September 15th, 2014

Photokina 2014: Canon Fires Out the 7D Mark II, G7X and New Lenses

 

HR_7D_MARKII_BODY_FRONT_CL

 

Canon has introduced several new cameras at Photokina 2014, including the EOS 7D Mark II, as well as three new lenses.

The 7D Mark II brings several firsts to the EOS line largely focused, if you will, around the camera’s autofocus system. It will be the first to run dual DIGIC 6 processors with a 10 frames per second (fps) burst mode that has an expanded buffer of up to 31 RAW images or 1,900 JPEGs (the older 7D topped out at 130 JPEGs).  It employs a new 65 cross-type AF system for better low light focusing as well as an improved version of Canon’s Dual Pixel CMOS AF that uses sensors on the CMOS display for phase detection autofocus, improving accuracy during video recording. More firsts for the EOS line include a bulb timer and intervalometer for time lapse and long exposure photography as well as distortion correction for EF and EF-S lenses.

The 20-megapixel 7D Mark II uses a newly developed APS-C-sized sensor with an ISO range of 100-16000 (expandable to 51600). It will feature a new AF Area Selection lever around the multi-controller on the back of the camera to toggle between the camera’s seven AF selection modes without taking your eye off the scene. The AI Servo AF III algorithm on the 7D  Mark II will be similar to the one found on the 1D-Xand will allow tracking parameters such as tracking sensitivity and AF auto point switching can be customized.

Canon also improved the scene detection sensor, giving it a 150,000 pixel RGB+IR metering sensor with 252 zones. Enhancements to the auto exposure were also incorporated to help the 7D Mark II photograph under flickering light sources like sodium vapor lamps.

New Video Tricks

The 7D Mark II incorporates several changes to Canon’s Dual Pixel CMOS AF technology  to improve video performance. First, the 7D Mark II will offer adjustable movie servo AF speeds in five stop adjustments as well as the ability to adjust AF tracking sensitivity on a sliding scale. The area of coverage is unchanged from the 7D at 80 percent of the frame.

You won’t find 4K recording on the 7D Mark II however. Canon stuck with 1080/60p. You can output an uncompressed HD signal via HDMI to an external recorder. On the audio front, there is a stereo mic jack and a headphone jack with a silent control feature for adjusting audio levels during recording.

Canon also said that overall focusing speed, face detection performance and low light performance with low contrast subjects has also been improved.

You’ll find a 3-inch display plus a viewfinder with 100 percent field of view that can overlay data such as an electronic level display or grid. Built-in GPS is also on hand for geotagging images.

The 7D Mark II’s magnesium alloy body offers four times the moisture and dust resistance of the original 7D.

You can pick up the 7D Mark II in November for $1,799 (body) or in a kit with the EF-S 18-135mm f/3.5-5.6 IS STM lens for $2,149.

HR_G7X_3Q_CLThe G7X

Canon also trotted out a new advanced compact camera. The Powershot G7X will offer a 1-inch 20-megapixel CMOS sensor and the DIGIC 6 processor. Canon tweaked the image processing algorithms for this compact to mimic the highlight and shadow detail rendering in its more advanced EOS line.

The G7X, which is situated just beneath Canon’s G1x Mark II, offers an ISO range of 125 to 12800, Wi-Fi for wireless image transfers and NFC. There’s also a 3-inch, 1-million dot touch screen LCD display which can be tilted out from the camera body.

For fast action, the G7X can burst at 6.5fps at full resolution and records 1920 x 1080 video at 60fps.

A control ring on the lens offers the ability to change exposure settings (shutter speed, aperture and ISO) and a manual focus ring can be turned even during AF. The lens itself offers a focal length of 24-100mm with an aperture range of f/1.8-2.8 and a curved diaphragm for creating bokeh.

The G7X ships in October for $699.

HR_EF400_4_DO_IS_II_USM_3Q_CL

New Glass

Last, but by no means least, Canon has three new lenses in the EF family.

