February 26th, 2014

Brent McDonald Named 2014 POYi Multimedia Photographer of the Year

Video journalist Brent McDonald of The New York Times has won 2014 Multimedia Photographer of the Year at the Pictures of the Year International competition, organizers have announced. He won for a portfolio that included a video called “A Deadly Dance” about a surge of heroin use in Portland, Maine; and a story about Christine Quinn’s campaign for mayor of New York.

A Deadly Dance from The New York Times – Video on Vimeo.

Documentary Project of the Year honors went to NPR’s Planet Money team for a project called “Planet Money Makes a T-Shirt.” The project also won first prize for Documentary Journalism (multimedia).

National Geographic won Best eBook (app) honors for “The Photography Issue, October 2013.”  The Best Website award went to Narratively.

Adam Panczuk won the Best Photography Book award for “Karczeby,” about the people of a region of east Poland with a strong cultural attachment to the land.

Contest organizers also announced on Monday that The New York Times won Best Newspaper honors, while National Geographic won for Best Magazine.

Judging for the competition, which began February 5, ended today. Various teams of jurors judged entries in five separate divisions: News, Sports, Reportage, Editing, and Multimedia. (Click links to see our stories on category winners in each division.)

Related:

Who’s Winning at POYi? PDN Links to First Place Entries in Editing and Multimedia Categories
Daniel Berehulak Named 2014 POYi Freelance Photographer of the Year
Barabara Davidson Named 2014 POYi Newspaper Photographer of the Year
Patrick Smith Named 2014 POYi Sports Photographer of the Year

February 24th, 2014

Nikon Announces Details for New 16.2MP D4S Flagship Full-Frame Digital SLR

Nikon-D4s_58_1.4_front-1Nikon unveiled its new D4S flagship digital SLR tonight, which seems, on paper, to be a minor upgrade to the previous model. (PDN was pre-briefed on the Nikon D4S, under NDA, prior to tonight’s launch but we were not given any hands-on time with the camera.) Like the D4, which was introduced in 2012, the new D4S uses a 16.2-megapixel, FX-format (full-frame) sensor, which Nikon describes as “newly designed.”

The revamped imaging chip in the D4S has an expanded ISO range, going all the way up to ISO 409,600 (Hi-4), which should be able to let it capture visible subject matter in near total darkness for forensic photography and other scientific applications. That extremely high ISO range could also, potentially, have photojournalistic applications such as war photography when flash is not permitted or advisable.

The Nikon D4S also has a new EXPEED 4 image processing engine designed to cut down on image noise when shooting at high ISOs in low light, and for better HD video quality and improved overall performance speed. The Nikon D4S can shoot at 11 frames per second with full autofocus (AF) and auto exposure (AE). (The previous camera could shoot at 11fps but AF and AE were locked on the first frame.) Nikon says the D4S has an “overall 30% increase in processing power.”

The Nikon D4S first premiered, under glass, at the Consumer Electronics Show (CES) in Las Vegas in January, but details about the camera were not officially announced until tonight.

Read the rest of this story and see more photos of the new Nikon D4S here.

February 24th, 2014

White House Shuts Out Photographers Again. So Now What?

No photographers allowed: White House released this photo of President Obama's meeting with the Dalai Lama on February 21.

The White House released this photo of President Obama and the Dalai Lama on Feb. 21, after barring press photographers from the meeting.

Now that it is evident that the White House is deaf to complaints from photographers and their employers about being shut out of some of President Obama’s official meetings, the question is, What can the media do about it?

On Friday, the White House  closed a meeting between the President and the Dalai Lama, and then angered photographers, their employers, and photo trade groups by by releasing an official photo on Twitter by White House photographer Pete Souza.

Reuters and the Associated Press (AP) refused to distribute the official photo, according to a report by the National Press Photographers Association.

The White House News Photographers Association (WHNPA) issued a statement urging other news organizations not to publish the photo, describing it as “a visual press release of a news worthy event.”

WHNPA also said in their statement, “We are disappointed the White House has reverted to their old strategy of announcing a closed press event and then later releasing their own photo.”

Last November, more than three dozen news organizations signed a joint letter protesting limits on photographers’ access to some of Obama’s official meetings.

A few weeks later, The New York Times published an op-ed piece by AP director of photography Santiago Lyon, who called the White House handout photos “propaganda.”

