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September 15th, 2014

Photokina 2014: Olympus Intros 40-150mm Pro Lens, Firmware Upgrade for Studio Tethering

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Olympus announced today at Photokina that it will bring a new 40-150mm f/2.8 Pro lens to the market in November.

The M.Zuiko Digital ED 40-150mm lens keeps a constant f/2.8 aperture and uses dual linear voice coil motors to keep focusing fast and quiet. Capable of focusing on objects as close as 20 inches away, the lens offers a dedicated function button, manual focus clutch and a sliding protective lens hood. It’s also dust, splash and freeze proof and measures in at a little over 6 inches.

The lens will set you back $1,499. Olympus will also sell a 1.4x teleconverter, the MC-14, for use with the lens in November for $349.

Firming Up

The OM-D E-M1 is also getting a firmware upgrade the will enable several new capabilities including USB tethered shooting using the new Olympus Capture software utility. Capture will display the E-M1′s live view display on a computer monitor and allow for remote controlling the camera from a desktop or laptop.

The firmware will also allow keystone compensation to correct trapezoidal distortion in live view and delivers the Live Composite Mode found on the E-M10 for capturing light trails in a dark sky. There are also two new Art Filters, improved EVF display lag, and a panning scene mode that sets optimal shutter speed to match the movements of your subject.

The new firmware will come pre-installed in a new Silver edition of the E-M1 (shipping this month) and will be available for current E-M1 owners on September 24th.

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September 12th, 2014

Sony Courts Filmmakers with New Full Frame Lens

Sony’s continued its push to make its full frame mirrorless system attractive to filmmakers with the new FE PZ 28-135mm F G OSS, the first full-frame lens with a power zoom for smoother focusing. SELP28135G_A-1200

The new E-mount lens is part of Sony’s effort to boost its full frame cameras among filmmakers by tackling three issues that bedevil still photo lenses during video shoots: changes in angle of view during focusing, focus shifts during zoom and the movement of the optical axis during zooming.

The new lens will combat these maladies with a supersonic wave motor drive and a double linear motor to reduce focus noise.

The FE PZ 28-135 will also have separate control rings for focus, zoom and aperture and features a maximum aperture of f/4. Optical image stabilization is also on hand to keep things steady—it can be switched off via a button on the lens barrel.

The new lens is set to ship in December for $2,499.

July 23rd, 2014

Court Refuses to Hear Challenge to FAA’s Drone Cease-and-Desist Orders

A Federal appeals court in Washington, DC, has dismissed a lawsuit against the Federal Aviation Administration (FAA) by a search-and-rescue group in Texas that uses drones in its work, but both sides in the case are declaring victory.

Texas EquuSearch had tried to overturn an email from the FAA ordering the group to stop operating unmanned aerial vehicles (UAVs), commonly called drones, in its search-and-rescue operations, the AP reports.

The three-judge panel said it could not review the case because the warning notice the FAA sent to did not represent the agency’s final policy on drone use, “nor did it give rise to any legal consequences.” The FAA is expected to finalize its policy on piloting drones for non-recreational use next year. The policy could affect photographers who  use drones to carry cameras on assignment.

The court’s ruling fails to clarify what authority the FAA has currently to regulate the use of drones.  In March, a federal administrative court judge overturned a $10,000 fine the FAA had imposed on photographer Raphael Pirker for using a drone to shoot a video for the University of Virginia, because the FAA still has no regulations on the books regarding the use of drones.

Brendan Schulman, the lawyer for Texas EquuSearch, told the site Motherboard that the appeals court ruling last week  “achieves the desired result of clarifying that Texas EquuSearch is not legally required to halt these humanitarian operations.” Texas EquuSearch has resumed piloting drones, AP reports.

In a statement, the FAA said, “The court’s decision in favor of the FAA regarding the Texas EquuSearch matter has no bearing on the FAA’s authority to regulate” unmanned aircraft vehicles. The FAA also said it reviews the use of drones “that are not for hobby or recreation on a case-by-case basis.”

