You are currently browsing the archives for the Photojournalism category.

February 24th, 2014

Nikon Announces Details for New 16.2MP D4S Flagship Full-Frame Digital SLR

Nikon-D4s_58_1.4_front-1Nikon unveiled its new D4S flagship digital SLR tonight, which seems, on paper, to be a minor upgrade to the previous model. (PDN was pre-briefed on the Nikon D4S, under NDA, prior to tonight’s launch but we were not given any hands-on time with the camera.) Like the D4, which was introduced in 2012, the new D4S uses a 16.2-megapixel, FX-format (full-frame) sensor, which Nikon describes as “newly designed.”

The revamped imaging chip in the D4S has an expanded ISO range, going all the way up to ISO 409,600 (Hi-4), which should be able to let it capture visible subject matter in near total darkness for forensic photography and other scientific applications. That extremely high ISO range could also, potentially, have photojournalistic applications such as war photography when flash is not permitted or advisable.

The Nikon D4S also has a new EXPEED 4 image processing engine designed to cut down on image noise when shooting at high ISOs in low light, and for better HD video quality and improved overall performance speed. The Nikon D4S can shoot at 11 frames per second with full autofocus (AF) and auto exposure (AE). (The previous camera could shoot at 11fps but AF and AE were locked on the first frame.) Nikon says the D4S has an “overall 30% increase in processing power.”

The Nikon D4S first premiered, under glass, at the Consumer Electronics Show (CES) in Las Vegas in January, but details about the camera were not officially announced until tonight.

Read the rest of this story and see more photos of the new Nikon D4S here.

February 24th, 2014

White House Shuts Out Photographers Again. So Now What?

No photographers allowed: White House released this photo of President Obama's meeting with the Dalai Lama on February 21.

The White House released this photo of President Obama and the Dalai Lama on Feb. 21, after barring press photographers from the meeting.

Now that it is evident that the White House is deaf to complaints from photographers and their employers about being shut out of some of President Obama’s official meetings, the question is, What can the media do about it?

On Friday, the White House  closed a meeting between the President and the Dalai Lama, and then angered photographers, their employers, and photo trade groups by by releasing an official photo on Twitter by White House photographer Pete Souza.

Reuters and the Associated Press (AP) refused to distribute the official photo, according to a report by the National Press Photographers Association.

The White House News Photographers Association (WHNPA) issued a statement urging other news organizations not to publish the photo, describing it as “a visual press release of a news worthy event.”

WHNPA also said in their statement, “We are disappointed the White House has reverted to their old strategy of announcing a closed press event and then later releasing their own photo.”

Last November, more than three dozen news organizations signed a joint letter protesting limits on photographers’ access to some of Obama’s official meetings.

A few weeks later, The New York Times published an op-ed piece by AP director of photography Santiago Lyon, who called the White House handout photos “propaganda.”

Around the same time, journalists confronted White House press secretary Jay Carney at a White House press briefing about the issue. Carney told the journalists in so many words that The White House no longer needs photographers like it once did, because it can distribute its own pictures directly to the public on the internet.

“You don’t have to buy that newspaper or subscribe to that wire service to see that photograph,” Carney said at the time.

Nevertheless, he pledged “to work with the press and with the photographers to try to address some of their concerns.” About a week later, on December 17, he met with representatives of the National Press Photographers Association (NPPA), the WHNPA, and other media organizations.

Afterwards, NPPA general counsel Mickey Osterreicher said in a report published by NPPA, “We remain cautiously optimistic that the White House will follow through on its earlier commitment to transparency.”

That was then. On Friday, after photographers were shut out of Obama’s meeting with the Dalai Lama, White House News Photographers Association president Ron Sachs said in another NPPA report, “I think the White House grand strategy is to talk us to death and do nothing.”

Osterreicher tells PDN, “We (media groups) should be having a meeting soon” to discuss what to do next.

Undoubtedly they’ll be looking for new angles of diplomacy or attack (or both) to regain the access that White House press corps photographers once enjoyed. In the meantime, we ask PDN readers: What would you advise media organizations and photographers covering the White House to do now?

Related:

Media Protests White House Limits on Photographers
White House Press Secretary to Photographers: We Respect You, But We Don’t Need You
AP Photo Chief Appeals to Public About White House Access. Will It Help?

February 24th, 2014

Who’s Winning at POYi? PDN Links to First Place Entries in Editing and Multimedia Categories

©The Denver Post/Craig F. Walker. From "Cecil & Carl," first place winner of POYi's Newspaper Feature Story Editing category.

