these videos and read about their creation on Vincent’s blog, blog.vincentlaforet.com. The post where he announces the MōVi and posts the first films can be found right here.
Professional photographers don’t often turn to a smartphone to shoot video. But in the new video offering announced by Instagram today is technology that could eventually be a great addition to the toolkit.
A new video option for the photo sharing site can literally take jumpy, hand-held video and turn it into something watchable. Technology like that could someday be used to help rescue video footage that might otherwise be given up for loss because of a shaky hand.
Here’s a clip of the announcement about the new technology, taken from today’s live stream of the Instagram press event.
To watch the replay of the live streaming of the whole Facebook/Instagram event, beginning to end, go this Live Stream page.
Miller Mobley built a successful business as an editorial and commercial photographer in his native Alabama, then gave it up to start all over again in New York City. In this video produced by PDN, he discusses how he landed jobs in both places, and the importance of showing new work to potential clients every time he approaches them. To learn more about how Mobley launched and then re-launched his career, see our story, “Miller Mobley’s Transition,” at PDNonline.com.
This summer, as part of its ongoing collaboration with the French fashion house Hermès, Leica announced a special “Hermès Edition” of the M9-P camera. Above is a video that shows the care and attention to detail that goes into making one of the limited-edition cameras.
The calfskin leather that’s wrapped around the camera’s body was supplied by Hermès and various details of the camera, including the top and base plates, the shutter speed dial, the multifunction wheel and the shutter release, were redesigned by Walter de’Silva. The camera comes in two sets: the first includes a Leica Summilux-M 50 mm f/1.4 ASPH. lens; the second includes Leica Summicron-M 28 mm f/2 ASPH., Noctilux-M 50 mm f/0.95 ASPH. and APO-Summicron-M 90 mm f/2 ASPH. lenses as well as an Hermès camera bag and a book of photos by Jean-Louis Dumas.
Dumas, the chairman and artistic director of Hermès from 1978 to 2006, was a well-known photography buff who was rarely without his Leica camera. He invested in the camera maker and decided that the Madison Avenue Hermès store in New York City should have a photo gallery on its top floor. To learn more about the retailer’s unique exhibition space, read our interview with curator Cory Jacobs.
This week, commercial photographer Craig Cutler finished his CC52 project. Cutler, who we profiled in our May issue (see “Craig Cutler Just Keeps Shooting“), committed to creating one new personal work a week for an entire year. The resulting CC52 project has a mix of still life, portrait and motion work featuring everything from pickled eggs and crackers to famous people’s shoes and nude models wearing team mascot costume heads. Go to craigcutler.com to see all 52 works and click on the video below to watch “Words,” his final work from the project.
Looking through the latest entries to the PDN Photo Annual, we came across this colorful and amusing video. Titled simply, “Bugs!,” it was directed, produced and colored by Ryan Enn Hughes. Watch that caterpillar go.
This is the first year that the PDN Photo Annual has included a video category; the deadline to enter is midnight, February 17.
You can see more of Hughes’s videos on his Vimeo page.
Provided by Vimeo.
“Thrush” tells the story of a relationship through a series of still photos (in just 4 minutes). It was recently honored in the first Vimeo Awards.
The online documentary “Last Minutes With Oden” won the award for Best Video and its director, Eliot Rausch, won a $25,000 filmmaking grant at the first Vimeo Festival + Awards.
The ceremony, held October 9 in New York City, ended a weekend of video workshops, lectures and slide shows sponsored by Vimeo, the online video sharing site.
“Last Minutes with Oden” also won the Best Documentary category. It documents a former drug addict, Jason, having to put his dog, Oden, to sleep. In accepting the award, Rausch said, “I think Jason’s transparency and brutal honesty in Oden’s last moments are what made [the film] so successful.” He noted that he had asked Jason, to attend the ceremony, but “he’s flat broke.” When he accepted the grant, Rausch said Jason had asked for help getting his teeth fixed if Rausch won the grant “because his teeth are rotting.” Rausch didn’t say how he responded, but said, “I feel this is as much his film as mine.”
Among the other winners in the nine categories was “Thrush,” a series of still photos edited together to depict a couple’s six-month relationship, which won for Best Narrative. In a videotaped acceptance speech, filmmaker Gabriel Bisset-Smith said, “People are disappointed when they find out [the man and woman] aren’t real.”
The awards ceremony, which honored video creators who use the web to reach a wide audience, struck a poignant note when the award for Best Motion Graphics was given to the Turkish-born Onur Senturk. In accepting Senturk’s award, a friend and fellow Turk noted that the award was encouraging to video artists in Turkey, where Vimeo was banned two weeks ago. Three years ago, the Turkish government banned access to YouTube.
Two honorary awards were also given. The Digital Maverick Award was given to the Neistat Brothers, who have made hundreds of online videos since 2000 and recently launched a series for HBO. The Feature Presentation award went to “Star Wars Uncut,” a retelling of Star Wars made up of hundreds of short clips created by Star Wars fans –using everything from Claymation figures to amateur actors in costume —and then edited together.
Award winners were selected by judges in nine categories:
Best Remix: Breakdown, by Kasumi
Best Original Series: Break-Ups, The Series, by Ted Tremper
Best Music Video: Liars’ “Scissors” by Andy Brunel
Best Documentary: Last Minutes with Oden, by Eliot Rausch
Best Experimental Video: oops, by Chris Beckman
Best Captured (given to a video that documents a performance or work of art): Fluid Sculpture by Charlie Bucket
Best Motion Graphics: TRIANGLE, by Onur Senturk
The winning videos and all the finalists can be viewed on the Vimeo Festival +Awards page at vimeo.com/awards/finalists