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August 12th, 2014

Photographer Reported Missing in Eastern Ukraine

© Rossiya Segodnya/images by Andrei Stenin

© Rossiya Segodnya/images by Andrei Stenin

Andrei Stenin, a photojournalist for the Russian state agency Rossiya Segodnya (also called RIA Novosti) has been missing since August 5, when he last reported to his agency while covering the conflict between pro-Russian separatists and military forces supporting the Ukraine government near the cities of Donetsk and Sloviansk in eastern Ukraine. According to Committee to Protect Journalists (CPJ) and other news organizations Rossiya Segodnya has reported, citing an anonymous source, that  Stenin is being held by the Ukrainian security service (SBU). SBU denies the allegation.

Rossiya Segodnya has launched a publicity campaign to lobby for his release. Dmitry Kiselev, the head of the agency, told the press that Stenin’s work has been “purely humanitarian in nature.”

Stenin’s photos are being displayed at the Rossiya Segodnya headquarters in Moscow, and the agency has posted a gallery of photos he’s taken in Ukraine since January.

The images Stenin last filed with his agency showed armed combat between separatist militia and Ukrainian government forces, and the capture of Ukrainian soldiers in Shakhtyorsk, outside Donetsk.

August 8th, 2014

Shark Peak: When Anti-Cliché Photos Turn Out To Be Clichés

Tristan-McConnell-FBMogadishu is to sharks carried on shoulders as Havana is to vintage sedans: No photographer who goes to that location can resist photographing the same photogenic subjects.

Tristan McConnell (@t_mcconnell), a Nairobi-based foreign correspondent for GlobalPost, Monocle and the London Times, posted a comment on his Facebook page the other day that pointed out the difficulty, in today’s image-saturated world, of finding a photo subject that hasn’t already been widely seen. He posted the comment, along with examples he’s collected, in an album titled “Mogadishu Fish on the Head Photographic Meme.”

McConnell, who has worked with many photographers and–when tight budgets require it– also shoots photos for his own stories, suggests that perhaps all these similar shots were the result of photographers struggling to avoid a different cliché: The African-capital-as-disaster cliché.

McConnell writes: “The image has to say ‘decades of conflict/failed state’ but in an oblique way, so you head to seaside Hamar Weyne, the old, war-damaged colonial neighborhood.”

He continues, “And then you see it. The perfect shot: A fisherman strides towards you with the catch of the day, a fish so big it’s draped across his head and shoulders. Behind him is the wreckage of the city. It’s perfect!

“You press the shutter. Done. Trouble is every other photographer has done it, too.”

Among the dozen examples McConnell shows are Feisal Omar’s photo which won 1st prize in the 2011 World Press Photo competition’s Daily Life/singles category,

© Feisal Omar

© Feisal Omar

and Michelle Shephard’s 2011 photo published in the Toronto Star:

© Michelle Shephard/Toronto Star

© Michelle Shephard/Toronto Star

He could also have included this photo by an AFP/Getty photographer, published last year in the Daily Mail .

© AFP/Getty Images

© AFP/Getty Images

Or Jan Grarup’s famous image, published as part of a story in the German newspaper Süddeutsche Zeitung Magazin (as well as in PDN.)

© Jan Grarup

© Jan Grarup

This put us in mind of a familiar dilemma: Is it better for  photographers to ignore other photographers’ work — to insure they’re never imitating anyone, and remain happily unaware that the what they’ve just photographed has been photographed before? Or, as many clients suggest, should they try to see as much work as they can, either to avoid duplicating what’s been done, or to know the standards they need to meet if they want to find a new view of a subject that others have already discovered?

July 31st, 2014

Photographer Killed in Israeli Airstrike in Gaza (Update)

Rami Rayan, a photographer with the Palestine Network for Press and Media, was killed July 30 in an air strike by the Israeli Defense Forces in the Shuja’iya neighborhood of Gaza, Reporters Without Borders reports.

Rayan’s network manager told Committee to Protect Journalists (CPJ) that the photographer was covering civilians shopping during what they thought was a four-hour “humanitarian window” ceasefire declared by Israel, but the Israeli military had noted it would not protect Shuja’iya and certain other areas of the city.

According to news reports, the air strike killed at least 16 people and wounded more than 200 others. At the time of the attack, Rayan was wearing a flak jacket and helmet marked “press” according to Reporters without Borders.

Rayan is the third * media worker killed since Israel began its military offensive in Gaza on July 8. Khalid Hamad, a cameraman for The Continue was killed July 20 during shelling in Shuja’iya. Hamdi Shihab, a driver for the Media 24 news agency, was killed July 9 when shells struck his vehicle which was marked “TV.”

(*Update: On July 31, Committee to Protect Journalists reported that Sameh al-Aryan , a camera operator for the al-Aqsa TV channel, run by Hamas, was killed in the same air strike in which Rayan died.)

“Israel is showing little evidence to back its claim that it tries to avoid civilian casualties, including those of journalists, in its assault on Gaza,” Sherif Mansour, Middle East and North Africa Program Coordinator for CPJ, said in a statement.