©The Denver Post/Craig F. Walker. From “Cecil & Carl,” first place winner of POYi’s Newspaper Feature Story Editing category.

After naming Newspaper and Freelance Photographers of the Year and winners of various other categories during the past three weeks, the Pictures of the Year International competition continues to release results in other categories.

Jurors have weighed entries for the Editing and Multimedia Division categories this past week. Here’s a round-up of winners in those categories so far, with links to online versions of the stories and videos:

Editing Division:
News & Issue Story Editing (newspaper): The Washington Post, “Never the Same: Refuge Stories from the Syrian Exodus.” The entry features photography by Linda Davidson.

Feature Story Editing (newspaper): The Denver Post, “Cecil & Carl,” featuring photography by Craig F. Walker.

News & Issue Story Editing (magazine): National Geographic, “The New Oil Landscape,” featuring photography by Eugene Richards.

Feature Story Editing (magazine): TIME magazine, “A Portrait of Domestic Violence,” featuring photography by Sara Naomi Lewkowicz.

Series or Special Section: The New York Times, “The Lady Jaguars–Year 2,” featuring photography by Ruth Fremson.

Editing Portfolio (newspaper): Becky Hanger and Jeffrey Furticella, The New York Times.

Editing Portfolio (magazine): Kira Pollack, Time Magazine.

McDougall Overall in Excellence in Editing Award: The New York Times.

Best Newspaper and Best Magazine winners have yet to be named.

Multimedia Division:

Feature: “Sensei” by freelancer Ora DeKornfeld.

Sports Feature: “The Lights Go Out: the final season of Hollywood Park” by a team from the Los Angeles Times, including videographers Spencer Bakalar and Bethany Mollenkof.

News: “Spanish Bank Scandal Wipes Out Savings,” by freelancers Almudena Toral, Suzanne Daley and Rachel Chaundler.

Issue Reporting: “The Last Clinic,” by Maisie Crow (See Maisie Crow’s web site for the trailer and photographs).

Jurors will select winners of the Documentary Journalism category today. Tomorrow, jurors will select Documentary Project of the Year, Best eBook, Best Website and Multimedia Photographer of the Year.

Related:

Daniel Berehulak Named 2014 POYI Freelance Photographer of the Year

Barbara Davidson Named 2014 POYi Newspaper Photographer of the Year

Patrick Smith Named POYi’s 2014 Sports Photographer of the Year

February 20th, 2014

Hartford Police Sued for Stopping Camera Drone, Chasing Photog Away

A news photographer has sued the Hartford, Connecticut police department and two of its officers for forcing him to stop flying a camera-equipped drone over the scene of a police investigation.

Photographer Pedro Rivera, who works for television station WFSB, was briefly detained for questioning and ordered to stop flying the remote-controlled drone over the scene of a fatal traffic accident on February 1.

Rivera was not on duty for WFSB television and was not gathering video for the station at the time, he told police at the scene. But he acknowledged to police that he sometimes provides video footage from his drone to the TV station.

After he was detained, police ordered him to leave the scene. Rivera alleges that police then called his employer, and told a supervisor that Rivera had interfered with a  police investigation. Police urged the station to discipline Rivera, he alleges in the lawsuit.

He was suspended from his job “for at least one week,” the lawsuit says.

Rivera says police violated his First Amendment rights to “monitor” the police response to a motor vehicle accident, and his Fourth Amendment protection against unreasonable seizure.

Rivera asserts in his lawsuit that “private citizens do not need local, state or federal approval to operate a remote-controlled aircraft” and that police had no cause to believe he was “in violation of any law or regulatory requirement.”

The Federal Aviation Administration has taken the position that commercial use of drones is illegal, and that journalism amounts to commercial use of the vehicles, according to an NPPA report. That report also notes that some critics say there is no legal basis for the FAA’s position.

Rivera is seeking compensatory damages for lost wages and emotional distress, as well as punitive damages. In addition, he is asking the court for a declaratory judgment that he wasn’t violating any laws by flying the drone, and for an injunction to prevent Hartford police from “interfering with the lawful operation of drones within city limits.”

Hartford police have yet to file a response to Rivera’s claims, and they did not immediately respond to a request for comment.

