March 7th, 2014

Eddie Adams Workshop, Smith Grant, Other Grants Accepting Applications

Earlier this week The Eddie Adams Workshop began accepting applications for its tuition-free, four-day photojournalism workshop in upstate New York. The Eddie Adams Workshop brings together top photography professionals and 100 students each year, and its alumni include many of the top photojournalists working today. Applications for the 2014 Workshop will be accepted through May 31. Students are selected based on the merit of their portfolios.

The W. Eugene Smith Memorial Fund is accepting applications through May 31 for the 2014 W. Eugene Smith Grant in Humanistic Photography, which carries an award of $30,000. In addition, the jury will also give out an additional $5,000 in fellowships. There is a $50 fee to apply.

The nonprofit arts advocacy organization Crusade for Art is accepting proposals for its first-ever Engagement Grant, a $10,000 award given to a photographer or group of photographers who submit “the most innovative plan for increasing their audience and collector base.” There is a $20 fee to apply.

The Photographic Museum of Humanity, a digital photography museum, is awarding a grant of $4,000 for photographers. Applications are due March 12, and judges include Alec Soth and Diana Markosian. There is no fee to apply.

Related: Anatomy of a Successful Grant Application: Joseph Rodriguez on the Audience Engagement Grant (PDN subscription required)
Anatomy of a Successful Grant Application: Minnesota’s Artist Initiative Grants (PDN subscription required)
Anatomy of a Successful Grant Application: Jon Lowenstein’s Guggenheim Fellowship (PDN subscription required)

August 23rd, 2013

Crusade for Collecting: A Controversial Experiment Meant to Create New Photo Collectors

Instagram grid by @crusade4art

Instagram images from the @crusade4art Crusade for Collecting organized by Jennifer Schwartz.


Earlier this year Jennifer Schwartz, a gallerist and the founder of the non-profit arts organization Crusade for Art, traveled to cities around the country in an effort to create demand for the work of emerging photographers by encouraging people she met on the street to consider collecting art. Working with five photographers in each of the cities she visited, Schwartz organized street-side exhibitions, asking the photographers to talk with passersby about their work, and to give away signed, non-editioned prints to those who wanted them. The project drew both criticism and skepticism, but it also, Schwartz says, created positive dialogue between artists and would-be collectors.
PDN invited Schwartz to explain the motivation behind the trip and recap her experiences.

Nearly five years ago I began a journey to cultivate audiences for art, specifically the work of emerging photographers. By creating innovative programs that make art immediately and affordably accessible to new audiences, both online and through special events, my goals have been: to promote and develop the careers of talented, emerging, contemporary photographers and to educate and cultivate a new crop of collectors.

Working with emerging photographers, I recognized from the beginning that the challenge is to find an audience for these artists. Too often as gallery owners, we hang the art and then wait for an audience to come. With that in mind, I created Crusade for Art, a non-profit organization dedicated to cultivating demand for art by creating opportunities to introduce new collectors to artists and their work.

In my Atlanta gallery, I have discovered that the most successful programs to get new people interested in art involve meeting the artist and making a personal connection. They give people who have had only a limited relationship with art a unique, fun experience where they engage with photography and the artists in a thoughtful way. These programs also give photographers an opportunity to interact directly with an audience and advocate for themselves and their work.

In April 2013 I took this concept on the road with a special project, the Crusade for Collecting Tour. Traveling to ten cities over the course of three months in a 1977 VW bus (affectionately named Lady Blue and purchased through funds raised on Kickstarter), I staged spontaneous pop-up events to give away original, signed photographs and bring grassroots art appreciation to the streets, moving outside the traditional boundaries of the art world. (more…)