October 28th, 2015
June 15th, 2015
Fran Drescher and Simon Doonan honor Roxanne Lowit, who won the Lucie Award for Achievement in Fashion.
George Tice, Jerry Uelsmann, Danny Lyon, Roxanne Lowitt, Stephanie Sinclair and photo editor Kathy Ryan were among the honorees at the 13th annual Lucie Awards, held last night at New York City’s Carnegie Hall. The International Photography Award was a tie: The honor was split between the Ukraine-based Maxim Dondyuk, honored for his recent work on the ongoing conflict and demonstrations in his country, and Chicago-based photographer Sandro, whose project “Malkovich, Malkovich, Malkovich” reimagined classic photos with actor John Malkovich as his sole subject.
The Discovery of the Year award went to the Finnish photographer Ville Kansanen for his fine-art project “The Procession of Spectres.” The Lifetime Achievement award went to large-format documentary photographer George Tice, who noted in his acceptance speech that he won his first trophy for his photography when he was 14.
Rangefinder‘s Libby Peterson reported on the awards ceremony. For her full report on the awards, including winners of the awards for curator of the year, book publisher of the year and photo editor of the year, see Rangefinder‘s Photo Forward blog.
Maxim Dondyuk: Inside a Camp for Cossack Youth
May 20th, 2013
David Alan Harvey greets Lois Liggins on stage at the the 2015 LOOK3 festival, in front of a portrait of Liggins that Harvey shot in 1966. ©Jessica Earnshaw
David Alan Harvey’s artist talk on the main stage at LOOK3 in Charlottesville on Saturday included several surprises: a peek at some of Harvey’s precocious early work, images from his latest project (called Beach Games, an exploration in black and white of beach sports culture in Rio), his insistence (against much evidence to the contrary) that he doesn’t consider himself a color photographer or an extrovert–and a heartwarming guest appearance by a long-lost subject from a project he shot when he was 22. (more…)
In an editorial published yesterday in The New York Times, the newspaper’s public editor, Margaret Sullivan, questioned the rules regarding Photoshopping at T, the monthly style magazine published by the Times, and suggested that readers should be notified when fashion images have been digitally manipulated. She also pointed out that editors shouldn’t assume that readers understand the difference between the standards for a news photograph and a fashion photograph.
Responding to comments last week from readers that a T cover model was too skinny, T editor Deborah Needleman told Sullivan that T editors had considered “adding fat” to the model using Photoshop.
Another Times reporter called the comment “jaw-dropping” because journalistic standards would never allow for photography manipulation.
Drawing on comments from other Times picture editors including Michelle McNally of The Times and Kathy Ryan of The New York Times Magazine, Sullivan affirmed the Times’ photography standards: “The Times does not stage news photographs, or alter them digitally.” Except, Sullivan noted, in T‘s case, where it’s deemed acceptable to alter fashion and glamour photography. The assumption being that readers are aware that fashion and glamour is a “different genre of photography,” and therefore the Times’ obligation to those readers is different.
“It would be best if all the photography produced by the Times newsroom could be held to the same standard,” Sullivan wrote. But, she said, if fashion photography must exist as its own world of assumed fantasy, there should be a disclaimer for readers.
Is it realistic to expect that the Times could hold fashion photography to the same standards as news photography? Do readers need to be told that fashion images aren’t “real?”