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June 3rd, 2014

PDN Video Pick: A Year-Long Documentary Project for Stella Artois

Dustin Cohen’s “Made in Brooklyn” project is a character-driven video series about Brooklyn artisans, and after it went viral last year, Cohen started landing assignments. One was a year-long project for beer brand Stella Artois that is just coming to fruition in the form of a 26-minute documentary called “The Chalice Symphony.” It is about the design and construction of four one-of a kind instruments that use Stella Artois chalices to make musical sounds in different ways. At the center of the story is artist/engineer Andy Cavatorta, the instrument builder, and rock band Cold War Kids, which composed a symphony for performance on Cavatorta’s beer chalice creations.

The full video will be released during the next few weeks, but in the meantime, Cohen and Stella Artois have released a series of short, stand-alone excerpts, including the one shown here.

Cohen told us about the project in a brief interview:

PDN: What was the assignment from Stella Artois and the ad agency?
Dustin Cohen: It was to document Andy Cavatorta and his team building four instruments. It’s a process video, but character driven, from inception to completion of the instruments.

PDN: Did you storyboard it in any way at the outset?
DC: It’s documentary in nature, but knowing we had many months of filming in front of us, we had a brief outline of points we wanted to hit–the process of Andy making these instruments, the problem solving, working with his team, the band composing the song–but we didn’t draw out storyboard per se.

PDN: Did you expect it to take a year?
DC: It took longer to complete them than we had planned. There were a lot of elements that had to come together, and it went at its own pace.

PDN: Was your approach to shooting any different from the Made in Brooklyn videos?
DC: Visually speaking, it’s not different. But the scope of this was huge, so there were many more people involved–art directors and creative directors from the agency, and people at Stella Artois.

PDN: That sounds like a lot of bosses. Was that a problem?
DC: I wouldn’t call it a problem. For Made in Brooklyn, I had only myself to answer to. But when you sign up for a project like this, and money is on line, the opinions of other people matter, and some are people with a lot of weight. There were times when it was harder than others, but I’m super proud of the documentary we made.

PDN: What kind of crew did you have? Were you the DP as well as the director?
DC: It depended on the day, but most days, the crew was four or five people: two cameras, a sound person and a DIT (data tech/producer). I directed all the videos, and I grabbed a camera and shot a good amount of it. On a few days, the crew was triple that, when we needed beauty shots or had really important interviews where we needed lighting. We had three cameras, an art department, and grips.

PDN: What advice would you give someone else about to take on a big project like this?
DC: Surround yourself with people that care–production company and crew. There are so many things that change, and you’re going to want to put in so many more things than the budget allows. Having a project we were pumped on made the extra days and hours totally worth it. You’re going to work a lot harder and longer than you think. Be ready, be excited, and surround yourself with other people who are willing to do the same.

Related:
Personal Work That Lands Assignments: Dustin Cohen’s Made in Brooklyn Project (for PDN subscribers)

January 22nd, 2014

Grammys to Honor Rock Photographer Jim Marshall

Legendary rock and roll photographer Jim Marshall, who shot iconic images of Johnny Cash, Jimi Hendrix, Janis Joplin, the Beatles, the Rolling Stones and many other musicians, will be honored posthumously this weekend at a special Grammy Awards ceremony.

Marshall, who died in 2010 at the age of 74, will be given a Trustees Award at the Recording Academy’s Special Merit Awards ceremony on January 25. The academy’s 56th annual Grammy Awards ceremony, honoring musicians for the best recordings of the past year, will take place on January 26.

In addition to honoring Marshall, the Recording Academy will give lifetime achievement awards at the January 25 ceremony to the Beatles, the Isley Brothers, Kris Kristofersson and Kraftwerk.

Mashall began his career in the 1950s photographing musicians and beat poets in his native San Francisco. In the early 1960s he began shooting for record labels in New York, but soon returned to California to photograph musicians at clubs, festivals, and stadium concerts as a freelance photographer.

