Cover of “Legendary: Inside the House Ballroom Scene” by 2013 CDS/Honickman First Book Prize in Photography winner Gerard H. Gaskin. Published by Duke University Press, 2013.
Three major photography grants have rapidly approaching deadlines in early September: burn magazine’s Emerging Photographer Fund; the First Book Prize in Photography, offered by the Center for Documentary Studies at Duke University and the Honickman Foundation in Philadelphia; and the Carmignac Foundation’s Carmignac Gestion Photojournalism Award.
Burn magazine—curated by Magnum photographer David Alan Harvey—has extended the deadline for their annual award to 6:00 p.m. EDT September 2, 2014. The grant supports the continuation of a personal project, whether journalistic or artistic, and is funded by anonymous donors. This year’s jurors will include The New York Times’ Lens Blog’s James Estrin and the photojournalist Donna Ferrato.
The competition is open to emerging photographers of any age, and the entry fee is $25. The major prize is $10,000; several smaller, minor prizes have been awarded in recent years. Four grants were awarded in 2013—one major to Diana Markosian for her essay ‘My Father The Stranger,’ and three minors, to Iveta Vaivode for her essay “Somewhere on Disappearing Path,” Oksana Yushko for her essay “Balaklava: The Lost History” and Maciej Pisuk for his essay “Under The Skin. Photographs From Brzeska Street.” To enter, visit burnmagazine.org.
The First Book Prize in Photography is a biennial grant offered to North American photographers who have yet to publish a book-length photo project, and “use their cameras for creative exploration” to make work that is “visually compelling, that bears witness and that has integrity of purpose.” Past judges include Robert Adams, Maria Morris Hambourg, Robert Frank, Mary Ellen Mark, William Eggleston and Deborah Willis. Past winners include Gerald H. Gaskin, for his book Legendary: Inside the House Ballroom Scene, and Jannette Williams for The Bathers.
The prize includes $3,000, publication of a photo book, inclusion in a website showcasing finalists and a solo exhibition at the Archive of Documentary Arts in Duke’s Rubenstein Library. Entrants must submit 40 photos with captions, a one-page artist statement, a one-page CV and $70 by 11:59 pm, September 15.
This year, Joshua Chuang—chief curator of the Center for Creative Photography at the University of Arizona—will confer with a selection committee of accomplished photographers, editors and publishers to choose between 12 and 20 finalists, who will then be asked to submit ten sample prints by December 1, 2014. Sandra S. Philips, senior curator of photography at SFMOMA, will review the finalists, select the winner, and write the introduction to the winner’s published book. To enter, visit firstbookprizephoto.com.
The Carmignac Gestion Photojournalism Award is a competition begun in 2009 to support and promote investigative photography. The Carmignac Foundation hopes to bring light to areas and issues that have not yet captured the world’s attention, but are nonetheless crucial to geopolitics and global freedom of speech and human rights. This year’s theme is “Lawless Areas in France,” focusing on “political, legal or socio-economic no man’s land subject to deregulation—where the authority of the French Republic is challenged.”
Funding in-depth photographic reportage, this year’s prize includes €50,000, financing for a monograph, a touring exhibition through France, Italy, Germany and the U.K. and a guaranteed purchase of four prints by the foundation from the winning photographer. A preselection committee will shortlist between ten and 15 candidates, who will be sent to a jury that will convene in Paris on October 30. The deadline to apply is midnight, GMT, September 28, 2014; the name of the winning candidate will be kept confidential (for security reasons, according to Carmignac) until July 2015. To enter, apply online here.