July 29th, 2014

How Much Do Editorial Clients Pay? “Wiki” Gives Names and Fees

Editorial clients are reluctant to publicize information about rates for photo assignments. But photographers need to know who pays what, in order to figure out which clients are worth shooting for, and to help them negotiate assignment fees.

A Tumblr site called Who Pays Photographers? helps bridge the information gap with a wiki-inspired spreadsheet listing fees paid by numerous publications, both online and in print. The site also provides information about whether the client pays expenses, how long they take to pay, and what photographers like and dislike about the client. All the information is uploaded anonymously by photographers who have shot assignments for the clients.

But users, beware. The spreadsheet, which lists clients more or less in alphabetical order, is disorganized, and a challenge to scroll through (and it can’t be downloaded). The client list is long but not exhaustive, updates are infrequent, and some of the reports are several years old. Moreover, the information provided is unverified.

Still, Who Pays Photographers? can be a useful starting point. Photographer Anastasia Pottinger says she came across it when she was trying to figure out what to charge photo blogs to publish her portraits of centenarians, after the project went viral.

“[The site] gave me a better idea of what to expect.  I had read a few blog posts out there where people were getting $150 per image and maybe that’s true when it’s just one image, but I was not sure what to charge for a whole set of images,” she says. For online publication rights to ten of her images, she says she negotiated a $375 fee from Huffington Post, after Huffington Post asked (as it usually does) to publish the images for free.

The anonymous owner of Who Pays Photographers? said in an email that he (or she?) is a working editorial photographer, with limited time to maintain, improve or promote the site. (The Who Pays Photographers? Twitter feed and archive were last updated in February.) “I welcome input and any help in running” the site, the owner says.  See our earlier Q&A with the owner for more information.

July 24th, 2014

AP Photographer’s Killer Given Death Sentence in Kabul

Anja Niedringhaus in 2005. ©Associated Press/Peter Dejong

Anja Niedringhaus in 2005. ©Associated Press/Peter Dejong

The Afghan police officer charged with killing Associated Press photographer Anja Niedringhaus and wounding veteran AP correspondent Kathy Gannon last April has been sentenced to death by a panel of judges in Kabul, the Associated Press has reported.

Niedringhaus and Gannon were traveling under the protection of Afghan forces with a convoy of election workers  near the border of Pakistan when the police officer approached them, yelled “Allahu Akbar” — God is Great — and opened fire on them with an AK-47 rifle.

The officer, identified in press reports as Naqibullah, was sentenced Tuesday. His defense attorney argued that he was “not a normal person,” according to the AP report, but judges dismissed that defense when Naqibullah was able to state his correct name, age and the day’s date. Under Afghan law, the verdict is subject to at least two stages of appeals.

Related:
AP Photographer Anja Niedringhaus Killed in Afghanistan

July 23rd, 2014

Tim Matsui Wins $25K Fledgling Fund Grant for Sex Trafficking Project

From "Leaving the Life:" Lisa in her robe. ©Tim Matsui

From “Leaving the Life:” Lisa in her robe. ©Tim Matsui

Photographer Tim Matsui, who has focused on stories about sexual violence and human trafficking for the past decade, has won a $25,000 Fledgling Fund grant for his project called “Leaving the Life.” Matsui will use the grant to engage audiences and spur dialogue about sex trafficking of minors in the US. He plans to produce several videos, each about 15 minutes in length, tailored for different audiences.  For instance, one of the videos will examine prostitution among minors from the perspective of law enforcement, which traditionally treats minors in the sex trade as criminals rather than victims. Another short video will present the issue from the perspective of young sex workers.

“Fledgling is supporting the initial creation of this campaign which include several live screenings of the [short videos] and a basic web platform which, in the future, will be built out,” Matusi explains.

Fledgling Fund administrators did not respond to a request for comment.

Matsui won an Alexia Foundation Women’s Initiative Grant in 2012 to document new approaches by officials in Seattle to addressing the problem of the sex trafficking of minors. He will use footage he’s already shot for that project to produce the short videos for “Leaving the Life.” Separately, he has produced a longer documentary in conjunction with MediaStorm called “The Long Night.”

The Fledgling Fund, established in 2005, provides filmmakers with grants to “move audiences to action” with outreach and audience engagement initiatives. The fund has provided nearly $12 million to support 333 projects to date.

Related:
Anatomy of a Successful Grant Application: Tim Matsui on the Women’s Initiative Grant (for PDN subscribers)
Frames Per Second: A Corporate Story, Told by a Journalist

July 21st, 2014

New York Daily News Lays Off Nine Photo Staffers, Including David Handschuh

The New York Daily News has laid off at least 17 newsroom staffers, including five photographers and four photo editors, according to the New York-based publication Capital. Among those who lost their jobs were photographer David Handschuh, who has been with the paper for 27 years; and Jim Alcorn, the paper’s second ranking photo editor.

Reached by telephone, Handschuh told PDN that he was “absolutely speechless” yesterday when he was called into the office from an assignment, “and told I was no longer an employee of the New York Daily News.

“I was shown the door and walked out by myself.”