“He brooked no denial as he waded right in with his little Leica clicking quietly and constantly. His eye was amazing as he caught the essence of each scene before him,” folk musician and photographer Henry Diltz wrote in a tribute to Marshall last week on the Grammy Awards web site.

Marshall’s most recognizable photographs include Jimi Hendrix setting fire to one of his guitars at the Monterey International Pop Festival (1967); Janis Joplin reclining backstage at a Winterland Ballroom concert with a bottle of Southern Comfort in her hand (1968); and Johnny Cash giving the finger to Marshall’s camera at San Quentin State Prison (1969).

Related:
Rock and Roll Photographer Jim Marshall Has Died, Age 74
End Frame: Pamela Littky on Jim Marshall (requires PDN subscription)
Jim Marshall’s Estate Sues Fashion Designer for Copyright Infringement
Jim Marshall’s Estate Sues “Mr. Brainwash” and Google for Copyright Infringement

May 7th, 2012

Music Photographer Jim McCrary Dies at 72

Jim McCrary, the former A&M Records staff photographer who shot the cover of Carole King’s Tapestry and other rock-and-roll albums, died on April 29, 2012, “of complications from a chronic nervous system disorder,” the Los Angeles Times reports. He was 72 years old.

McCrary was born and raised in Los Angeles. He was a self-taught photographer who eventually studied at Pasadena City College and Art Center College of Design. McCrary began his career as a staff photographer at various portrait studios and in the photography department of Rockwell International, a manufacturing company involved in the aircraft, space and consumer electronics industries, amongst others.

In 1967 he became the chief photographer for A&M Records and ended up photographing over 300 album covers during the seven years he worked there. Some of his most famous covers include Carole King’s Tapestry, the Carpenters’ Ticket to Ride and Joe Crocker’s Mad Dogs and Englishmen. He also shot related publicity and advertising work for Gram Parsons, the Flying Burrito Brothers, Cat Stevens, Peter Frampton, Herb Alpert and other musicians.

After leaving the label, he owned his own studio in Hollywood until 1990. He then co-founded Pix Inc., a professional camera store in Los Angeles.

McCrary is survived by his son, Jason McCrary, and his brothers Wylee Dale McCrary and Doug McCrary.

April 26th, 2012

Jim Marshall’s Estate Sues “Mr. Brainwash” and Google for Copyright Infringement

John Coltrane Jim Marshall Thierry Guetta Mr. Brainwash

The estate of iconic music photographer James “Jim” Marshall filed a copyright infringement claim against Thierry Guetta (aka Mr. Brainwash) and Google for the unauthorized use of his images for advertising purposes. The brief states that copies of Marshall’s photos were used as part of a promotion for Google Music, a new online music service, as well as in derivative works.

According to the brief, for a Google event held at Guetta’s studio, the artist designed a backdrop using blown-up copies of photos Marshall made of musicians John Coltrane and Jimi Hendrix, which “constituted unauthorized reproductions and display” of the images. The backdrop was placed to the side of the stage where the announcement for Google Music was made, and therefore Google is also liable for copyright infringement since the images were used to promote its new product, Marshall’s estate claims.

Google Music Event

Additionally, the brief states that Guetta used five of Marshall’s photos to make derivative works, some of which he is currently selling on his Web site. It appears that Marshall’s images of John Coltrane, Sonny Rollins and Stanley Turrentine, as well as his group shots of Thelonius Monk, Dizzy Gillespie, and Gerald Wilson, and Jimi Hendrix and Brian Jones, were screen printed on to paper and then altered by either changing the color palette or adding words to the background.

Jimi Hendrix Jim Marshall Thierry Guetta

The brief is asking that all infringing works be turned over to the estate and that all profits derived from the infringing works be awarded to the estate. Additionally, its asking that any damages, attorneys’ fees and costs related to the trial be reimbursed.

This isn’t the first time Guetta has been accused of infringing on a photographer’s copyright. In June 2011, a federal judge ruled in favor of photographer Glen E. Friedman, who claimed that his image of hip-hop group Run-DMC was used as the basis of several works by Guetta. A settlement with Friedman has been reached, but the terms were not disclosed.