Around the same time, journalists confronted White House press secretary Jay Carney at a White House press briefing about the issue. Carney told the journalists in so many words that The White House no longer needs photographers like it once did, because it can distribute its own pictures directly to the public on the internet.

“You don’t have to buy that newspaper or subscribe to that wire service to see that photograph,” Carney said at the time.

Nevertheless, he pledged “to work with the press and with the photographers to try to address some of their concerns.” About a week later, on December 17, he met with representatives of the National Press Photographers Association (NPPA), the WHNPA, and other media organizations.

Afterwards, NPPA general counsel Mickey Osterreicher said in a report published by NPPA, “We remain cautiously optimistic that the White House will follow through on its earlier commitment to transparency.”

That was then. On Friday, after photographers were shut out of Obama’s meeting with the Dalai Lama, White House News Photographers Association president Ron Sachs said in another NPPA report, “I think the White House grand strategy is to talk us to death and do nothing.”

Osterreicher tells PDN, “We (media groups) should be having a meeting soon” to discuss what to do next.

Undoubtedly they’ll be looking for new angles of diplomacy or attack (or both) to regain the access that White House press corps photographers once enjoyed. In the meantime, we ask PDN readers: What would you advise media organizations and photographers covering the White House to do now?

Related:

Media Protests White House Limits on Photographers
White House Press Secretary to Photographers: We Respect You, But We Don’t Need You
AP Photo Chief Appeals to Public About White House Access. Will It Help?

February 24th, 2014

ICP Announces 2014 Infinity Award Winners

The International Center of Photography (ICP) just released their list of 2014 Infinity Award Winners.

ICP will give the 2014 Cornell Capa Lifetime Achievement Award to German-born South African photographer Jürgen Schadeberg, who is known for his depictions of Apartheid.

ICP will also recognize James Welling for his contribution to fine-art photography, and photojournalists Stephanie Sinclair and Jessica Dimmock will be recognized for their work on “Too Young to Wed,” a project about child marriage.

Other award winners include:

Fashion: Steven Klein
Publication: Holy Bible by Adam Broomberg and Oliver Chanarin, MACK/AMC, 2013
Young Photographer: Samuel A. James

The award-winners will be honored in a ceremony at a gala event on Monday, April 28, 2014 in New York City.

The selection committee for this year’s awards included Sean Corcoran, ‎Curator of Prints and Photographs, Museum of the City of New York; Brett Rogers, Director, The Photographers’ Gallery, London; and Carol Squiers, Curator, ICP.

Related: Tour de Force: James Welling’s Artistic Versatility

February 24th, 2014

Who’s Winning at POYi? PDN Links to First Place Entries in Editing and Multimedia Categories

©The Denver Post/Craig F. Walker. From "Cecil & Carl," first place winner of POYi's Newspaper Feature Story Editing category.

©The Denver Post/Craig F. Walker. From “Cecil & Carl,” first place winner of POYi’s Newspaper Feature Story Editing category.

After naming Newspaper and Freelance Photographers of the Year and winners of various other categories during the past three weeks, the Pictures of the Year International competition continues to release results in other categories.

Jurors have weighed entries for the Editing and Multimedia Division categories this past week. Here’s a round-up of winners in those categories so far, with links to online versions of the stories and videos:

Editing Division:
News & Issue Story Editing (newspaper): The Washington Post, “Never the Same: Refuge Stories from the Syrian Exodus.” The entry features photography by Linda Davidson.

Feature Story Editing (newspaper): The Denver Post, “Cecil & Carl,” featuring photography by Craig F. Walker.

News & Issue Story Editing (magazine): National Geographic, “The New Oil Landscape,” featuring photography by Eugene Richards.

Feature Story Editing (magazine): TIME magazine, “A Portrait of Domestic Violence,” featuring photography by Sara Naomi Lewkowicz.

Series or Special Section: The New York Times, “The Lady Jaguars–Year 2,” featuring photography by Ruth Fremson.

Editing Portfolio (newspaper): Becky Hanger and Jeffrey Furticella, The New York Times.

Editing Portfolio (magazine): Kira Pollack, Time Magazine.

McDougall Overall in Excellence in Editing Award: The New York Times.

Best Newspaper and Best Magazine winners have yet to be named.

Multimedia Division:

Feature: “Sensei” by freelancer Ora DeKornfeld.