Related Article
Commercial Drones are Legal, Federal Court Says

http://pdnpulse.pdnonline.com/2014/03/commercial-drones-are-legal-federal-court-says.html

July 3rd, 2014

Photographer Creates Free iPhone App for His Signature Style

New York City-based photographer Alexander Richter has used the Contrast by Hornbeck app to make images of the city's architecture for his Instagram feed.

New York City-based photographer Alexander Richter has used the Contrast by Hornbeck app to make a series of images of the city’s architecture for his Instagram feed. Photo © Alexander Richter

Photographer John Hornbeck couldn’t find a camera app for his phone that came anywhere close to the high-contrast, black-and-white photographs he makes with his camera, and he wasn’t interested in “having to purchase a bunch of add-ons.” Hornbeck, who earns money from his photography but also works in the software industry, decided to collaborate with a friend to build an app that would come close to reproducing his style.

After they finished the app, Contrast by Hornbeck, the photographer used it for a few months before he and the developer decided to “push it out to the public and see if there would be any interest from others.” There has been.

Hornbeck has promoted the app—it’s available for free—via his social media channels, and others have shared it. “I know at least a couple of respected photographers who use it and have told others about it, so it’s just word of mouth and people playing around,” he says. The downloads number “in the thousands,” and several hundred images on Instagram are tagged with the #contrastbyhornbeck hashtag.

The biggest thing this app offers that others don’t, Hornbeck says, is simplicity. Photographers can use it to make high-contrast, black-and-white shots. “That’s all it does and we have no plans to really change that.”

 

June 27th, 2014

End of the Line for Apple’s Aperture Photo Software?

Apple-Aperture-3-(2)We haven’t heard much from Apple lately on its Aperture image management and editing software so it came as little surprise to learn that the company now appears to be pulling the plug on this once much ballyhooed program for pro photographers.

According to The Loop, Apple says its will no longer develop Aperture. Apple will, instead, concentrate on its new Photos app for the Mac, which was announced during the Worldwide Developer’s Conference earlier this month.

“With the introduction of the new Photos app and iCloud Photo Library, enabling you to safely store all of your photos in iCloud and access them from anywhere, there will be no new development of Aperture,” Apple said in a statement to The Loop. “When Photos for OS X ships next year, users will be able to migrate their existing Aperture libraries to Photos for OS.”

The new Photos app will also replace Apple’s long-running iPhoto consumer photography program, according to The Loop.

Apple Aperture was launched, with much fanfare, at PhotoPlus Expo in 2005. Soon after its introduction, Aperture faced stiff competition from several other image management and editing applications including Adobe’s Lightroom, which has dominated the pro photography software market in recent years.

(Via Mac Rumors)

June 26th, 2014

Nikon Unveils 36.3MP, Full-Frame D810 Pro DSLR with No Optical Low Pass Filter (Hands-on Preview)

Nikon-D810-(front)-webNikon took the wraps off its latest professional digital SLR this morning: the 36.3MP, full-frame D810, which uses no optical low pass filter (OLPF) in an effort to optimize resolution and increase sharpness and dynamic range.

We got some hands-on time with an early version of the Nikon D810, which is designed to replace both the D800 and D800E models from 2012.

The 35mm-sized, CMOS chip in the Nikon D810 has the same resolution as the sensors in the D800/E models, but a Nikon representative we spoke with during our hands-on time with the camera said it has been “newly designed.”

He stopped short, however, of calling it a brand new chip.

The Nikon D810 will go on sale in late July for $3,299.95 (body only), which is about $300 more than the D800 debuted at in 2012, but the same price as the D800E. The first two images of the D810 in this story were shot during our hands-on time with camera; the rest were provided by Nikon.

Read more of this story about the Nikon D810 and see more images here.

June 18th, 2014

Adobe Expands Monthly $9.99 Photoshop Cloud Plan to Include New Photoshop Mix iPad App

1_Adobe-2014-CC-ReleaseAdobe has offered photographers a $9.99 per month Photoshop Photography Program for a while now but the San Jose, CA-based company announced this morning it’s adding several new things to the mix.

