David Alan Harvey’s artist talk on the main stage at LOOK3 in Charlottesville on Saturday included several surprises: a peek at some of Harvey’s precocious early work, images from his latest project (called Beach Games, an exploration in black and white of beach sports culture in Rio), his insistence (against much evidence to the contrary) that he doesn’t consider himself a color photographer or an extrovert–and a heartwarming guest appearance by a long-lost subject from a project he shot when he was 22. (more…)
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Philadelphia-based photographer Charles Mostoller was on assignment in the city one day when a group of African-American teenage boys rode by on horseback. It was an incongruous scene, which Mostoller turned into a personal project that was eventually published by The Wall Street Journal. The project is the subject of “Picture Story: Urban Cowboys,” which is now available on PDNOnline.
When we interviewed Mostoller, he made a persuasive case for shooting personal projects close to home. He picks it up from here:
“As a freelancer who is not making tons of money, doing personal projects that are in my backyard makes sense financially. But also, I truly believe in general [that] running to the exotic, or running away and looking to do a story somewhere else because you think that’s where people want to see you, or that’s where the story is, I think that’s a backwards way of going about it. I think the best way to make quality work is to do it in a place that you’re familiar with, where you can actually understand the situation and can really say something about what’s going on.
“Also, if you’re trying to show [potential clients] you can hack it, it’s much more difficult to make very good stories that are kind of pedestrian, or where nobody would expect them. Nobody would expect this story [about teenage urban cowboys] out of Philly, but everyone is expecting young photographers to want to go to Haiti. So I could show Haiti pictures, and no one’s going to care, but this one story has people everywhere coming up to me, saying, ‘Oh my god, I saw this!’ It made the rounds because it was so surprising. I’m not always looking for something exotic in Philadelphia. this one just happened to be that. but I think it’s important to focus on where you’re at as a young photographer doing personal work, rather than saying, OK, I need to go somewhere else to do my work.”
An employee of Magnum photographer Steve McCurry has been arrested and accused of stealing and selling prints, books and other items worth more than $654,358. The District Attorney’s Office of Chester County, PA, where McCurry’s studio is located, made the announcement this afternoon.
The employee, Bree DeStephano, age 32, who was McCurry’s print sales manager, “casually abused her position of trust to make some easy money, without a thought to the damage to Mr. McCurry,” said Chester County District Attorney Tom Hogan in a statement.
DeStephano allegedly stole 50 prints worth $628,000 between May 2012 and November 2013, and worked with a co-conspirator, Brandon Donahue, to sell the stolen prints. Donohue was the manager of Durango, Colorado gallery Open Shutter. DeStephano falsified McCurry’s print inventory records to cover up the illicit sales.
DeStephano is also accused of selling 233 of McCurry’s books and other items online, the value of which is more than $23,000.
Bail for DeStephano was set at $250,000. Donahue will be charged in Colorado, the statement said.
Photographer Cotton Coulson, a former National Geographic contributor and Baltimore Sun DOP, died yesterday as a result of a diving accident last Sunday, according to NPPA‘s News Photographer magazine. He was 60 years old.
Coulson was participating as an instructor in a 17-day National Geographic adventure photography workshop in Norway when the accident occurred. According to the NPPA report, Coulson signaled trouble to a diving partner, who then dragged him to the surface of the water. The diving partner administered CPR, and rescue workers were able to re-start Coulson’s heart, but he never regained consciousness. He died at a hospital in Tromsø, Norway.
“We are devastated,” says photographer Doug Menuez, who along with his wife was close friends with Coulson and his wife, former National Geographic photographer Sisse Brimberg. Menuez remembers Coulson as an iconoclast “with a wicked sense of humor,” and adds, “Cotton wasn’t blowing his own horn. He was content to do excellent work, and let it speak for itself.
“It’s heartbreaking to think he’s gone.”
A National Geographic spokesperson told PDN that the publisher will soon issue a statement about Coulson’s death.