First up is the new EF 400mm f/4 DO IS II USM, which Canon is styling as a portable telephoto, weighing in at 4.6 pounds or about half the weight of the f/2.8 version of the lens. The lens will feature a new gapless dual-layered diffractive optical element to reduce flare around backlit subjects. There are aspherical and UD elements on hand to combat optical aberrations and the front and back of the lens are coated with flourine to repel dust.

The 400mm will offer optical image stabilization good for up to four shutter speed steps of correction. Image stabilization can be used in three modes: standard, panning and exposure only. There are four programmable buttons on the lens and the lens can be manually focused in AF mode.

The EF 400mm f/4 lens ships in November for $6,899.

HR_EFS24_28_STM_3Q_CLAlso due in November is the new EF- S 24mm f/2.8 STM, the slimmest and lightest EF-S lens ever to roll out of Canon’s factory. This pancake lens features a seven bladed aperture and an electromagnetic drive aperture mechanism for quieter adjustment during video shooting.  The EF-S 24mm will sell for $149.

Finally, Canon announced the EF 24-105mm f/3.5-5.6 IS STM, its first for the EF series to use a screw-type stepping motor for quiet AF during video filming.

It offers optical image stabilization good for up to four shutter speed steps of correction. The seven optical elements are arranged in a new grouping and use a new AF algorithm for faster focusing, Canon said. The 24-150mm features a seven bladed aperture, two aspheric elements and a UD lens element.

Look for the 24-105mm in December. It will retail for $599.

HR_EF24-105_35-56_IS_STM_3Q_CL

 

September 12th, 2014

Nikon’s New D750 Brings Several Firsts to the FX Line

D750_24_120_front34l

Nikon rolled out the pre-Photokina red carpet for its newest full frame digital SLR: the D750.

Situated between the D610 and D810, the D750 will have several firsts for Nikon’s full frame lineup including a new 24.3-megapixel CMOS sensor, Wi-Fi capability, a vari-angle LCD and a new build that makes it the thinnest DSLR in the company’s lineup.

According to Nikon, the slender build is due to its monocoque design. The body features magnesium alloy parts integrated with carbon fiber in the front and grip assembly to make a light yet weather-resistant package. The vari-angle LCD screen will be 3.2-inches in size and feature 1,229K dots for high-resolution viewing.

The D750 features a native ISO range of 100-12800 and can extend as high as 51200 or to a low of 50. It uses the same EXPEED 4 processing engine found on the D810 as well as its 91,000 pixel 3D Color Matrix Matrix III metering sensor. There’s also a highlight weighted metering option for shooting spot-lit details against black backgrounds. D750_24_120_top_2

The AF system features 51 points including 15 cross type sensors, 11 of which are compatible with teleconverter lenses shooting at f/8 or faster. The camera’s Advanced Multi-Cam 3500-FX II AF system can track objects in continuous shooting mode at the camera’s maximum burst speed of 6.5fps in either RAW or JPEG. A first for any Nikon DSLR, the D750 can lock focus on subjects in as little as -3 EV illumination.

It features a maximum shutter speed of 1/4000, shy of the D810’s 1/8000 and it’s rated for 150,000 cycles.

Nikon also added a new clarity parameter to its picture controls to adjust mid tone contrast. Like the D810, there’s also a flat picture control to deliver more dynamic range during video shoots (ideal for color grading in post-processing). All the picture controls are adjustable in .25 increments.

As noted above, the D750 is Nikon’s first FX-series camera to offer built-in Wi-Fi. Using the company’s Wireless Mobile Utility App you can  transfer images to smartphones or use mobile devices as real-time viewfinders and/or remote triggers. With the UT1 communications unit and the WT-5a wireless transceiver, you can enable wireless FTP transfers or trigger and operate the camera in HTTP mode through a web browser (where you’ll see a real-time live view preview as well as have the ability to start and stop recording).