Retitled the Adobe Creative Cloud Photography plan, it’s aimed at “anyone interested in photography” and includes Photoshop CC, Lightroom 5, and the brand new Photoshop Mix iPad app. The app offers some desktop Photoshop editing features for Apple’s tablet computer.

The Adobe Creative Cloud Photography plan also includes the Adobe Lightroom Mobile app, which debuted for the iPad in April and is now available for the iPhone, as well.

Adobe Photoshop Mix is designed to provide a wireless workflow with Creative Cloud, letting you access some of Photoshop CC’s tools on your iPad. Photoshop Mix lets you open Photoshop documents, access individual layers from a Photoshop PSD file, and grab images from Lightroom Mobile.

Once you have an image open in Photoshop Mix, you can access a range of Photoshop tools including Upright, Content Aware Fill, and Camera Shake Reduction.

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You can then export your finished image with all its layers and masks intact from Mix to Photoshop CC for further tweaking on your desktop computer.

Read more about Adobe’s revamped photography subscription plan in the press release after the jump.
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June 8th, 2014

Fake Chuck Westfall Unmasked!: Photographer Behind Controversial Canon Blog Reveals Why He’s Calling It Quits

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The real Chuck Westfall, a Technical Advisor at Canon USA for pro imaging products

If you follow the photo industry and, in particular, the world of Canon photography products, you’ve undoubtedly heard of the Fake Chuck Westfall blog.

A direct descendent of the Fake Steve Jobs persona that humorously parodied Apple’s leading luminary on The Secret Diary of Steve Jobs blog, Fake Chuck Westfall has been spoofing Canon’s main camera guru and the photo industry in general since 2008.

Fake Steve Jobs turned out to be writer Dan Lyons but Fake Chuck Westfall has remained anonymous…until now.

After tweeting on the FCW Twitter account last week that he was planning to pull the plug on Fake Chuck Westfall, the man behind the controversial blog agreed to be interviewed by PDN to explain who he is, why he created FCW, and why he’s putting an end to it. (And no, it’s not because Canon is threatening legal action, as it did back in 2009, which turned Fake Chuck Westfall into a photo industry Internet celebrity and caused the blog’s traffic to skyrocket.)

So, without further ado, meet photographer Karel Donk, aka Fake Chuck Westfall. Donk will give a more in depth account of the entire Fake Chuck Westfall saga in a post on his blog on Monday morning. (UPDATE: Here’s Donk’s FCW farewell post.)

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May 15th, 2014

Sony Adds RX100 III, the Sequel to Our Favorite Pocket Camera of 2013

Sony just launched the pocket-friendly but powerful RX100 III, which is the follow-up to our favorite pocket camera of 2013. Those are some pretty big shoes to fill for a camera that’s just an 1.5-inch thick and weighs around 10 ounces.

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The Sony RX100 III is not an overhaul of RX100 Il — thankfully, since that was a very well designed little camera — and even uses the same 20.1-megapixel 1.0-inch back-illuminated CMOS sensor as its predecessor. It also has about the same dimensions as the previous model — 4.0 x 2.3 x 1.5 inches — though might be slightly thicker.

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The new Sony RX100 III does, however, add some significant new features — particularly relating to the lens — including the following highlights:

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May 13th, 2014

Big Guns: Nikon Launches 400mm F/2.8 FL ED VR Super Telephoto Lens and 1.4x Teleconverter

Nikon unleashed a new super telephoto lens and tele extender this morning: the AF-S Nikkor 400mm f/2.8E FL ED VR lens and 1.4x magnifying AF-S Teleconverter TC-14E III. Sports photographers and wildlife shooters should find a lot to like here; the Nikkor 400mm f/2.8 features improved autofocus, exposure accuracy and speed, while the teleconverter TC-14E III multiplies the focal length of Nikon lenses by 1.4x with reportedly only a one-stop loss of exposure.

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Unfortunately for those photographers looking to get their hands on these big guns they don’t go on sale until August 2014 and they won’t be cheap. The the AF-S Nikkor 400mm f/2.8E FL ED VR lens will sell for $12,000, while the AF-S Teleconverter TC-14E III will retail for $500.

Read more of this story here.