Coulson began contributing to National Geographic in 1975, after graduating from film school at New York University. He was hired as a contract photographer the following year, and produced more than a dozen stories for the magazine.
Around 1987, he became associate director of photography at US News & World Report, and several years later, joined The Baltimore Sun as Director of Photography.
In the mid 1990s, Coulson relocated to San Francisco, where he was senior VP/Product Development at CNET. About a decade ago, he and Brimberg moved to Copenhagen, and founded a production company called Keenpress. They produced photography and films about travel, climate issues, the environment and other subjects for various media outlets and corporations.
In addition to his wife, Coulson is survived by his son Calder and daughter Saskia, as well as by his sister and his mother.
For more than a decade, photographer Greg Constantine has worked to document the lives of stateless people—people who have no nationality and are denied basic human rights—in places such as Sri Lanka, Kenya, Malaysia and Ukraine. Constantine has also photographed Burma’s Rohingya Muslims, hundreds of thousands of whom live as refugees in Bangladesh, who are trapped “in a cycle of misery that has no borders,” he writes in a statement about his work.
Creating photographs is just the start for Constantine. By exhibiting his work in cities all over the world, and by engaging with universities and non-governmental organizations, Constantine has developed a unique and effective approach to building an audience for a serious topic.
Developing new methods for getting his work out is essential, says Constantine, who is exhibiting his Rohingya photographs through May 28 at PowerHouse Arena in Brooklyn, and is participating in a panel discussion about Burma and the Rohingya at the Open Society Foundations on May 18. Traditional media outlets tend only to cover the plight of the Rohingya during tragedies. In the past two weeks, the Rohingya have been in the news because a mass grave was discovered at a human trafficking camp in Thailand, while other traffickers, fearing a crackdown, abandoned trafficking boats, stranding thousands of Rohingya and Bangladeshis at sea, prompting global media coverage. “Whenever something really tragic happens it pops up in the news and then it just kind of evaporates,” Constantine notes. (more…)
In the wake of recent violations of news photographers’ rights by Atlanta police, a US federal court judge has held the City of Atlanta in contempt of a 2012 court order to reduce interference with citizens documenting police activity.
US District court judge Steve Jones handed down the civil contempt ruling against the city yesterday, and imposed sanctions intended to force compliance with the 2012 order and “address future monitoring of [Atlanta’s] compliance with the order.” (more…)
According to an announcement from Instagram, the judges will pick three winners based on “the existing body of work represented on their Instagram account, focusing on the quality of their imagery, their photographic skills and on the project and stories told through their photos.”
“Photographers in all corners of the world use the Instagram platform to share unique and authentic stories that otherwise rarely come into focus,” Getty’s senior director of content partnerships Elodie Malliet Storm said in a statement.
“This grant captures the global enthusiasm from photographers to continue to push their craft to new levels,” added Instagram community director Amanda Kelso.
In addition to the grant money, the work of the winners will be shown at the Photoville photography festival in September in New York City. Winners will also receive mentorship from a Getty Images photographer.
The grant boasts a distinguished list of judges. They are: TIME magazine director of photography Kira Pollack; photographer Malin Fezehai; photographer Maggie Steber; photographer and National Geographic Fellow David Guttenfelder; and photographer and @EverdayIran co-founder Ramin Talaie.
Applications will be accepted through June 4, 2015 at 11:59 p.m. GMT. Getty and Instagram also released a hashtag to help spread work of the grant: #GettyImagesInstagramGrant.