Related:
PDN Video: A Photographer’s Guide to the First Amendment and Dealing with Police Intimidation
Police Intimidation Watch: New Haven Police Sued for Arresting Photographer, Erasing iPhone Video

February 20th, 2014

PDN Video: A Photographer’s Guide to the First Amendment and Dealing with Police Intimidation

Since the 9/11 terrorist attacks, news photographers have been subject to police intimidation and arrest, as if photography is a crime. But federal law protects photography and photographers, as Mickey Osterreicher, general counsel to the National Press Photographers Association, explains in this video. The challenge for photographers is knowing how to assert your rights in tense situations, without getting arrested. Osterreicher offers practical tips for staying out of trouble while getting the pictures you need. And for photographers unfortunate enough to get arrested, he suggests places to call for legal help.

Related:

Police Intimidation Watch: New Haven Police Sued for Arresting Photographer, Erasing iPhone Video

Police Intimidation Watch: Detroit Police Apologize After Video Shows Them Violating Photographer’s Rights

Police Intimidation Watch: Cop Charged with Lying About a Photographer’s Arrest

February 18th, 2014

Daniel Berehulak Named 2014 POYi Freelance Photographer of the Year

©Daniel Berehulak from his project "Maha Kumbh Mela"

©Daniel Berehulak from his project “Maha Kumbh Mela”

Daniel Berehulak has been named Photographer of the Year–Freelance at the 2014 Pictures of the Year International Competition. Berehulak, who is based in New Delhi, India, won the honor for a portfolio that includes stories about malnutrition and drug addiction in Afghanistan, the Hindu pilgrimage Maha Kumbh Mela, and celebrations by South Africans of Nelson Mandela just after his death last December.

The prize, which was decided yesterday and announced today, were part of the Reportage Division of the POYi competition. Yesterday, POYi announced on its web site that Annalisa Natali Murri won the Community Awareness Award her project “Len’s Daughters,” about women still struggling to survive after a massive earthquake in Armenia in 1988. Robin Hammond won the World Understanding Award for his project “Condemned,” about the neglect and abuse of the mentally ill in war-torn African countries.

PDN posted a story yesterday identifying other winners of Reportage Division categories.

Jurors for the Reportage Division included Danny Wilcox Frazier, Renée C. Byer, Richard Cahan, and Lara Solt.

Judging of POYi’s Editing Division entries began today. Multimedia Division judging begins on Saturday.

Related articles:

Robin Hammond Wins 2014 POYi World Understanding Award

Robin Hammond Wins $30,000 W. Eugene Smith Fund Grant (subscription required)

National Geographic Experiments with a New Form of Digital Storytelling
(Nick Nichols’ Serengeti Lions)

Barbara Davidson Names 2014 POYi Newspaper Photographer of the Year

Patrick Smith Named POYi’s 2014 Sports Photographer of the Year

February 14th, 2014

Patrick Smith Named POYi’s 2014 Sports Photographer of the Year

©Patrick Smith

©Patrick Smith

Freelance photographer Patrick Smith has won Sports Photographer of the Year honors at the 2014 Pictures of the Year International competition (POYi). Smith won for a diverse portfolio that emphasized his NASCAR coverage, but included sports action, portraits and feature photos of athletes and fans of various sports.

National Geographic magazine has won the top prize in the Sports Story Editing category for a story titled “On the Trail with the First Skiers,” a story about skiers in a remote area of China and the clues they offer about the evolution of the sport. The story was photographed by Jonas Bendiksen.

Other categories in the 2014 POYi Sports Division contest and their first-place winners include:

Sports Action: Mark J. Terrill of Associated Press for his photograph of welterweight boxer Pablo Cesar Cano landing a punch on the face of opponent Ashley Theophane.

Sports Feature: Jabin Botsford, a student at Western Kentucky University, for an image he shot at a Kentucky high school cheerleading competition.

Recreational Sports: Alex Goodlett of the Daily Herald (Provo, Utah), for an image he shot at a high school volleyball match.

Sports Picture Story:  Daniel Ochoa De Olza for a story about bullfighting in Spain.

Judges for the Sports Division entries were James Colton, Elsa Garrison, and John McDonnell

Judging for the Reportage Division (formerly Magazine Division) entries begins tomorrow and continues through this weekend. Editing and Multimedia Division entries will be judged next week.

Related
Barbara Davidson Named 2014 POYi Newspaper Photographer of the Year

POYi Posts Winning Entries for Its Newspaper Division Contest (And PDN Names the Photographers)

February 12th, 2014

Does The NY Times’ Sochi Photo “Firehose” Do Photogs a Disservice?

Today The New York Times launched a live stream of images from Sochi, which they’re dubbing a “Firehose.” It funnels images by Times photographers and from the paper’s wire service feeds, and evidently there will be roughly 14,000 images per day coming through the, ahem, hose.

