You are currently browsing the archives for the Photojournalism category.

July 13th, 2015

Pulitzer Center Announces $1 Million Fund for Multimedia Journalism Projects

The Pulitzer Center on Crisis Reporting has announced the Catalyst Fund, a new initiative that will support “as many as 40” multimedia journalism projects in the next two years with $1 million in grants made to journalists working with major news outlets.

In addition to supporting the production of multimedia reportage, the Fund will also support journalists in their efforts to disseminate projects to students through presentations at schools and via the Pulitzer Center website.

The Fund is supported by donations from the John D. and Catherine T. MacArthur Foundation, the Kendeda Fund, and from individual donors.

“The Pulitzer Center is a leader among a growing field of nonprofit news organizations bringing creative models of production and dissemination to a disrupted news industry,” said Kathy Im, Director of MacArthur Foundation’s Journalism and Media program, in a statement.

The Pulitzer Center says it has already committed Catalyst Fund support to projects that will be published by The New York Times, National Geographic, MSNBC and other outlets.

Journalists interested in applying for Catalyst Fund grants are encouraged to apply through the Pulitzer Center’s grants portal, here: http://www.pulitzercenter.org/grants

Related: Q&A: How to Get Funding From The Pulitzer Center on Crisis Reporting

June 29th, 2015

Magnum Photos Names 6 New Nominees

Fallowed tomato fields near the town of Corcoran in California's Central Valley, photographed for The New Yorker. © Matt Black

Fallowed tomato fields near the town of Corcoran in California’s Central Valley, photographed for The New Yorker. © Matt Black

 

Matt Black, Carolyn Drake, Richard Mosse, Newsha Tavakolian, Lorenzo Meloni and Max Pinckers have been named nominees of Magnum Photos. The cooperative agency also voted to make Michael Christopher Brown, who was named a Magnum nominee  in 2013, an associate of the agency. Magnum Photos announced the news yesterday at the conclusion of its annual general meeting in Paris.

Matt Black, who is based in California, has covered the state’s Central Valley for more than 15 years. He is currently working on a project, “The Geography of Poverty,” for MSNBC.

Carolyn Drake, an American, has covered Central Asia extensively. She has published two books, Two Rivers and Wild Pigeon; the latter was made in collaboration with a community of Uyghurs in western China. A winner of a Fulbright fellowship and awards from World Press and POYi, she was chosen for PDN‘s 30 in 2006.

Richard Mosse, who was born in Ireland and is based in New York City, was the winner of the 2014 Deutsche Borse Photography Prize in 2014 for “The Enclave,” a multi-screen installation of his work from the eastern Democratic Republic of Congo.

Newsha Tavakolian, who is based in Tehran, won the 2014 Carmignac Gestion Photojournalism Award.

Lorenzo Meloni, who is Italian, has covered Yemen, Lebanon, Syria and Libya for The Telegraph, Figaro, and other publications.

Max Pinckers is based in Brussels. His books include Will They Sing Like Raindrops or Leave Me Thirsty and The Fourth Wall, about moviemaking and movie fans in Mumbai.

Related Articles
Richard Mosse Wins $50K Deutsche Borse Prize

PDN Video Pick: Ed Kashi and Matt Black for The New Yorker

Matt Black and Ed Kashi Bring California’s Dried Out Central Valley to The New Yorker

The 50,000 Euro Controversy over Artistic Freedom and the Carmignac Gestion Prize

June 15th, 2015

LOOK3 2015: Walter Iooss Jr. Shares Advice and Lessons from His Encounters with Great Athletes

Walter Iooss Jr, a sports photography superstar for more than 50 years, regaled a 2015 LOOK3 audience on Friday with some of the best tales from his storied career. Steve Fine, former director of photography at Sport Illustrated, joined Iooss on stage at the Paramount Theater in Charlottesville to prompt Iooss about his encounters with many great athletes: Roger Maris, Dave Parker, Joe Namath, Muhammed Ali, Tiger Woods, and Michael Jordan, to name only a few.

Iooss was a teenager without a driver’s license when he got his first assignment from Sports Illustrated around 1961. His father had to drive him to the job. The subject, an 83-year-old man who had built a sailboat and sailed it to Florida and back, looked at the 17-year-old photographer and said incredulously, “This is my moment?”

Iooss was, by his own account, born with a passion and a talent for photography. “Photography’s not that hard. It really isn’t,” he said during his talk. “It’s just instinctual. I’ve never had another job. I don’t know anything else. [I’m an] idiot savant.”

Equal to his passion for photography is his love of and fascination with sports. “When you play, the moment a pitch is thrown, or you shoot, or hit a golf ball, the whole world stops. There’s nothing that’s really happening except that moment with you, and that’s the escape of sport,” he said. “Sport is a real fantasy world, and in some ways, I try to project my childhood fantasies continually in pictures because you need a child’s heart to get the energy of these guys.”

