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June 8th, 2012

Everynone’s “Symmetry” Takes Top Prize at Vimeo Video Awards

Wil Hoffman (l.) and Julius Metoyer of Everynone accept the Grand Prize at last night's Vimeo Awards.

“Symmetry,” a visual tour de force of split screen juxtaposition, took the Grand Prize at last night’s Vimeo Video Awards in New York City. The short video was created by the directing collective Everynone, which includes Daniel Mercadante, Will Hoffman, and Julius Metoyer

In accepting the award, one of Symmetry’s creators described the on-the-fly, do-it-yourself aesthetic that was essential to making the prize-winning video.

“We often approached people on the street and asked that they do things that they might think are crazy (for the video),” Hoffman said. “I only hope that they see the work so they know how much they were a part of it.”

Symmetry, shown at the bottom of this story, also won the Lyrical Category in the Vimeo Awards. For winning the Grand Prize, the Everynone collective will receive $25,000 in addition to $5,000 for the Lyrical award.

“I hope Everynone is ready to be busy, because winning this award is going to change their lives,” said Eliot Rausch, who won the Vimeo Awards Grand Prize in 2010 for his movie, Last Minutes with Oden.

Rausch, who presented the Grand Prize to Everynone, said that he’s generated major video work from the attention he received after winning the 2012 Grand Prize award and is currently directing his first feature film.

Here’s a full breakdown of 2012 Vimeo Awards category winners with links to the videos:

1.    Action Sports: Dark Side of the Lens
2.    Advertising: K-Swiss Kenny Powers – MFCEO
3.    Animation: Umbra
4.    Captured: Sweatshoppe Video Painting Europe
5.    Documentary: Amar (All Great Achievements Require Time)
6.    Experimental: Prie Dieu
7.    Fashion: Skirt
8.    Lyrical: Symmetry
9.    Motion Graphics: A History of the Title Sequence
10.    Music Video: Manchester Orchestra: Simple Math
11.    Narrative: BLINKY™
12.    Series: Often Awesome The Series
13.    Remix: Rear Window Timelapse

Reggie Watts (l.) and Beardyman entertained the crowd at the Vimeo Awards with a live musical mashup.

Vimeo Awards judges included actor and director James Franco; Parks and Recreation star Aziz Ansari; 2012 Oscar Nominee Lucy Walker; Radiohead’s Colin Greenwood; Scott Pilgrim vs. the World director Edgar Wright; snowboarding star Travis Rice; Thierry Mugler and UNIQLO creative director Nicola Formichetti; Shelley Page of DreamWorks Animation; Barbara London of The Museum of Modern Art; advertising legend David Droga; and others.

Reggie Watts and Beardyman were the featured live performers at the awards, mashing up comedy, music, and spirited silliness.

March 15th, 2012

PDN Video Picks: Jim Lo Scalzo’s Award-Winning Look at Salton Sea

Photographer Jim Lo Scalzo’s funny/sad video “America’s Dead Sea” won third place in the World Press Photo Multimedia contest, announced this morning. Lo Scalzo manages to find a fresh perspective on the much photographed Salton Sea in the southern California desert. Intercutting his still photos and video footage with archival promotional films, Lo Scalzo’s three-and-a-half minute video traces the area’s decline from a major tourist attraction to a lifeless toxic dump, contaminated by salinity and farm chemical runoff. The video is touching, and there’s ukelele music on the soundtrack.

You can see “America’s Dead Sea” and Lo Scalzo’s other videos on Vimeo.

Related Article

World Press Photo Multimedia Contest Winners Announced

February 28th, 2012

Damon Winter of New York Times Wins 2011 POYi Multimedia Portfolio of the Year

Damon Winter of The New York Times has won the POYi Multimedia Portfolio of the Year award in the final session of judging at the POYi competition. See the full report is at poyi.org.

Winter was honored for a portfolio of work that included video and stills for “Finding Purpose After Living With Delusion,”, about a man living with schizophrenia, “Sky Cowboys,” about the iron workers rebuilding 1 World Trade Center, and for his contributions to the interactive feature “A Year at War, Coming Home,” about a US batallion’s deployment and return.

Other winners in the multimedia division of the competition include Time magazine, which won the Documentary Project of the Year award for “Beyond 9/11,” a project by photographer Marco Grob for the tenth anniversary of the 2001 terrorist attacks. Time magazine also won the News Multimedia Story award for a project about the uprising in Egypt shot by contract photographer Dominic Nahr.

Other winners included Alfonso Moral and Roser Corella, who won the Long-Form Multimedia Documentary Award for this project called “Machine Man,” about manual laborers in Bangladesh:

The Issue Reporting Multimedia Story award went to freelancers Elles Van Gelder and Ilvy Njiokiktjien for this project called “Afrikaner Blood,” about extremists clinging to South Africa’s apartheid past:

Reporter Corinne Reilly and photographer Ross Taylor of the Virginia Pilot won the Feature Multimedia Story award for this story called “Home | Front” about a Virginia family separated by the war in Afghanistan:

A complete list of categories, with links to all the winning entries, is online at poyi.org.

Related stories:
Donald Miralle Wins POYi’s Sports Photographer of the Year Award

Yuri Kozyrev Wins POYi’s Freelance Photographer of the Year Award

Craig Walker Wins POYi Newspaper Photographer of the Year Award

February 27th, 2012

AP’s Charles Dharapak Wins Photograph of the Year in “Eyes of History” Contest

©Associate Press/Charles Dharapak. President Obama endures a pint of Guinness on a 2011 trip to Ireland.

Charles Dharapak of the Associated Press has been named Photographer of the Year in the still photography division of the 2012 “Eyes of History” contest, the White House News Photographers Association (WHNPA) has announced. Andrew Harnik of the Washington Times won the Political Photo of the Year award.

