November 19th, 2013
August 1st, 2013
Photographer Bil Zelman on How to Photograph Kids for Advertising Campaigns from PDNOnline on Vimeo.
Photographer Bil Zelman explains how he used psychology (and magic) to get emotionally genuine performances from kids for two recent advertising shoots. Zelman specializes in shooting lifestyle advertising for top brands such as Coke, Apple and Budweiser that looks real, not staged. In a previous video, he shared tips and tricks he uses to coax natural performances from adults. He also explained why he prefers non-professional talent, and how he scouts that talent for his shoots. (Check back tomorrow for another video featuring Zelman explaining how he handled two difficult celebrity portrait shoots.)
PDN Video: Bil Zelman on How to Shoot Ads that Look Real (Not Staged)
PPE 2013: Tips for Shooting Ads That Viewers Believe and Clients Like
A Hands-Off Approach to Real People Shoots
© Dave Jordano 2013
Photographer Dave Jordano’s three-year project “Detroit–Unbroken Down,” featured in this week’s Time magazine and on a recent post on Time’s Lightbox, represent a return to Jordano’s roots – both personally and professionally. Jordano grew up in Detroit, and he began revisiting it three years ago to document how it had changed since 1977, when he moved to Chicago to launch his commercial photography career. The project also represents a return to the documentary street photography he had done before he began shooting ad campaigns. Almost a decade after he began transitioning from advertising work to fine-art photography, Jordano, 65, has had several projects exhibited and sold prints to several museum collections. But, he says, “This Detroit work is the biggest thing I’ve ever done. I don’t think the project’s finished yet.”
In 2010, Jordano noticed that there were many photo books being published about Detroit, all focused on “abandonment and emptiness.” He says, “The term ‘ruin porn’ was used to describe it.” Jordano still had the street photos he’d shot in Detroit as a photo student in the 1970s, and he decided to try a re-photographing the same streets 35 years later. But the project soon changed course. Over the course of 22 trips in the last three years, he’s started focusing on “portraiture and small moments.” He explains, “There are people living here and they’re stuck here because they can’t afford to leave.” His view of Detroit isn’t rosy. City neighborhoods lack grocery stores, bus service or street lights; calls to 911 take at least an hour to rouse a response. “Anyone there will tell you it’s awful, but this is what they deal with every day” he says. His images capture people managing to survive.
As a native of Detroit, Jordano says, “I was just more emotionally connected to the place than photographers who were just coming in and out, and then posting work that made the whole city look bad.” (more…)