D750_back

Video Features

When it comes to video, the D750 borrows heavily from the D810’s feature set. It offers 1920 x 1080 HD video recording with a choice of 60, 30 or 24fps with full manual control over exposure settings. The Power Aperture function gives shooters the ability to seamlessly and steplessly open and close the aperture during recording, another goodie derived from the D810.

Video is recorded to the D750’s two SD card slots and can also be simultaneously output to external recorders and monitors via HDMI.

On the audio front, there’s a built-in stereo mic, external mic input, and a headphone jack for audio monitoring.

The D750 will ship this month for $2,295, body only. A kit including the 24-120mm lens will ship in October, though pricing wasn’t announced.

More Gear

AFS_20_1.8G

In addition to the the D750, Nikon added  the AF-S Nikkor 20mm f/1.8G ED wide angle full frame lens to its lineup. It’s the company’s first wide angle lens with an f/1.8 aperture. It features a seven blade diaphragm, two ED elements, two aspheric elements and a 77mm filter size. It will ship in September for $799.

Finally, there will also be a new speed light in the Nikon lineup. The SB-500 has a guide number of 24 at ISO 100 and covers a 16mm angle for full frame cameras (24mm for DX sensors) with a head that swivels vertically at a 90 degree angle and rotates at 180 degrees. It incorporates a 100lux LED for video lighting and accepts a pair of AA batteries. It will also ship in September for $249 with a small stand so you can mount it to a tripod or on a table top for off-camera use.

SB500_front34r

February 24th, 2014

Nikon Announces Details for New 16.2MP D4S Flagship Full-Frame Digital SLR

Nikon-D4s_58_1.4_front-1Nikon unveiled its new D4S flagship digital SLR tonight, which seems, on paper, to be a minor upgrade to the previous model. (PDN was pre-briefed on the Nikon D4S, under NDA, prior to tonight’s launch but we were not given any hands-on time with the camera.) Like the D4, which was introduced in 2012, the new D4S uses a 16.2-megapixel, FX-format (full-frame) sensor, which Nikon describes as “newly designed.”

The revamped imaging chip in the D4S has an expanded ISO range, going all the way up to ISO 409,600 (Hi-4), which should be able to let it capture visible subject matter in near total darkness for forensic photography and other scientific applications. That extremely high ISO range could also, potentially, have photojournalistic applications such as war photography when flash is not permitted or advisable.

The Nikon D4S also has a new EXPEED 4 image processing engine designed to cut down on image noise when shooting at high ISOs in low light, and for better HD video quality and improved overall performance speed. The Nikon D4S can shoot at 11 frames per second with full autofocus (AF) and auto exposure (AE). (The previous camera could shoot at 11fps but AF and AE were locked on the first frame.) Nikon says the D4S has an “overall 30% increase in processing power.”

The Nikon D4S first premiered, under glass, at the Consumer Electronics Show (CES) in Las Vegas in January, but details about the camera were not officially announced until tonight.

Read the rest of this story and see more photos of the new Nikon D4S here.

October 17th, 2013

Nikon Announces 24.2MP D5300 DSLR and Nikkor 58mm f/1.4G Lens

Nikon-D5300_BK_18_140_frontNikon has just announced two new products for photographers: the prosumer-friendly 24.2MP, APS-C sensor-based D5300 digital SLR, and the pro-worthy AF-S NIKKOR 58mm f/1.4G portrait lens.

The Nikon D5300 will go on sale this month as a kit with the AF-S DX NIKKOR 18-140mm f/3.5-5.6G ED VR lens for $1,399. It will come in black, red, and gray color options, if you like your DSLR to have a little pizzazz.

The NIKKOR 58mm f/1.4G, which is the higher end product of the two and designed for both full-frame (FX-format) and APS-C (DX-format) cameras, goes on sale this month for $1,699.

Read the rest of the story about this Nikon news here.

