On The Ones We Love, a web-based project created and curated by Lindley Warren, photographers share images of “people they love, cherish, and find inspiration within.” The site features work by photographers from all over the world, whose subjects range from lovers to friends to family members. The images are intimate and revealing—an exchange of looks, a laugh, an adventure, some nudity. At the top of each entry is a short text from the photographer, which is sometimes descriptive, other times abstract.
Warren launched the site earlier this year with work from ten photographers, and it’s grown since then to feature the work of more than 70. She posts daily, and receives a few submissions each day. Warren says she is trying “to create a quiet space,” with the project, “a place where people can go and be there with the photographs and be there with the intimacy of it.”
This is the second iteration of The Ones We Love. Warren initially created the site in 2008 for a class project when she was a 19-year-old art student. She reached out to a number of photographers and her correspondence with them inspired her to create the site. Warren wanted to “connect and to see a deeper part of these photographers’ lives,” she says.
Warren became interested in web-based curating after getting into photography as a teen. She wanted to connect with other aspiring artists. “Curating a website is a really great way to communicate with people, get to know them, get familiar with their work, and get familiar with work that you maybe wouldn’t have otherwise,” she explains.
Part of the reason she re-launched the site was that people continued to ask about it and tell her that it had an effect on them. There was a lot of support for the first iteration of The Ones We Love, Warren says, but as a busy student she didn’t quite “comprehend that it actually meant something to other people.” Since then, the number of web-based curatorial projects has grown exponentially, and she’s observed and been inspired by those sites, which gave her a better understanding of how viewers might see The Ones We Love. “Now when people say ‘I really like your project,’ it means a lot more, because I understand more fully on a personal level what they mean.”