For more information or to apply, visit: www.gettyimages.com/grants
Related: PDN’s 30: Malin Fezehai
PPE 2014: Leading The Revolution in Smartphone Photography
Why TIME Chose an Amateur Photographer’s Image for Its Cover
Q&A: Instagram Editorial Director Pamela Chen
Maidan Moment: Anastasia Taylor-Lind’s Book of Portraits From Kiev
James Oatway, a photographer with the Sunday Times of South Africa, managed to capture a mob of men fatally attacking a Mozambique man on April 18 in Alexandra township. Oatway’s photos, published on the front page of the Times yesterday, lead to the arrest of three suspects, according to the newspaper. Another suspect is still being sought, and local police have offered a reward of 100,000 Rand for help finding him. Oatway, a veteran photojournalist who has covered stories in Central African Republic, Congo, Haiti and South Africa, had gone to Alexandra to cover the looting of immigrant-owned businesses that broke out two weeks ago.
Though Oatway sought medical attention for the victim, Emmanuel Sithole, the photographer has had to answer questions about his actions in the midst of the attack.
Oatway told the BBC that he saw a man wielding a monkey wrench knock Sithole to the ground and beat him. Oatway ran closer to get photos. When Sithole managed to stand, a man with a knife ran up and stabbed him repeatedly.
Oatway says the attack lasted “two minutes.” After Sithole collapsed, Oatway got the bleeding-but-still-conscious man into his car and drove him to a nearby clinic where he was told they couldn’t treat him. According to the Times, the clinic’s only doctor, a foreigner, had stayed away out of fear of xenophobic violence. When Oatway reached a hospital, medical professionals tried to perform CPR on Sithole but “they declared him dead,” Oatway says. “I really wish we could have saved him,” Oatway told the BBC.
Sithole was identified by the cellphone found in his pocket.
The government of South Africa has reported that over 300 people have been arrested in connection with the looting and violence against immigrants from across Africa.
Kevin Frayer has been named winner of the 2015 Getty Images and Chris Hondros Fund (CHF) Award of $20,000, and Diana Markosian has won the $5,000 emerging photojournalist award, the photo agency announced today. Both photographers are represented by Getty. They will receive their awards April 30 at a reception in New York City.
CHF was established to support the work of photojournalists whose work reflects the legacy and vision of Hondros, who was killed in 2011 while on assignment covering the Libyan civil war. The three previous CHF Award winners were Daniel Berehulak, Andrea Bruce, and Tomás Munita.
Frayer, a Canadian photojournalist based in Beijing, has documented conflict throughout the Middle East, and currently covers stories in Asia. “I aspire to use this opportunity to create meaningful photography that would move Chris in the same way his images reached me and so many others,” Frayer said in a prepared statement.
Markosian, a Moscow-born photographer and 2014 PDN’s 30, has shot assignments for National Geographic, The New York Times and other publications. She has completed several long-term projects, including “Inventing My Father,” a widely acclaimed work about reconnecting with her estranged father.
“Chris encouraged me to take a chance on myself, to find my own way,” she says in a prepared statement.
Jurors included Getty Images Vice President for News Pancho Bernasconi, New York Times photographer Todd Heisler, freelance photojournalist Jeff Swensen and CHF Board President Christina Piaia.
Daniel Berehulak to Receive Getty Images & Chris Hondros Fund Award
Åsa Sjöström has won the $15,000 Activist Award for professional photographers, while Amirtharaj Stephen has won the $5,000 award for emerging photographers, Catchlight has announced.
Formerly known as PhotoPhilanthropy, Catchlight sponsors the Activist Awards to recognize photographic excellence in service of NGOs addressing a variety of social issues.
Sjöström’s winning essay, called The Secret Camps, explores the issue of domestic violence through her images of women and children taking temporary refuge in summer camps operated by the Women’s Rights Association of Malmö, Sweden. “I want to create awareness and also to induce a genuine situation between me and the people in my photographs,” the photographer told Catchlight.
In a prepared statement about this year’s award winners, jurors praised Sjöström’s project for a “visually distinctive approach” that captures a transformational time for victims of domestic violence and that “brings attention to an issue that affects women and children all over the world.”
Finalists for the professional prize were Annalisa Natali Murri and Sergi Camara. (more…)