In the new media division of the competition, John Poole of NPR won first place in the Best Use of Photography & Audio (with narration). David Gilky of NPR won Best Use of Photography &Audio (natural sound). Whitney Shefte of The Washington Post won first and second place in the Best of Multimedia (in depth) category, while  Jim Lo Scalzo of EPA won first place in the Best Multimedia Package (simple) category.

Judges for the still photo competition were Ohio University professor Marcy Nighswander and photographers Bob Pearson and Ed Kashi. A full list of still photography winners will be posted here on the WHNPA site.

Judges for the new media competition were photographers Liz O. Baylen, Will Yurman, and Zach Wise. The full list of new media winners will be posted here on the WHNPA site.

The White House News Photographers Association sponsors The Eyes of History contest. This year’s winners  will be honored at the annual “Eyes of History” Gala on May 5, 2012, in Washington, DC.

February 13th, 2012

“Know Your Rights” Video for Photographers

HitRECord, an online artist collaborative and production company started by actor Joseph Gordon-Levitt, has created the animated short “They Can’t Turn the Lights Off Now” based on the ACLU of Florida’s pamphlet “Photographers: Know Your Rights.” The setting for the video is a demonstration on Wall Street, where a young girl’s camera is confiscated by a police officer. To her rescue comes Benjamin Franklin (with angel wings), who explains what rights she has to take photographs under the first amendment. The video appears to be making a statement about the recent actions by police to limit journalists and others from documenting Occupy Wall Street protests. Watch the video below and go to ACLU.org to learn more about photographer rights.

Related Articles:

After Arrest Photog Recovers Deleted Video File, Vows to Sue Police

U.S. Falls to #47 on Press Freedom Index, Thanks to Occupy Crackdowns

London’s Occupied Spaces (9 Photos)

January 24th, 2012

Vimeo Unveils Redesign of Video Sharing Service

Vimeo just announced a new design of its video-sharing service. The main feature of the redesign is a new video player that Vimeo says is twice as large as the previous set-up, making it easier to display video content.

Vimeo says the redesign also gives users the ability to play videos from their personal homepage, improves the overall navigation, and adds more privacy options on your account.

Many of the new features are outlined in the video below. Also, after the jump is a press release about Vimeo’s revamp.

(more…)

November 7th, 2011

Photographer Stephen Ferry Awarded First Tim Hetherington Grant

Stephen Ferry has received the first-ever Tim Hetherington Grant, it was announced this morning. The grant was established to honor Hetherington, the photographer and filmmaker who was killed in Libya in April, 2011, and is administered by World Press Photo and Human Rights Watch with the support of Hetherington’s parents.

For more on the grant and Ferry’s work see our story on PDNOnline.

November 4th, 2011

Behind-the-Scenes on Vincent Laforet’s “Mobius” Shot with the Canon Cinema EOS C300

You’ve probably heard about the new Canon Cinema EOS C300 by now and you may have even seen Vincent Laforet’s short film, Mobius, which was shot with the new cinema camera but you may want to check out this behind-the-scenes footage of what it was like to make the film.

If you haven’t seen Mobius yet, we’ve embeded it below the behind-the-scenes footage as well.

October 28th, 2011

PPE Panel: Photogs Ignore Online Pub Opportunities at Their Own Peril

During a seminar titled “The New World of Online Magazines and Curator Web Sites” this afternoon at PDN PhotoPlus Expo, photographer Sophia Wallace posed a question to photographers who’ve been hesitant to harness the full power of the internet for fear that their work might be stolen: Should you be more afraid of image theft, or of working in obscurity?

This rather direct question, which had resonated with Wallace after she heard it at another talk recently, gets to the heart of the decision that photographers must make in today’s market. You can embrace online publishing on blogs, online magazines, Tumblr pages and the myriad other platforms on which people are looking at imagery these days, or you can keep your work to yourself.

Suffice it to say that nobody in the audience was interested in the latter option. But in case they were, Wallace and fellow photographer Manjari Sharma shared stories about their own experiences that made a strong case for diving headlong into promoting one’s work online.

By getting their work featured by online platforms, such as those run by moderator Stella Kramer (StellaZine) and panelists Julie Grahame (aCurator) and Michael Itkoff (Daylight), each of the photographers had built momentum for bodies of work that eventually led to concrete achievements like exhibitions, advertising commissions and essential project funding.

After having her work circulate one image at a time across various online publications (and in a couple of print magazines), Wallace received what she termed “the email she’d been waiting for.” It was from a curator asking if she would show her work in a three-person show at Colgate University’s Clifford Gallery with photographers Catherine Opie and Jo Ann Santangelo. During her presentation Wallace also showed how, through Google analytics, she could track who was looking at her site and where they came from. It was amazing, she said, to realize that people all over the world were looking at her photographs.

Sharma showed two projects that she’d promoted online. A series of portraits of people taken in the shower in her Brooklyn apartment was discovered by art directors at the ad agency JWT in Delhi, which lead to a commission to replicate that work for ads for a German maker of shower heads that was expanding their business in India. Sharma’s photographs appeared on billboards in 23 cities, she said.

After she created a well-produced Kickstarter video to raise funds for her project Darshan, several photo blogs and other online publications wrote about the work. She ended up raising $26,000 of funding over the course of three months.

Each of the panelists encouraged the audience members to build networks online through Facebook and Twitter, and to help promote other photographers whose work they appreciate. Wallace made the point that opportunities for group exhibitions often come from other artists, and introductions to clients often come from fellow photographers.

Kramer also made another useful point for photographers who might still be hesitant to publish their work online: “The more you are associated with your work, the harder it is to steal it,” she said.