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April 2nd, 2014

PDN Video: Lens Blog’s James Estrin’s Career Tips for Photojournalists

Jim Estrin: 6 Tips for Emerging Photojournalists from PDNOnline on Vimeo.

James Estrin, founder and co-editor of Lens, the popular New York Times photography blog, talks about how to launch a successful career as a photojournalist. His tips and insight cover how to choose meaningful projects, the importance of photojournalistic process, and practical advice about portfolios, mentors, and relationship-building with editors and peers.

Related:
PDN Video: Is Your Photo Project a Contender for Lens Blog?
PDN Video: How to Get the Most Out of a Portfolio Review
PDN’s 30 Photographers Provide Career Tips to Aspiring Photographers
PDN’s 30 2014: New and Emerging Photographers to Watch

March 6th, 2014

PDN Video Pick: Making an Award-Winning Story of One Woman’s Resilience

Sensei from ora on Vimeo.

Ora DeKornfeld, a communications major at the University of North Carolina at Chapel Hill, won first prize for her video “Sensei” in the Multimedia Feature category of the 2014 Pictures of the Year International competition. Brilliantly shot and edited, DeKornfeld’s video tells the powerful story of a rape victim’s survival, resilience and determination. DeKornfeld explains how she won her subject’s trust, found a way to portray events in the past through evocative imagery, and produced a tight, dramatic narrative.

PDN: What was this project was for? How did it get started?
Ora DeKornfeld: That project was made as a final documentary piece for a journalism class. The assignment was to make a vérité documentary. It was a challenge for us to [record] something actually happening, instead of fully relying on B-roll over interview audio. My professor [Chad Stevens] assigned the project knowing that was unrealistic, so this project deviated greatly from that initial assignment, but that’s how it started.

PDN: How did you find this subject, and how get her to open up?
OD: I went to this neighborhood in Durham (North Carolina)–a pretty dynamic low-income neighborhood, and I saw a flyer for self-defense classes and that’s something I have always been personally interested in, and I wanted to do a piece that touched on women’s issues. So I called the number and ended up talking to Brenda, the subject, and she was immediately open. She told me that the reason she got into martial arts was because she was a victim of a violent crime. I didn’t push that at the time, but it was an immediate indicator that she had a real deep experience that motivated her. So I said, would it be OK if I made a documentary about you? She was really open to it.
I went to her karate class on Tuesday and Saturday for two weeks, then I asked if I could come to her house, meet her family and start hanging out with her there. And I kind of just stayed until she said, “OK, Ora, you need to get out of my house.” But through that experience we bonded. (more…)

February 26th, 2014

Video Pick: Adrien Broom Turns Her Studio into an Underwater World

Behind the Scenes of the Blue World from Adrien Broom on Vimeo.

One of our “Studio Tour” features this month goes inside the studio of fine-art photographer Adrien Broom, where she builds the large sets for “The Color Project,” her ongoing series of fantastical narratives. Located in the old Erector Set toy factory in New Haven, Connecticut, the 900-square-foot space has an open plan, large windows and a lot of storage for many of the props and gear she needs when she and her team are spending weeks building the sets. “I have painted the floors over at least ten times, and the walls a few times as well,” she notes. To learn more about the complicated productions she mounts in her studio, we looked at some of the behind-the-scenes videos she has created while working on “The Color Project.” In addition to showing Broom at work, they give a sense of what it takes to turn her workspace into, say, the ocean floor.

All Broom’s behind-the-scenes and stop-motion videos can be found on her Vimeo page.

Related Article
Studio Tour: Adrien Broom’s Place to Work and Play

February 20th, 2014

PDN Video: A Photographer’s Guide to the First Amendment and Dealing with Police Intimidation

Since the 9/11 terrorist attacks, news photographers have been subject to police intimidation and arrest, as if photography is a crime. But federal law protects photography and photographers, as Mickey Osterreicher, general counsel to the National Press Photographers Association, explains in this video. The challenge for photographers is knowing how to assert your rights in tense situations, without getting arrested. Osterreicher offers practical tips for staying out of trouble while getting the pictures you need. And for photographers unfortunate enough to get arrested, he suggests places to call for legal help.

Related:

Police Intimidation Watch: New Haven Police Sued for Arresting Photographer, Erasing iPhone Video

Police Intimidation Watch: Detroit Police Apologize After Video Shows Them Violating Photographer’s Rights

Police Intimidation Watch: Cop Charged with Lying About a Photographer’s Arrest

December 23rd, 2013

PDN Video: How to Get the Most Out of a Portfolio Review

Portfolio review events geared toward photographers have proliferated in recent years, and they’re “a great place to meet a peer group, and start a dialogue about your photographs,” says photography consultant Mary Virginia Swanson. But at a cost of several hundred dollars, not including travel expenses, portfolio reviews are an investment. In this video Swanson offers tips about how to get the most out of a review, including information about how to select reviewers, how much work to present, and some of the questions to ask reviewers about opportunities to sell or license your work.

November 20th, 2013

PDN Video: Bil Zelman on Shooting Portraits of Difficult Celebrity Subjects

Photographer Bil Zelman: How to Shoot Portraits of Challenging Celebrities from PDNOnline on Vimeo.

Celebrities can be skittish and uncooperative in front of a camera, so photographer Bil Zelman sometimes uses psychology to elicit a particular reaction for a compelling portrait. In this video, he describes how he calmed author Isabel Allende, who was self-conscious in front of the camera, and how he got himself out of trouble on a shoot with film director Werner Herzog. “He was just staring at me,” Zelman says. “It was a blank stare. I was getting nothing.”

