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June 5th, 2013

Events, Awards and Other Photo Happenings

Events

Tonight at the New York Public Library, photography educator and historian Deborah Willis will discuss Leonard Freed‘s photographs of the 1963 March on Washington for Jobs and Freedom. Joining Willis on the panel will be photographers Eli Reed and Jamel Shabazz, scholar Paul M. Farber, writer Michael Eric Dyson, and Freed’s widow, Brigitte Freed. The event begins at 6pm.

The Chris Hondros Fund, which supports photojournalism with fellowships and other programs, is holding a benefit online print auction through June 7. Work by Slim Aarons, James Balog, Al Bello, Andrea Bruce, Robert Capa, Ernst Haas, Michael Kamber, Ed Ou, Joao Silva and many other photographers is for sale.

Free seminars at Review Santa Fe start this Friday with “The Business of Photography.” On Saturday a panel of photographers will discuss “New Methods For Engaging Audiences,” and on Sunday Guggenheim Fellow John Gossage will lecture on “Contemporary Photographic Practice.” For more public events check out the Review Santa Fe event schedule.

Italian photographic education organization Cesura is running a travel workshop in Cairo in November. Led by Gabriele Micalizzi, who covered the Egyptian revolution, workshop participants will also have the option of a two-day supplemental workshop with photographer Moises Saman.

Awards

Kevin Miller received The New Orleans Photo Alliance‘s 2013 Michael P. Smith Fund for Documentary Photography Grant for his project on the Panama Canal expansion. (more…)

May 16th, 2013

Photolucida: Portfolio Reviews From the Photographer’s Side of the Table

Lamb-HopewellFurn

© Eliza Lamb, from her series “Hopewell.”

By Eliza Lamb

As a photographer I find that portfolio reviews are the perfect combination of exhaustion and exhilaration, community and competition, motivation and humility. After I returned from a whirlwind four days in Portland, Oregon at Photolucida I was still coming off the high of it all. I found myself trying to integrate the connections I’d made and the feedback I’d gotten with the life I knew and the assumptions I held before I left. Sorting through piles of leave behinds, business cards, signed books and pages full of notes, I was struck by feelings of accomplishment and uneasiness, and by my downright good fortune for being able to be a part of such an amazing community.

The process of creating visual art can be very isolating and often involves years of self-reflection, pondering and personal expense, punctuated by both excitement and doubt. It can feel antisocial as we create our images and crawl back into our studios or sit in front of our computer screens for hours upon hours of editing, processing and contemplating. Having trained for years as an actress and receiving instant gratification, I find it can be near maddening putting your work out there to radio silence. But portfolio reviews are a way for photographers to join together to gain feedback, camaraderie and opportunities, to gather despite their home locations or educational training and present their work to the community as equals with common passions, goals and frustrations. (more…)

May 15th, 2013

Awards, Book Fairs, Exhibitions and Other Photo Happenings

Exhibitions and Other Happenings:

TOMORROW! Columbia College Chicago is hosting an informal portfolio review for their graduating photography students from 5-8pm tomorrow, May 16. Creative professionals are invited to go check out the work of this group of young photographers. There will be food and drink and conversations about photography. http://www.colum.edu/industryevents/events/photography-review.php

The Philadelphia Photo Arts Center is holding their fourth annual Book Fair. Participants include MACK Books, Printed Matter, Vox Populi, Light Work and Houseboat Press, among many others. It’s a fair of photo books. Nuff said.
http://www.philaphotoarts.org/events/annual-book-fair/

An exhibition of the work of 50 photographers selected as finalists in the 2013 Critical Mass competition opens this Friday at Jennifer Schwartz Gallery in Atlanta. The exhibition is curated by W.M. Hunt. http://www.jenniferschwartzgallery.com/critical-mass-top-50-exhibition/

This is very cool: United Photo Industries and New York Waterway’s East River Ferry people are partnering to exhibit photographs on weekday ferries throughout the summer. The project kicked off this week, and it will include water-related photography by Joni Sternbach, Stephen Mallon, David Doubilet, Andreas Franke, Corey Arnold and Eric Prinvault. http://unitedphotoindustries.com/special-projects/drawn-to-water/ (more…)

May 8th, 2013

Upcoming Photo Events, and Current Competition and Award Deadlines

Awards and Competitions:

2013 Pierre and Alexandra Boulat Award
The Pierre and Alexandra Boulat Award for journalism was created in honor of the late VII Photo founder Alexandra Boulat and her father, Pierre. Sponsored by Canon, the award carries an 8,000 Euro prize, and is given to “a professional photographer of any age, sex or nationality who wishes to cover a social, economic, political or cultural issue in a journalistic manner.” Entries for the award are due by June 7, 2013, and the winner will be announced at Visa Pour l’Image in Perpignan in September. Entry is free.

