February 12th, 2016

Fund Your Work: Four Documentary Photography Prizes Looking for Applications

The Center for Documentary Studies (CDS) at Duke University has extended the deadline for its $3,000 Documentary Essay Prize to February 23, 2016. The prize honors a documentary photography project that is ongoing or that has been completed in the past two years. The three-year old award alternates year to year in honoring writing and photography. The previous winner for photography was Latvian photographer Iveta Vaivode, for her series “Somewhere on a Disappearing Path,” which reimagined the photographer’s family album. There is a $35 entry fee.

CDS is also accepting applications for the $10,000 Dorothea Lange–Paul Taylor Prize. Named in recognition of the collaboration between Lange, a photographer, and Taylor, a writer, the prize recognizes the work of documentary artists pursuing projects that feature an interplay of words and pictures. Recent winners include Michel Huneault, Jon Lowenstein, Jen Kinney, Sarah Dohrman and Tiana Markova-Gold, and Teru Kuwayama and Christian Parenti. Any artist, or team of artists, pursuing a project that combines words and images can apply for the prize. There are no nationality restrictions. The entry fee is $65, and applications are being accepted through May 9, 2016.

Photographers living and working in the Arab region can apply for one of 12, $5,000 grants being awarded by The Arab Fund for Arts and Culture in partnership with the Prince Claus Fund for Culture and Development and the Magnum Foundation. Photographers awarded the AFAC’s Arab Documentary Photo Program grants are expected to complete projects within eight months, and they are required to attend two workshops. There is no fee to enter, and applications are due by April 1, 2016.

The UK-based Royal Photographic Society, in partnership with The Guardian, is currently seeking entries for the £2000 ($2900) Joan Wakelin Bursary, which supports a “photographic essay on an overseas social documentary issue.” The bursary, named for Wakelin, a deceased Honorary Fellow of the society, is open to photographers of any nationality and there are no application fees. Shortlisted photographers, however, are required to interview at The Guardian’s offices in London in July. Applications are due May 20, 2016.

Related: Advice on Funding Your Photo Project
How to Win Grants That Support Your Photo Projects
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$10K Lange-Taylor Prize Goes to Michel Huneault for Project About Oil Train Disaster

November 17th, 2015

Fund Your Work: $3K Documentary Photo Essay Prize from CDS Seeking Submissions

The Center for Documentary Studies at Duke University is accepting submissions for their $3,000 Documentary Essay Prize now through February 16, 2016. The prize honors a documentary photography project that is ongoing or that has been completed in the past two years.

The three-year old award alternates year to year in honoring writing and photography. The previous winner for photography was Latvian photographer Iveta Vaivode, for her series “Somewhere on a Disappearing Path,” which reimagined the photographer’s family album.

In addition to the cash award, the winner will have his or her work featured on the CDS website and in their periodical Document. The work will also become part of the Archive of Documentary Arts at the Rubenstein Library, Duke University.

The winner will be announced in June 2016.

Related: Nadia Sablin’s Project About Her Aunts’ Lives in a Small Russian Village was Awarded the CDS/Honickman First Book Prize

October 2nd, 2013

Video Pick: “He Doesn’t Love You Any More”

When the Center for Documentary Studies at Duke University announced the winner of the 2013 Dorothea Lange-Paul Taylor Prize last week, the selection committee also awarded a “special recognition” to Bianca Giaever. The committee recognized her innovative approach to using images and words to tell a funny, touching and very personal story in her video “Holy Cow Lisa,” which she produced for a college class.

The video is based on an actual conversation she had with her college advisor—he provides the voice over for the video—during what was evidently not an easy time in Giaever’s college career. She seems to have a hard time confronting those tough words, “He doesn’t love you anymore.” Her advisor encourages her to “revel in these emotions,” and shares his own story of a sad break-up. In fact, he shares a lot about it.

If you’ve been to college, broken up with someone, or marveled at grown-ups and the advice they give, you’ll probably find something to like in “Holy Cow Lisa.” It’s on view on Vimeo at vimeo.com/54700919

Holy Cow Lisa from Bianca Giaever on Vimeo.

Related Article
Lange-Taylor Prize of $10K Given For Photo Project On Tiny Alaska Town

February 1st, 2013

Project on African American and Latino Ballroom Subculture Wins CDS/Honickman First Book Prize

© Gerard H. Gaskin

© Gerard H. Gaskin

Gerard H. Gaskin’s photography series on the African American and Latino house and ballroom subculture of urban, gay pageants has received the Center for Documentary Studies/Honickman First Book Prize.

The prize carries a $3,000 grant, and an opportunity to publish a book of the work and exhibit it online and at the Center for Documentary Studies at Duke University. The images also go into the permanent collection at Duke’s Archive of Documentary Arts.

Judged by curator, historian and photographer Deborah Willis, the 2013 prize is the sixth biennial award given by Duke Center For Documentary Studies and the Honickman Foundation of Philadelphia.

According to Gaskin’ statement, “The balls are a celebration of black and Latino urban gay life and were born in Harlem out of a need for black and Latino gays to have a safe space to express themselves. Balls are constructed like beauty and talent pageants. The participants work to redefine and critique gender and sexual identity through an extravagant fashion masquerade.”

Though the balls originated in Harlem, Gaskin noted, the culture has grown and spread. He made his images in New York, Philadelphia and Washington, D.C. “My images try to show a personal and intimate beauty, pride, dignity, courage, and grace that have been painfully challenged by mainstream society,” he says.

“Gaskin’s work looks at the notion of transformation as he turns his lens on what it means to be ‘desired,’ and at the same time, what it feels like to be alienated,” Willis said in a statement. “His photographs are as exciting to look at as they are a means for imagining the lived experiences of the communities he has documented.”

The prize is open to American and Canadian photographers of any age who have never published a book-length work. For more about the prize visit: firstbookprizephoto.com.