In addition to shooting portraits, Zelman specializes in shooting lifestyle advertising for top brands such as Coke, Apple and Budweiser that looks real, not staged. In previous videos, he shared tips and tricks he uses to coax natural performances from the non-professional talent he uses on most of his shoots.

Related:
PDN Video: Portrait Master Gregory Heisler on How to Relate to Portrait Subjects
How Top Photographers Shoot Great Portraits
PDN Video: Bil Zelman on How to Shoot Ads that Look Real (Not Staged)
PDN Video: Bil Zelman’s Tips for Directing Kids on Advertising Shoots
PPE 2013: Tips for Shooting Ads That Viewers Believe and Clients Like
A Hands-Off Approach to Real People Shoots

November 19th, 2013

PDN Video: Tips for Directing Kids on Advertising Shoots

Photographer Bil Zelman on How to Photograph Kids for Advertising Campaigns from PDNOnline on Vimeo.

Photographer Bil Zelman explains how he used psychology (and magic) to get emotionally genuine performances from kids for two recent advertising shoots. Zelman specializes in shooting lifestyle advertising for top brands such as Coke, Apple and Budweiser that looks real, not staged. In a previous video, he shared tips and tricks he uses to coax natural performances from adults. He also explained why he prefers non-professional talent, and how he scouts that talent for his shoots. (Check back tomorrow for another video featuring Zelman explaining how he handled two difficult celebrity portrait shoots.)

Related:
PDN Video: Bil Zelman on How to Shoot Ads that Look Real (Not Staged)
PPE 2013: Tips for Shooting Ads That Viewers Believe and Clients Like
A Hands-Off Approach to Real People Shoots

November 18th, 2013

Video Pick: Shaul Schwarz’s Two-Year Journey into Narco Culture

Shaul Schwarz’s documentary on drug cartel violence in northern Mexico opens in theaters in New York and Miami on November 22, and will be shown in other cities starting December 6.  Schwarz, a photographer and cinematographer represented by Reportage by Getty Images, spent two years making the film. You can see a trailer for the film, “Narco Cultura” here on the website www.narcoculture.com and on YouTube.

“Narco Cultura” looks at the toll of drug violence from several perspectives. For example, he visits Juarez, Mexico, to see what may be the busiest crime scene investigation unit in the world. He also explores the scene surrounding narcocorrido music, and follows one musician, Edgar Quintero, leader of a band that plays for fans both north and south of the US/Mexico border.  And it shows those who are left to grieve after acts of violence and retaliation.

Schwarz recently talked to PDN about how he got the film into festivals, for our article, “5 Steps to Promoting and Distributing Your Film.

The movie was shown at the Sundance Film Festival earlier this year. An interview with Schwarz about the making of the film can be viewed on the Sundance Institute website.

November 18th, 2013

PDN Video: Bil Zelman on How to Shoot Ads That Look Real (Not Staged)

Photographer Bil Zelman specializes in shooting lifestyle advertising for top brands such as Coke, Apple and Budweiser that looks real, not staged. Getting natural, emotionally genuine performances out of talent is one of the biggest challenges for advertising photographers, but Zelman has spent his career honing his skill. In this video, he describes how he saved one shoot that was spiraling out of control, and he shares some tips and tricks he uses to coax the performances he’s looking for.

Photographer Bil Zelman: How to Get Genuine Emotion from Non-Professional Talent from PDNOnline on Vimeo.

 

Zelman uses non-professional talent almost exclusively. He explains, “They don’t know what’s expected of them. Usually they show up a little bit nervous and it’s easier for me to relax them, rather than pro talent that shows up feeling like they’re going to act it out. I hate acting. that’s the bottom line.

“You know, people are laughing in [advertising] scenes all over the place, and so good talent will simply guffaw the entire time, and it looks so fake. So I would much rather have somebody uncomfortable in front of the camera, and then do something stupid to make them laugh, than hire somebody’s who’s basically a somewhat attractive professional laugher.

“Whatever city we’re flying to, I’ll fly my casting director (Heather Smith) there ahead of time and she’ll go to bars, and Craigslist, and hit all the social media and we’ll just find people. if I need bikers she goes to motorcycle gangs and if I need twenty five-year-old college kids she goes to the colleges, not to talent agencies.

“I try to go to casting calls whenever possible. Depending on the mood of our desired performance I might yell at [the people answering the casting call] or throw something at them. I’ll see if they can cry, [and see] what their eyes do when they genuinely laugh verses faking it with just their mouth. Perhaps I’ll ask them to dance with no music going. It all depends on the job but I’m looking hard to flush out any overacting, self-consciousness or catolog-like contrapposto or gestures and such.

“I’m often looking for big, extroverted personalities as well- A person who you can throw into a group of strangers and get them all roiled up regardless of the fact that it might be 6 am.”

Related:
PPE 2013: Tips for Shooting Ads That Viewers Believe And Clients Like
A Hands-Off Approach to Real People Shoots

November 6th, 2013

PDNVideo: Olivia Bee Talks About Instagram, iPhones, Expectations, and Envy

PDN Video: Olivia Bee on Instagram, iPhones, Expectations, and Envy from PDNOnline on Vimeo.

PDN’s 30 photographer Olivia Bee started her professional career at the age of 15, after a Converse design director saw her Flickr feed and hired her to shoot a campaign in the same style as her personal work. Bee is self-taught and highly driven. Now 19, she has shot editorial and advertising work for clients including The New York Times, Vice, Hermes, Fiat USA, and Levis. She recently sat down with PDN to talk about a variety of topics, ranging from her skepticism about Instagram and what she’s learned by shooting with an iPhone, to how she manages expectations (her own and everyone else’s) and the reaction she gets from other photographers because of her success at such an early age.

Related:
PDN’s 30: Olivia Bee