Additionally, Guetta has another copyright claim pending from photographer Dennis Morris. While Guetta admitted he did use Morris’s photo of Sex Pistol’s bassist Sid Vicious in derivative works of art, he claimed he did not know it was a copyrighted image. The two parties are currently working on a settlement agreement.

Neither Guetta nor Google responded immediately to a request for comment.

Update 4/27/12: Jim Prosser, manager global communications and public affairs for Google, responded to our request for comment by stating that Google has not received a copy of the complaint yet and therefore he cannot comment on it.

Correction: An earlier version of this post incorrectly stated that Sid Vicious was the drummer for the Sex Pistols. The text has been corrected.

Related Articles:

Judge Rules for Photog In Copyright Suit Over RUN DMC Photo

February 16th, 2012

Photog Sues Quincy Jones for Infringement, Says He Was “Strong-Armed”

Photographer Michael D. Jones alleges that after he refused to sign away his copyrights to this 1995 image for $6,500, Quincy Jones and AKG used it anyway without permission.

Los Angeles photographer Michael D. Jones has filed a lawsuit against Quincy Jones, claiming that the legendary music producer provided one of the photographer’s portraits without permission for use in ads, packaging and other materials to promote a line of audio headphones. The photographer, who does not claim any relation to Quincy Jones, is seeking statutory damages and an injunction for willful copyright infringement.

Operating under the name Mike Jones Photography, the photographer has also named the headphone manufacturer, AKG Harman, the music book publisher Hal Leonard Corporation, and Quincy Jones Productions as defendants.

Mike Jones alleges that he photographed Quincy Jones and other celebrated musicians at several recording sessions in 1995 at Qwest Records in West Hollywood. Besides Quincy Jones, others in attendance included Stevie Wonder, Ray Charles, Nancy Wilson, Herbie Hancock And Ronald Isley.

Mike Jones says he photographed the sessions at the invitation of Qwest’s president, JoAnn Tominaga, and ended up shooting about 100 rolls of film. He alleges that he was never asked to sign a contract or release stating that his photographs from those sessions were works made for hire. He also says that there were no restrictions on what he could photograph. (more…)

February 15th, 2012

PDN Video Pick: Roger Ballen’s Music Video for Die Antwoord

Roger Ballen, known for his dark, unsettling photography, has brought his esthetic to the “I Fink U Freeky” video he recently directed for the South African hip-hop band Die Antwoord. The result, which has been widely circulated via social media, is a creepy but visually compelling freak show. Ballen recently explained to Phaidon that he shot photographs for the band about three years ago. They asked him to shoot a music video, which he was happy to do. “We started with my photographs for ideas and then mimicked them in the sets. Most of the sets started with almost like a ‘Roger Ballen still life’ and then we might have added in a mouth or foot or hand and then we went into them cinematically,” he told Phaidon.

February 13th, 2012

Photog Says Radio Station Stripped His Credits, Infringed His C-rights

A Colorado photographer says a Denver radio station took 21 of his images from the Web site of a competing radio station, stripped the images of his credits and copyright notices, and published them on its own site and Facebook page without permission. The photographer now accuses the station of refusing to pay a retroactive usage fee.

Photographer Scott D. Smith of Denver says radio station 92.5 The Wolf stole his images of country star Jason Aldean from the Web site of 98.5 KYGO. Smith shot the images at a concert last October, and licensed them to KYGO, which has been a client of Smith’s for the past six years. All of the images he licenses to KYGO, including the Aldean images, display his credit and copyright whenever viewers scroll over them or click on them, the photographer says.

The Wolf displayed the images for about a week, and also made them available on its Facebook page “for the whole world to download,” Smith tells PDN.

When Smith finally got the station manager at The Wolf on the phone to hear his complaint, he says, she apologized, told him the image would be taken down, and offered Smith free advertising as compensation. Smith declined. “I’m very loyal to KYGO, plus that (advertising) doesn’t compensate me for what [The Wolf] did,” he says.

Over the past four months, Smith has tried unsuccessfully on numerous occasions to get the station or its corporate owners–Wilks Broadcasting Group of Duluth, Georgia–to pay a fee for the unauthorized use of his images.