Sports Feature: “The Lights Go Out: the final season of Hollywood Park” by a team from the Los Angeles Times, including videographers Spencer Bakalar and Bethany Mollenkof.

News: “Spanish Bank Scandal Wipes Out Savings,” by freelancers Almudena Toral, Suzanne Daley and Rachel Chaundler.

Issue Reporting: “The Last Clinic,” by Maisie Crow (See Maisie Crow’s web site for the trailer and photographs).

Jurors will select winners of the Documentary Journalism category today. Tomorrow, jurors will select Documentary Project of the Year, Best eBook, Best Website and Multimedia Photographer of the Year.

Related:

Daniel Berehulak Named 2014 POYI Freelance Photographer of the Year

Barbara Davidson Named 2014 POYi Newspaper Photographer of the Year

Patrick Smith Named POYi’s 2014 Sports Photographer of the Year

February 21st, 2014

Cramped But Cool Studio: Sunny Dual-Photographer Studio in New Zealand

© Emily Hlavac Green

© Emily Hlavac Green

A&E Studio in Dunedin, in the province of Otago, New Zealand, houses photographers photographers Alex Lovell-Smith and Emily Hlavac Green. “Though it looks roomy, we pack in a lot here,” says Green (who also shot the photos). The “lot” includes “a custom-made desk complete with makeshift shelves for magazines, plus three backdrops, an art area, coffee grinder, fridge, grapevine, table in the sunniest spot.” When the backdrops are in use, they fill the floor space, so light stands have to be placed on the desk, she says, but when not in use they’re rolled up and stored along a beam in the ceiling. The grapevine was left by the artist who previously occupied the space; it’s thriving in the sunlight from the big windows, Green says. The floorboards have been painted white since a client asked for white floor on a shoot.

Located it an old building in a small town, has some nice conveniences, Green says. “On a good day we can sit out on the ‘balcony’ (fire escape) for lunch. The ‘downstairs office’ (local pub) is close enough that we can pick up our wifi!”

© Emily Hlavac Green

© Emily Hlavac Green

Is your workspace compact but neat, small but con?  Please share it with PDN readers in our Cramped But Cool Studio Showcase. Send us a jpeg or two or three, plus a description of the space and what you like about it to editor@pdnonline.com (be sure to put “Cramped but Cool” in the subject line). The photographer whose Cramped But Cool studio gets the most positive comments and votes on our Facebook page will win a gift certificate to photo retailer B&H Photo & Video.

Coming up on the Cramped But Cool Studio Showcase: A sleek little office close to New York City.

Related Articles:

Cramped But Cool Studio: Polished, 300-Square-Foot Reno Near Toronto


Cramped But Cool Studio: Down to the Basics in Hawaii

Cramped But Cool Studio Showcase: Show Us Where You Work

February 20th, 2014

Hartford Police Sued for Stopping Camera Drone, Chasing Photog Away

A news photographer has sued the Hartford, Connecticut police department and two of its officers for forcing him to stop flying a camera-equipped drone over the scene of a police investigation.

Photographer Pedro Rivera, who works for television station WFSB, was briefly detained for questioning and ordered to stop flying the remote-controlled drone over the scene of a fatal traffic accident on February 1.

Rivera was not on duty for WFSB television and was not gathering video for the station at the time, he told police at the scene. But he acknowledged to police that he sometimes provides video footage from his drone to the TV station.

After he was detained, police ordered him to leave the scene. Rivera alleges that police then called his employer, and told a supervisor that Rivera had interfered with a  police investigation. Police urged the station to discipline Rivera, he alleges in the lawsuit.

He was suspended from his job “for at least one week,” the lawsuit says.

Rivera says police violated his First Amendment rights to “monitor” the police response to a motor vehicle accident, and his Fourth Amendment protection against unreasonable seizure.

Rivera asserts in his lawsuit that “private citizens do not need local, state or federal approval to operate a remote-controlled aircraft” and that police had no cause to believe he was “in violation of any law or regulatory requirement.”

The Federal Aviation Administration has taken the position that commercial use of drones is illegal, and that journalism amounts to commercial use of the vehicles, according to an NPPA report. That report also notes that some critics say there is no legal basis for the FAA’s position.

Rivera is seeking compensatory damages for lost wages and emotional distress, as well as punitive damages. In addition, he is asking the court for a declaratory judgment that he wasn’t violating any laws by flying the drone, and for an injunction to prevent Hartford police from “interfering with the lawful operation of drones within city limits.”