The images are running without captions. And while there are many great photographs, there are many others that leave us to guess what’s happening in the image, and which are pretty ho-hum without context (see: athlete celebrating win, for something, who knows what?)

There are good things about the site. It has a simple design and big photos. It’s giving a lot of images that wouldn’t make it into media outlets a run in a central place. And the site is presented by United Airlines, so they aren’t just giving this away. People who love sports pictures and can’t get enough of them can watch them stream by, and so what if there are no captions? Most of them you can figure out. And it’s not as if this replaces galleries of edited and captioned pictures.

But does this diminish not only the perceived value of the images, but also the editorial selection and captioning process at a time when the public perception of photography is that it’s so abundant it’s worth very little? Maybe. The name “Firehose” seems like self-parody, an admission that the flow of images has devalued photography to the point that the Times has decided to just throw up their hands and open the valve.

Perhaps we’re making too much of this? Maybe we should sit back and let the stream wash over us? What you do you think, dear reader?

February 11th, 2014

Barbara Davidson Named 2014 POYi Newspaper Photographer of the Year

Los Angeles Times photographer Barbara Davidson has won Newspaper Photographer of the Year honors in the 2014 Pictures of the Year International (POYi) competition, contest organizers announced this afternoon.

“[T]he judges noted a strong balance of powerful aesthetic with solid journalistic content” in Davidson’s portfolio, POYi organizers said in a prepared statement. Her portfolio included two picture stories: “A Healing Bond,” about a girl from Afghanistan who came to the US for medical treatment; and “LA’s Shooting Season,” about the trauma team at Harbor-UCLA Medical Center.

Runners up for Newspaper Photographer of the Year honors were James Oatway of The Sunday Times (Johannesburg) and Lacy Atkins of the San Francisco Chronicle.

Winners of all the POYi Newspaper Division categories were identified by PDN earlier today.

Meanwhile, POYi judges also selected winners in two Sports Division categories today. They include Alex Goodlett of the Daily Herald (Provo, Utah), who won first prize in the Recreational Sports category; and Daniel Ochoa De Olza won first prize for Sports Picture Story.

Related:
POYi Posts Winning Entries for Its Newspaper Division Contest (And PDN Names the Photographers)

February 11th, 2014

POYi Posts Winning Entries for Its Newspaper Division Contest (And PDN Names the Photographers)

 

©Taslima Akhter

©Taslima Akhter

Taslima Akhter of Bangladesh has won first prize in Spot News category of the Newspaper Division in the Picture of the Year International (POYi) competition, and Niclas Hammarström has won top prize for the General News category.

POYi organizers have not yet announced the names of the winners, pending completion of judging in all divisions and categories of the competition on February 25. But POYi is posting the winning entries on its web site as they are selected, enabling visitors to the site to figure out who they are. (The Newspaper Photographer of the Year entry has not been posted, however.)

Akhter and Hammarström both won prizes for heartbreaking images. Akhter’s image (shown here), called “Final Embrace,” shows two garment workers who died embracing each other in the collapse of a factory building in Dhaka, Bangladesh last April. Hammarström’s prize-winning photograph, from Aleppo, Syria, shows the badly burned face of a child.

Other categories and first prize winners for the Newspaper Division include:

Feature Pictures Story: Lacy Atkins (San Francisco Chronicle) for “100 Black Men Community Charter School.” (original story here.)
Issue Reporting Picture Story:  Lisa Krantz (San Antonio Express News) for “Twice Betrayed: Military Sexual Trauma.”
News Picture Story:  Tyler Hicks (The New York Times) for “Massacre at a Kenyan Mall.” (see Lens Blog)
Portrait Series: Sara Brincher Galbiati for “Circus Kids of Kabul.”
Portrait: Magnus Wennman (Aftonbladet) for “Merullah.” (Fourth slide in gallery here.)
Feature: John Stanmeyer for “Signal.” (lead and second image here.)
Natural Disaster: Philippe Lopez (AFP/Getty) for “Philippines Weather Typhoon.

Judging for the POYi Sports Division began yesterday. Mark J. Terrill of Associated Press won first prize for Sports Action for his photograph of welterweight boxer Pablo Cesar Cano landing a punch on the face of opponent Ashley Theophane. Jabin Botsford, a student at Western Kentucky University, won first prize in the Sports Feature for an image he shot at a Kentucky high school cheerleading competition.

Other Sports Division category winners will be selected today and tomorrow. Judging for the Reportage Division (formerly Magazine Division) entries begins on Friday and continues through this weekend. Editing and Multimedia Division entries will be judged next week.