But managers and owners won’t return his calls, Smith says.

Recently, he got through to a Wilks employee who informed him that the company has determined that it has no responsibility to compensate him. “She said, ‘Do whatever you have to do,’” the photographer recounts.

Smith hasn’t filed a lawsuit for copyright infringement–at least not yet. “I talked to some lawyers who told me it’s going to cost a fortune, take forever, and they’ll just try to wait me out,” the photographer explains. So he’s trying to generate negative publicity for the station in an attempt to shame The Wolf into paying him.

“I think people are tired of corporations screwing people over, and saying ‘We don’t have responsibility’ when they’ve done something wrong,” says Smith.

Jeff Wilks, CEO of Wilks Broadcasting, did not respond to several requests from PDN for comment. But he recently told a Denver alternative newspaper, “There was no copyright on the photos. We found the photos, then we were notified about the photos, and the photos were taken down immediately.” He indicated to the newspaper that Wilks Broadcasting doesn’t intend to pay Smith a fee.

Asked what he considers a fair fee, Smith says, “In the beginning, I was willing to really work with them on a price. Since they are lying and making this as hard as possible, I feel I would start at around $500 an image. I do feel that is fair since the images were used as advertising for the station.”

Smith’s allegations, if true, echo a case last year in which a federal appeals court upheld a photographer’s claims against a New Jersey radio station for copyright infringement, as well as for violation of the Digital Millenium Copyright Act (DMCA.) The DMCA violation resulted from the radio station stripping a photographer’s credit and copyright from an image that it copied and then displayed on its web site without the photographer’s permission.

Related:
Removal of Printed Photo Credit Qualifies as DMCA Violation, Court Says
TV Networks Play Fast and Loose with Photographers’ Copyrights

January 30th, 2012

Photographer Andrew MacNaughtan Dies, Age 47

Toronto-based photographer Andrew MacNaughtan died on January 24, 2012 while on assignment. MacNaughtan, who was best known for photographing Canadian celebrities and musicians, reportedly had a heart attack while photographing the classic rock band Rush. The band released the following statement on its Web site and Facebook page:

“We’re deeply shocked and heartbroken to learn of the sudden passing of our close friend and long-time photographer, Andrew MacNaughtan. He was a sweet person and a very talented artist. Words cannot describe how much he will be missed.”

MacNaughtan is survived by his partner, Alex Kane Privitera; parents, Neil and Barbara MacNaughtan; sister Sarah and her husband Nino Curcione; brother Alex and his wife Dorothy MacNaughtan; and uncle and aunt, Phillip and Samantha Curcione.

January 24th, 2012

PDN Video Pick: Moby Writes a Song

This video by NPR was honored in the video category of the 2011 PDN Photo Annual. NPR Music’s Project Song challenges musicians to write and record a song in
just two days, then records the results. David Gilkey, John Poole, Bob Boilen and Neil Tevault produced the video.

Moby and collaborator Kelli Scarr finished writing their song so quickly, they wound up recording three different versions of “Gone to Sleep.”
The 2012 PDN Photo Annual is now accepting entries in 12 categories, including video, web sites, photo books, advertising, photojournalism and more.  To learn about prizes, the panel of judges, rules, deadlines (avoid the late fee and enter soon!) or to upload your entries, visit www.pdnphotoannual.com.

January 24th, 2012

Comparing Notes, Photographers Turn on Retna

An apparent administrative slip-up has stirred an uprising at music and celebrity photo agency Retna, with photographers complaining that the agency is failing to report sales, pay royalties, or respond to calls and e-mails from frustrated contributors. Retna’s CEO acknowledges the problems, but blames them on his predecessors, and has told contributors he is correcting them.

Photographers started comparing notes last week after an agency employee sent notification about the agency’s change of address in New York City. Instead of copying photographers in the blind carbon copy (BCC) field of the e-mail, the agency employee distributed the names and e-mail addresses of dozens of photographers so all could see who had received the e-mail.

Read the full story on PDNOnline.com.