Asked by Fine to talk about the defining characteristics of his work, Iooss offered what amounted to advice for aspiring sports photographers. (more…)

June 15th, 2015

LOOK3 2015: David Alan Harvey’s Reunion with a Long-Lost Subject (and Other Surprises)

David Alan Harvey greets Lois Liggins on stage at the the 2015 LOOK3 festival, in front of a portrait of Liggins that Harvey shot in 1966. ©Jessica Earnshaw

David Alan Harvey greets Lois Liggins on stage at the the 2015 LOOK3 festival, in front of a portrait of Liggins that Harvey shot in 1966. ©Jessica Earnshaw

David Alan Harvey’s artist talk on the main stage at LOOK3 in Charlottesville on Saturday included several surprises: a peek at some of Harvey’s precocious early work, images from his latest project (called Beach Games, an exploration in black and white of beach sports culture in Rio), his insistence (against much evidence to the contrary) that he doesn’t consider himself a color photographer or an extrovert–and a heartwarming guest appearance by a long-lost subject from a project he shot when he was 22. (more…)

June 8th, 2015

Photojournalist Charles Mostoller on the Advantage of Shooting Photo Projects Close to Home

Seventeen-year-old Shahir Drayton rears back on a horse in a vacant Philadelphia lot. ©Charles Mostoller

Seventeen-year-old Shahir Drayton rears back on a horse in a vacant Philadelphia lot. ©Charles Mostoller

Philadelphia-based photographer Charles Mostoller was on assignment in the city one day when a group of African-American teenage boys rode by on horseback. It was an incongruous scene, which Mostoller turned into a personal project that was eventually published by The Wall Street Journal. The project is the subject of “Picture Story: Urban Cowboys,” which is now available on PDNOnline.

When we interviewed Mostoller, he made a persuasive case for shooting personal projects close to home. He picks it up from here:

“As a freelancer who is not making tons of money, doing personal projects that are in my backyard makes sense financially. But also, I truly believe in general [that] running to the exotic, or running away and looking to do a story somewhere else because you think that’s where people want to see you, or that’s where the story is, I think that’s a backwards way of going about it. I think the best way to make quality work is to do it in a place that you’re familiar with, where you can actually understand the situation and can really say something about what’s  going on.

“Also, if you’re trying to show [potential clients] you can hack it, it’s much more difficult to make very good stories that are kind of pedestrian, or where nobody would expect them. Nobody would expect this story [about teenage urban cowboys] out of Philly, but everyone is expecting young photographers to want to go to Haiti. So I could show Haiti pictures, and no one’s going to care, but this one story has people everywhere coming up to me, saying, ‘Oh my god, I saw this!’ It made the rounds because it was so surprising. I’m not always looking for something exotic in Philadelphia. this one just happened to be that. but I think it’s important to focus on where you’re at as a young photographer doing personal work, rather than saying, OK, I need to go somewhere else to do my work.”

Related Articles:
Documenting Philadelphia’s Teenage Urban Cowboys
PDN Video Pick: Lens Blog’s James Estrin’s Career Tips for Photojournalists
How to Find Projects in Your Own Backyard

June 2nd, 2015

Steve McCurry Employee Arrested, Charged With Stealing $650K From Photographer

An employee of Magnum photographer Steve McCurry has been arrested and accused of stealing and selling prints, books and other items worth more than $654,358. The District Attorney’s Office of Chester County, PA, where McCurry’s studio is located, made the announcement this afternoon.

The employee, Bree DeStephano, age 32, who was McCurry’s print sales manager, “casually abused her position of trust to make some easy money, without a thought to the damage to Mr. McCurry,” said Chester County District Attorney Tom Hogan in a statement.

DeStephano allegedly stole 50 prints worth $628,000 between May 2012 and November 2013, and worked with a co-conspirator, Brandon Donahue, to sell the stolen prints. Donohue was the manager of Durango, Colorado gallery Open Shutter. DeStephano falsified McCurry’s print inventory records to cover up the illicit sales.

DeStephano is also accused of selling 233 of McCurry’s books and other items online, the value of which is more than $23,000.

Bail for DeStephano was set at $250,000. Donahue will be charged in Colorado, the statement said.

May 28th, 2015

Photographer Cotton Coulson Dies in Diving Accident on National Geographic Expedition

Cotton Coulson ©Doug Menuez

Cotton Coulson ©Doug Menuez

Photographer Cotton Coulson, a former National Geographic contributor and Baltimore Sun DOP, died yesterday as a result of a diving accident last Sunday, according to NPPA‘s News Photographer magazine. He was 60 years old.

Coulson was participating as an instructor in a 17-day National Geographic adventure photography workshop in Norway when the accident occurred. According to the NPPA report, Coulson signaled trouble to a diving partner, who then dragged him to the surface of the water. The diving partner administered CPR, and rescue workers were able to re-start Coulson’s heart, but he never regained consciousness. He died at a hospital in Tromsø, Norway.