July 2nd, 2013

Canon Announces 70D DSLR

HR_70D_EFS18-135_IS_STM_3Q_CLCanon today announced the successor to their 60D DSLR, named the Canon 70D. Featuring a very interesting new Dual Pixel CMOS AF system that promises “instant and precise focusing of video as well as still images,” the EOS 70D also has a completely new 20.2 megapixel APS-C Canon CMOS sensor and uses Canon’s  DIGIC 5+ Image Processor. The 70D is wi-fi connected, has a 19-point AF sensor (including a high-precision f/2.8 dual cross-type AF center point), , a 63-zone Dual Layer IFCL (Intelligent Focus, Color & Luminance) AE metering system, an ISO range of 100 to 12800 (expandable to 25,600), and a vari-angle touchscreen LCD (allowing a “touch to focus” feature).

While the improved low-light performance, wi-fi and touchscreen LCD will grab some attention, the Dual Pixel CMOS AF system is the crowning feature of the 70D. Essentially, Canon has figured out how to have each pixel on the sensor perform both imaging and phase-detection AF simultaneously. This is achieved by each pixel on the CMOS sensor having two independent photodiodes sending independant signals that can be used for both imaging and AF. It also allows continuous phase detection AF during movie recording. Eliminating slow or jumpy AF due to contrast detection or hybrid systems will be a big deal for a lot of photographers who shoot video with their DSLRs.

For more on the EOS 70D, including availability, pricing and more, see our full news story on PDNOnline.

www.usa.canon.com/eos

 

June 13th, 2013

New Colorful DSLRs And Q Mirrorless Body From Pentax

Pentax Q7 Color CombosHave you been looking for a camera that offers 120 color combinations? Then Pentax has got some news for you with both DSLR and Mirrorless bodies that can be configured in all sorts of beautiful or garish color combos.

Pentax has announced two new 16MP DSLR bodies, the K50 and the K-500, that are both essentially updates to its existing K-30 DSLR. The K-50 replaces the K-30 “edgy” styling with a more traditional DSLR look along with adding improved image processing and upping maximum ISO to 51200. “The K-50 introduces features that raise the bar in the mid-level DSLR class,” said Jim Malcolm, executive vice president, PENTAX RICOH IMAGING AMERICA. “Not only do the hardware and software specs outclass competitors, the Color to Order system is an industry first making it a truly unique offering among a sea of similarity.” The K-500 is similar to the K-50, with lack of weather sealing being the main difference.

Pentax also announced a new body in its Q mirrorless lineup, the Q7. The Q7 sees a number of new features, an advanced shake reduction system, a new electronic level, an improved Quick dial, and so on. But the most promising feature of the Q7 is that its sensor has been increased from 1/2.3-inch to 1/1.7-inch chip. This isn’t a small thing, it’s a 52% increase in surface area, and is the same size sensor used in Canon’s widely loved s110. “Don’t be fooled by the Q7’s small size and 120 color combinations,” said Jim Malcolm, executive vice president, PENTAX RICOH IMAGING. “As the smallest and lightest compact system camera in the world, this tiny gem is packed with serious specs and capabilities including a number of digital filters and smart effects.”

The Pentax K-50 and Q7 are available now via pentaximaging.com (and nationwide retailers in July/Aug) in 120 color combos for list prices of $499 and $699 respectively. The K-500 will be available next month and has a list price of $599.

pentaximaging.com

January 9th, 2012

BREAKING NEWS: CES/PMA 2012: Fuji Unveils X-Pro1 Interchangeable Lens Compact System Camera with DSLR-Sized Sensor (UPDATED)

By Dan Havlik

Fujifilm jumped into the mirrorless compact system camera category this afternoon with the new Fujifilm X-Pro1. The small retro-style camera, which accepts interchangeable lenses and uses a new APS-C size sensor about the size of what’s in an entry-level digital SLR, will go on sale in late February.

“We’re aiming this camera at the professional,” said Fujifilm Marketing Manager Kayce M. Baker at a press conference in Las Vegas today as part of the CES and PMA shows. “We’re aiming it at the wedding and portrait photographer, the studio photographer, the street photographer and anyone who likes to take a nice compact camera out and shoot.”

Read more of this story here.