Handschuh says the other photographers laid off with him include Andrew Theodorakis, Aaron Showalter, Enid Alvarez, and Mark Bonifacio. Besides Alcorn, the photo editors who lost their jobs were Karlo Pastrovic, Kevin Coughlin, and David Pokress, Handschuh says.

According to the Capital report, Daily News staffers were particularly outraged about the decision to lay off Handschuh, who nearly died while covering the terrorist attacks on the World Trade Center for the paper on September 11, 2001.

Handschuh posted a message on Facebook saying, “I know that with support of my family and friends, I will overcome this minor hiccup in life much as I did 12 years ago when I was crushed under the the falling steel and concrete [of the World Trade Center]. The buildings are back. The spirit survives.”

Handschuh, who is 55, says he’s been busy with various projects and had had no plans to retire from the paper. “I was hoping to end my career being carried out of there,” he says.

Despite a dearth of newspaper staff jobs, he is optimistic about finding another job. “I have passion for this business and a desire to keep telling stories. It’s [a matter of] just finding the right place,” he says

The layoffs were the latest round in a series of layoffs at the paper. Like many newspapers, the Daily News has been facing declining circulation and print advertising sales revenue in recent years. Capital quoted a memo from the paper’s management saying that the latest lay offs would “put our company in a stronger position to be more competitive and accelerate our plans for digital expansion.”

More details about the layoffs are available at capitalnewyork.com

July 2nd, 2014

Magnum Photos Names Nominee, New Member, Appoints New Executive Director

At the annual meeting of Magnum Photos last week, members of the photography collective voted to make Moises Saman, a long-time Magnum associate, a full member of the agency. Bieke Depoorter and Jerome Sessini were elevated from nominees to associate members. One nominee to the agency was named: Sohrab Hura, who is based in New Delhi and was selected for PDN’s 30 in 2010. The announcements were made after the conclusion of the meeting, held in New York City.

Also at this year’s meeting, Magnum named a new executive director: David Kogan, a journalist who had previously worked as global managing director of Reuters Television.  Photographer Martin Parr, who was elected the new president of the collective, said in a statement, “I am confident that David Kogan’s experience as a successful media executive and entrepreneur, and his sensitivity as an important collector of photographs, brings the right mix of competence and vision to open this new chapter of Magnum’s history.”

Related articles
Photo Agencies Test Consumer Market with Prints and T-shirts

Magnum Announces Just One Nominee, Welcomes Olivia Arthur and Peter van Agtmael as Full Members (2013)

PDN’s 30 2010

July 1st, 2014

Sebastián Liste, Asim Rafiqui Join NOOR as Associate Members

Sebastián Liste (l), Asim Rafiqui (r)

Sebastián Liste (l), Asim Rafiqui (r)

Photographers Sebastián Liste and Asim Rafiqui have joined NOOR as associate members, the Amsterdam-based photo agency has announced.

Liste, a 2012 PDN’s 30 who divides his time between Brazil and Spain, his native country, documents contemporary issues and cultural changes in Latin America and the Mediterranean.  Rafiqui is photojournalist who has reported from countries throughout Europe, Asia and North America, and has written extensively about photojournalism ethics. He recently wrote an essay for PDN about multidisciplinary approaches to photojournalism. Rafiqui is currently based in Kigali, Rwanda and Lahore, Pakistan.

NOOR says its aim is to expand it’s roster of photographers by promoting Liste and Rafiqui to full members after a one-year trial period. The agency, established in 2007, currently has ten photographer-members, based in seven countries.

Related:
PDN’s 30 2012 Gallery: Sebastián Liste

Hackathons: Asim Rafiqui On The Value of Multidisciplinary Experiments

Sebastián Liste Wins 2014 Alexia Foundation Grant of $20K (for PDN subscribers)

June 20th, 2014

Danish Photojournalist Released in Syria after 13 Months in Captivity

Daniel Rye Ottosen, a Danish photojournalist who has been held captive in Syria for 13 months, was released yesterday and reunited with his family, Denmark’s Foreign Ministry reports. According to the Associated Press, a ministry spokesperson would not comment on reports that Ottosen had been kidnapped by members of the Islamic State of Iraq and the Levant, or answer questions about whether or not a ransom had been paid for his release.

Ottosen, a freelancer, had been photographing the effects of the ongoing civil conflict in the country when he went missing on May 17, 2013.

In March of this year, a Spanish photographer and a reporter were released after 194 in captivity. Other journalists, however, remain unaccounted for. James Foley, a contributor to Global Post, has been missing since November 2012. American Austin Tice has been missing since August 2012. Today, Tice’s mother posted on Twitter: “Today, we celebrate the release of Daniel Rye Ottosen. This good news brings us great joy and hope. All the best to him and his family.”

Syria is one of the most dangerous countries in the world for journalists, according to the Committee to Protect Journalists. At the end of 2013, a dozen international news organizations signed a joint letter to the Syrian opposition and militias demanding action to curb the “disturbing rise in the kidnapping of journalists.”

Related articles:
Kidnapped, Beaten and Shot in Syria, Photographer and Writer Manage to Escape

Spanish Journalists Freed After 194 Days in Captivity in Syria

Freelance Photographer, Age 18, Killed in Syria