“We are devastated,” says photographer Doug Menuez, who along with his wife was close friends with Coulson and his wife, former National Geographic photographer Sisse Brimberg. Menuez remembers Coulson as an iconoclast “with a wicked sense of humor,” and adds, “Cotton wasn’t blowing his own horn. He was content to do excellent work, and let it speak for itself.

“It’s heartbreaking to think he’s gone.”

A National Geographic spokesperson told PDN that the publisher will soon issue a statement about Coulson’s death.

Coulson began contributing to National Geographic in 1975, after graduating from film school at New York University. He was hired as a contract photographer the following year, and produced more than a dozen stories for the magazine.

Around 1987, he became associate director of photography at US News & World Report, and several years later, joined The Baltimore Sun as Director of Photography.

In the mid 1990s, Coulson relocated to San Francisco, where he was senior VP/Product Development at CNET. About a decade ago, he and Brimberg moved to Copenhagen, and founded a production company called Keenpress. They produced photography and films about travel, climate issues, the environment and other subjects for various media outlets and corporations.

In addition to his wife, Coulson is survived by his son Calder and daughter Saskia, as well as by his sister and his mother.

May 14th, 2015

How Greg Constantine Keeps a Human Rights Story in the Public Eye, and the News Cycle

An outdoor exhibition of Greg Constantine's photographs in the Plaine de Plainpalais park in central Geneva. Photo courtesy Greg Constantine.

An outdoor exhibition of Greg Constantine’s photographs in the Plaine de Plainpalais park in central Geneva. Photo courtesy Greg Constantine.

For more than a decade, photographer Greg Constantine has worked to document the lives of stateless people—people who have no nationality and are denied basic human rights—in places such as Sri Lanka, Kenya, Malaysia and Ukraine. Constantine has also photographed Burma’s Rohingya Muslims, hundreds of thousands of whom live as refugees in Bangladesh, who are trapped “in a cycle of misery that has no borders,” he writes in a statement about his work.

Creating photographs is just the start for Constantine. By exhibiting his work in cities all over the world, and by engaging with universities and non-governmental organizations, Constantine has developed a unique and effective approach to building an audience for a serious topic.

Developing new methods for getting his work out is essential, says Constantine, who is exhibiting his Rohingya photographs through May 28 at PowerHouse Arena in Brooklyn, and is participating in a panel discussion about Burma and the Rohingya at the Open Society Foundations on May 18. Traditional media outlets tend only to cover the plight of the Rohingya during tragedies. In the past two weeks, the Rohingya have been in the news because a mass grave was discovered at a human trafficking camp in Thailand, while other traffickers, fearing a crackdown, abandoned trafficking boats, stranding thousands of Rohingya and Bangladeshis at sea, prompting global media coverage. “Whenever something really tragic happens it pops up in the news and then it just kind of evaporates,” Constantine notes. (more…)

May 14th, 2015

Federal Judge Sanctions City of Atlanta for Continuing to Violate Photographers’ Rights

In the wake of recent violations of news photographers’ rights by Atlanta police, a US federal court judge has held the City of Atlanta in contempt of a 2012 court order to reduce interference with citizens documenting police activity.

US District court judge Steve Jones handed down the civil contempt ruling against the city yesterday, and imposed sanctions intended to force compliance with the 2012 order and “address future monitoring of [Atlanta’s] compliance with the order.” (more…)

May 7th, 2015

Getty Images and Instagram Launch $10K Social Media Photo Grant

Photographers who use Instagram to document and share stories of underrepresented communities are eligible for a new $10,000 grant announced today by Getty Images and Instagram.

According to an announcement from Instagram, the judges will pick three winners based on “the existing body of work represented on their Instagram account, focusing on the quality of their imagery, their photographic skills and on the project and stories told through their photos.”

“Photographers in all corners of the world use the Instagram platform to share unique and authentic stories that otherwise rarely come into focus,” Getty’s senior director of content partnerships Elodie Malliet Storm said in a statement.

“This grant captures the global enthusiasm from photographers to continue to push their craft to new levels,” added Instagram community director Amanda Kelso.

In addition to the grant money, the work of the winners will be shown at the Photoville photography festival in September in New York City. Winners will also receive mentorship from a Getty Images photographer.

The grant boasts a distinguished list of judges. They are: TIME magazine director of photography Kira Pollack; photographer Malin Fezehai; photographer Maggie Steber; photographer and National Geographic Fellow David Guttenfelder; and photographer and @EverdayIran co-founder Ramin Talaie.

Applications will be accepted through June 4, 2015 at 11:59 p.m. GMT. Getty and Instagram also released a hashtag to help spread work of the grant: #GettyImagesInstagramGrant.

For more information or to apply, visit: www.gettyimages.com/grants

Related: PDN’s 30: Malin Fezehai
PPE 2014: Leading The Revolution in Smartphone Photography
Why TIME Chose an Amateur Photographer’s Image for Its Cover
Q&A: Instagram Editorial Director Pamela Chen
Maidan Moment: Anastasia Taylor-Lind’s Book of Portraits From Kiev