18th Annual Photo Competition Exhibition
Seattle’s Photo Center Northwest is accepting entries for their annual juried exhibition. Entries selected by this year’s juror, collector and curator John Bennette, will be exhibited at Photo Center Northwest in August and September of this year. The deadline for entries is May 18, 2012. (more…)

May 3rd, 2013

Only One More Week to Take Part in JR’s Times Square Installation

MergeLeft's Tricia Scott holding up her self-portrait (left) © Dustin Cohen; Tricia Scott and photographer Dustin Cohen's self-portraits in Times Square (right) © Tricia Scott.

MergeLeft’s Tricia Scott holding up her self-portrait (left) © Dustin Cohen; Tricia Scott and photographer Dustin Cohen’s self-portraits in Times Square (right) © Tricia Scott.

 

May 10 is the last day for visitors to New York City’s Times Square to take part in the latest photo project by JR, the French street artist known for posting oversize prints of his portraits on public spaces, including walls, bridges, trains and roofs. Launched on April 20, his new installation consists of a mobile photo booth, where visitors can take a self-portrait that is then printed as a 3 x 4-foot black-and-white poster. Subjects can choose either to have their portrait plastered onto Duffy Square in the center of Times Square or bring it back to their own communities to display there. Anyone can line up for the photo booth between noon and 6 pm EST each day through May 10 to be part of the project.

The Times Square installation is part of his “INSIDE OUT” project, which began when JR won a TED Prize in 2011. Winners of the annual prize receive $1 million, which is meant to inspire them to “think bigger about what’s possible,” according to TED.com. JR said his wish was to “create a large-scale participatory art project that transforms messages of personal identity into pieces of artistic work, by making digitally uploaded images into posters to display in diverse communities.” The “INSIDE OUT” project, which launched in May 2011 with a photo booth Paris, is his TED wish realized. The photo booth has since traveled throughout France as well as to the United Arab Emirates, Israel and Palestine, Switzerland, Hong Kong and Tokyo. A documentary about the work, called Inside Out: The People’s Art Project, premiered at the Tribeca Film Festival on April 20, the day the Times Square installation began.

For more information on “INSIDE OUT,” visit www.insideoutproject.net. You can watch JR’s TED talk about the project below:

Related Article:

Hiding in Art: JR and Liu Bolin Collaborate

April 26th, 2013

Alec Soth on Wandering, Storytelling and Robert Adams vs. Weegee

Last week at the Portland Art Museum as part of the 2013 Photolucida festivities, Alec Soth gave a lecture titled “From Here to There: Searching for Narrative in Photography.” The talk could have been titled “Searching for Narrative in Photography Lectures,” because Soth mostly allowed the audience to lead the way with questions, which he responded to with the aid of a number of prepared slideshows. The evening was free-form, entertaining and a bit wandering, which made sense given that Soth emphasized that wandering and taking pictures without a set goal in mind has produced some of his most important bodies of work. But more on that later.

Soth started on a down note, sharing a quote from Robert Frank—“There are too many images, too many cameras now. We’re all being watched. It gets sillier and sillier. As if all action is meaningful. Nothing is really all that special. It’s just life. If all moments are recorded, then nothing is beautiful and maybe photography isn’t an art any more. Maybe it never was.” He also showed a photograph of an installation by Erik Kessels: a pile of prints made from all of the images uploaded to Flickr in a 24-hour period.

Soth described the perspectives offered by the Frank quote and Kessels’ installation as “bleak.” But, he said, the “way out of this [bleak situation for photographers] is storytelling.” (more…)

April 12th, 2013

Recap of the PDN’s 30: Strategies for Young Working Photogs Panel at SVA

During this week’s PDN’s 30 panel discussion at the School of Visual Arts Theatre, perseverance, personality and community emerged as common themes in the early careers of 2013 PDN’s 30 photographers Geordie Wood, Lisa Elmaleh and Bon Duke.

PDN editor Holly Stuart Hughes moderated the panel, which also included Readers Digest photo director Rebecca Simpson Steele and Sony Artisan of Imagery Brian Smith.