Hartford police have yet to file a response to Rivera’s claims, and they did not immediately respond to a request for comment.

Related:
PDN Video: A Photographer’s Guide to the First Amendment and Dealing with Police Intimidation
Police Intimidation Watch: New Haven Police Sued for Arresting Photographer, Erasing iPhone Video

February 20th, 2014

PDN Video: A Photographer’s Guide to the First Amendment and Dealing with Police Intimidation

Since the 9/11 terrorist attacks, news photographers have been subject to police intimidation and arrest, as if photography is a crime. But federal law protects photography and photographers, as Mickey Osterreicher, general counsel to the National Press Photographers Association, explains in this video. The challenge for photographers is knowing how to assert your rights in tense situations, without getting arrested. Osterreicher offers practical tips for staying out of trouble while getting the pictures you need. And for photographers unfortunate enough to get arrested, he suggests places to call for legal help.

Related:

Police Intimidation Watch: New Haven Police Sued for Arresting Photographer, Erasing iPhone Video

Police Intimidation Watch: Detroit Police Apologize After Video Shows Them Violating Photographer’s Rights

Police Intimidation Watch: Cop Charged with Lying About a Photographer’s Arrest

February 19th, 2014

Trunk Archive Buys Bernstein & Andriulli, Gallery Stock

Image licensing agency Trunk Archive has acquired Bernstein & Andriulli (B&A), the photographers’ rep firm, and its sister company Gallery Stock, Bernstein & Andriulli announced today.

Howard Bernstein said in a prepared statement that Trunk Archive’s image collection and service capabilities “make [Trunk Archive] the perfect partner for future growth and offers many strategic opportunities to our artists.”

B&A represents about 45 photographers. The firm also represents illustrators, directors, hair and makeup artists and stylists. Gallery Stock represents about 120 commercial, fine-art and editorial photographers for secondary sales of their images.

B&A and Gallery Stock will continue to operate under Bernstein’s direction, and retain their brand identities, according to the announcement.

Trunk Archive CEO Matthew Moneypenny said in the statement that the combined companies will give clients “unprecedented access to the world’s most creative and thought-provoking imagery,” but he provided no specifics.

Trunk Archive represents more than 250 photographers around the world for secondary image sales. Founded seven years ago by Moneypenny, a former Art + Commerce image licensing agent, It has offices in New York, Los Angeles, Paris, Sidney, Hong Kong, Beijing and Shanghai.

Related:
(Re)Sales Opportunities (subscription required)

February 18th, 2014

Daniel Berehulak Named 2014 POYi Freelance Photographer of the Year

©Daniel Berehulak from his project "Maha Kumbh Mela"

©Daniel Berehulak from his project “Maha Kumbh Mela”

Daniel Berehulak has been named Photographer of the Year–Freelance at the 2014 Pictures of the Year International Competition. Berehulak, who is based in New Delhi, India, won the honor for a portfolio that includes stories about malnutrition and drug addiction in Afghanistan, the Hindu pilgrimage Maha Kumbh Mela, and celebrations by South Africans of Nelson Mandela just after his death last December.

The prize, which was decided yesterday and announced today, were part of the Reportage Division of the POYi competition. Yesterday, POYi announced on its web site that Annalisa Natali Murri won the Community Awareness Award her project “Len’s Daughters,” about women still struggling to survive after a massive earthquake in Armenia in 1988. Robin Hammond won the World Understanding Award for his project “Condemned,” about the neglect and abuse of the mentally ill in war-torn African countries.

PDN posted a story yesterday identifying other winners of Reportage Division categories.

Jurors for the Reportage Division included Danny Wilcox Frazier, Renée C. Byer, Richard Cahan, and Lara Solt.

Judging of POYi’s Editing Division entries began today. Multimedia Division judging begins on Saturday.

Related articles:

Robin Hammond Wins 2014 POYi World Understanding Award

Robin Hammond Wins $30,000 W. Eugene Smith Fund Grant (subscription required)

National Geographic Experiments with a New Form of Digital Storytelling
(Nick Nichols’ Serengeti Lions)

Barbara Davidson Names 2014 POYi Newspaper Photographer of the Year

Patrick Smith Named POYi’s 2014 Sports Photographer of the Year