Wildlife photographer Florian Schulz, who we profiled in the August 2012 issue of PDN, was asked by Nikon to put the recently released D600 through its paces. Schulz was the first photographer to test the camera in the field. He and his brother, filmmaker Salomon Schulz, produced this short film, titled “Chasing the Light.”
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Belgian photographer Titus Simoens has been working off and on across the United States, photographing slices of life in the American West. He recently won the Best in Show award at the Foto8 Summershow in London (featured on PDN Photo of the Day); one of his images of America was honored in PDN’s Great Outdoors competition in 2011.
Simoens has co-directed a documentary, billed as “the story of two young cowboys,” called Miles Away. The documentary was shot in Cow Camp, Idaho, where Simoens also shot still images. Cow Camp is where cowboys Gene and Josh live for six months of the year, tending cattle, managing the land and repairing fences while living in a house without running water or electricity. The documentary has won awards at the Berlinaire Film Festival in Ghent, Belgium, and the Docuwest Film Festival in Golden, Colorado. It is now out on DVD.
The trailer for the documentary shows Gene and Josh at work (footage set to harmonica music) and then, in the last seconds, offers a glimpse at what their home life is like.
For more on the documentary “Miles Away,” visit the Web site:
This summer, as part of its ongoing collaboration with the French fashion house Hermès, Leica announced a special “Hermès Edition” of the M9-P camera. Above is a video that shows the care and attention to detail that goes into making one of the limited-edition cameras.
The calfskin leather that’s wrapped around the camera’s body was supplied by Hermès and various details of the camera, including the top and base plates, the shutter speed dial, the multifunction wheel and the shutter release, were redesigned by Walter de’Silva. The camera comes in two sets: the first includes a Leica Summilux-M 50 mm f/1.4 ASPH. lens; the second includes Leica Summicron-M 28 mm f/2 ASPH., Noctilux-M 50 mm f/0.95 ASPH. and APO-Summicron-M 90 mm f/2 ASPH. lenses as well as an Hermès camera bag and a book of photos by Jean-Louis Dumas.
Dumas, the chairman and artistic director of Hermès from 1978 to 2006, was a well-known photography buff who was rarely without his Leica camera. He invested in the camera maker and decided that the Madison Avenue Hermès store in New York City should have a photo gallery on its top floor. To learn more about the retailer’s unique exhibition space, read our interview with curator Cory Jacobs.
Omhu, the design firm that makes stylish canes and other mobility aids, teamed with photographer William Wegman to produce a photo library and video that presents canes—and the mobility they provide—in a fun way.
It features one of Wegman’s classic subjects, a Weimeraner, interacting with one of the canes, which are made using high-performance materials used for skateboards and bikes. Rie Nørregaard, creative director and president of Omhu (Danish for “with great care”), was a leader on the cane design and the new campaign.
Both the cool-looking canes and the dancing, leaping, bounding Weimeraner shown in Wegman’s photo library are intended to encourage people to move more.
The company fills a void in the market, supplying products for an aging population that doesn’t want to sacrifice style for functionality. Maybe Omhu can make a nice looking case for my reading glasses.
Erik Almås says he prefers “crafting” images to “capturing” them. Working with ad agency Euro RSCG in London, Almås crafted an ad for Credit Suisse that features the eco-friendly Oxygen scooter, a Credit Suisse client. He shot images in multiple locations and in a photo studio, which were then blended with some computer-generated images of dinosaurs. No, the CGI dinosaurs are not a reference to Terence Malick’s Tree of Life, but to the era when fossil fuels were not yet fossils.
This slickly produced behind-the-scenes video shows Almas shooting in Hawaii, Arizona, and on the set. It also reveals what Euro RSCG and Credit Suisse marketers hoped to communicate and how the finished ad pulls all the photographic elements together.
The video can be viewed on Vimeo here.
Photographer Ian Ruhter has been creating one-of-a-kind landscapes using the vintage wet-plate collodion process, developed in the 19th century. He drives a mobile darkroom, fitted into a van, into beautiful locations and uses enormous metal plates to record the scene…or at least he tries. This video captures not only the technique he uses, but his frequent frustration with the temperamental process.
On the closing night of the Palm Springs Photo Festival, organizer Jeff Dunas screened Ruhter’s video, “Silver & Light,” noting that he couldn’t resist its depiction of one photographer’s obsession and passion for photography.
You can see more videos about Ruhter’s wet-plate on his Vimeo page.
This week, commercial photographer Craig Cutler finished his CC52 project. Cutler, who we profiled in our May issue (see “Craig Cutler Just Keeps Shooting“), committed to creating one new personal work a week for an entire year. The resulting CC52 project has a mix of still life, portrait and motion work featuring everything from pickled eggs and crackers to famous people’s shoes and nude models wearing team mascot costume heads. Go to craigcutler.com to see all 52 works and click on the video below to watch “Words,” his final work from the project.
In this short program for State of the Arts, a New Jersey public television series produced by PCK Media, LaToya Ruby Frazier talks about her introduction to photography and about the work she is showing in the 2012 Whitney Biennial, including a performance piece that will debut on Friday, May 11.
Says Whitney Biennial co-curator Jay Sanders, “Her work embodies the history of documentary photography, photography that articulates social conditions, that articulates the reality of working people, but at the same time she’s very well read and embedded in a dialogue coming out of conceptual art.”
Related: PDN’s 30 2012: LaToya Ruby Frazier
Three photographers walk into a hotel in Dubai. A guy proposes a self portrait shoot-out, and they agree to take up the challenge in front of an audience of photographers in town to attend the Gulf Photo Plus 2012 show. The first photographer, David Hobby, says, “My goal tonight is not to fatally embarrass myself in front of my long-time idols.” The second photographer, Martin Prihoda, tells the MC that still life makes him uncomfortable. (Fortunately for him, still life wasn’t the challenge.) The third photographer, Gregory Heisler, says, “I really have to pee.” Then the shoot-out begins, with an intrepid video crew on hand to capture the drama, reality-TV style. Cameo appearances by David Burnett, Zack Arias, and Joe McNally. We’ll resist the urge to spoil the surprise by revealing the winner.
Last August, as legendary Magnum photographer Martin Parr traveled around Finland capturing the essence of that nation and its people, he had a camera crew tagging along as he searched for subjects and made his characteristically deadpan images. The result is a nine-minute documentary his fans are sure to appreciate called “Martin Parr–The Making of ‘Think of Finland,’” which is the name of his new show at Laboratory, a Helsinki gallery. Shot and directed by Rami Hanafi, the film shows Parr wandering the streets, night clubs, markets, beaches and countryside on what appears to be a big scavenger hunt. Parr explains on the voiceover soundtrack what he’s looking for and how he goes about his work. “Think of Finland” will be on exhibit at Laboratory through April 8.