Wood, an editorial photographer who is also the photo editor at the Fader, said that he chose to assist rather than working an unrelated day job while he was starting out as a way to stay in the photo community. He also emphasized the importance to his career of a group of fellow photographers who share information, introduce one another to clients and exchange ideas in person and online. “Photography,” he said, “is much more fun as a team sport.”

When the bottom dropped out of the economy right after she graduated from SVA and she found herself out of work, Elmaleh, a fine-art photographer and teacher who works with alternative processes, asked friends in the photo community for leads and found work teaching carbon printing at the Center for Alternative Photography. She also assisted photographers Joni Sternbach and Mitch Epstein, before beginning to teach classes at SVA. “We really have to cobble it together,” Elmaleh said of making a living as a fine-art photographer.

Internships with magazines and production companies, and connections to fellow SVA student working in design or cinematography helped Duke, who does editorial and commercial fashion work and films, learn about different aspects of the creative business and make connections. Talking with design students, for instance, helped him understand how his images would work with text in layouts for ads or editorial pages. He also pointed out that students studying other creative disciplines go on to become art directors.

Duke also emphasized that learning how to communicate with creatives in a collaborative way so he could stick up for what he wanted creatively was an important step. Duke says that, on set, he is nice to everyone and “treats everyone as equals.”

Elmaleh’s work has been supported by several grants, and she underlined the importance of perseverance in applying for funding. She said she’s never gotten a grant the first time she applied for it, and suggested several resources for grant-seekers (see the list at the bottom of this post).

On the subject of perseverance, Smith, a veteran celebrity portraitist who began his career shooting news and sports, argued that careers are built not through one big break, but a series of smaller breaks.

And Wood pointed out that working hard to shoot new images, and to promote that work to editors and online audiences, have been important elements of his early career.

Offering a client perspective, Rebecca Simpson Steele spoke about sometimes following the work of photographers for long periods of time before finding a job for which they are a good match. “I pay attention to photographers when they don’t know I’m watching,” Simpson Steele said.

Grant resources: Creative Capital, Foundation Center, Brooklyn Arts Council, New York Foundation For the Arts, Lower Manhattan Cultural Council

Note: The next PDN’s 30 panel takes place the evening of April 25 at Santa Monica College, Humanities & Social Sciences Building, 1900 Pico Boulevard, Santa Monica, CA. The panel will include Brian Smith, Jessica Sample, Michael Friberg and Ian Allen.

April 10th, 2013

Spring Photography Auctions Total More Than $30.8 Million, Set Artist Records

© 2013 Man Ray Trust / Artists Rights Society (ARS), New York / ADAGP, Paris. Man Ray's "Untitled Rayograph, 1922" set an auction record for a work by the artist of $1.2 million at the Christie's photographs sale on April 4.

© 2013 Man Ray Trust / Artists Rights Society (ARS), New York / ADAGP, Paris. Man Ray’s “Untitled Rayograph, 1922″ set an auction record for a work by the artist of $1.2 million during a Christie’s photographs sale on April 4.

Six photography sales last week at the three major auction houses in New York City brought in more than $30.8 million dollars and included record sales for masters Man Ray and Diane Arbus, among others, as well as contemporary artists including Robert Frank, Richard Misrach, Alex Prager and Viviane Sassen.

Two sales at Christie’s on April 4 and 5 totaled nearly 15 million. “The strength of these results is indicative of the thriving market for photographs, which continues to gain momentum with every sale,” said Philippe Garner, one of the Christie’s directors, in a statement.

The April 4 sale of a private collection of modernist photographs totaled more than $7.5 million, including a $1.2 million, auction record sale of a unique gelatin silver photogram by Man Ray, “Untitled Rayograph,” made in 1922. Nine other world auction records for artists were set during the sale, according to Christie’s. (more…)

March 7th, 2013

Business Advice and Tips Headline WPPI Show

The WPPI Conference + Expo is getting underway in Las Vegas. In addition to seminars and master classes providing insights and technical tips for wedding and engagement photographers, there are also several educational sessions addressing business issues facing photographers in every genre, as well as opportunities to hear critiques and advice from notable photographers.

WPPI U, a two-day workshop for emerging photographers, takes place Saturday and Sunday; speakers include Jerry Ghionis, Lynsey Addario, Doug Cordon, Kevin Kubota and others. Photographers will also be critiquing attendees’ portfolios, so bring along a sample of your work in either digital or print formats.

On March 8 and 9, from 9am to 6pm, a panel of judges—including Jose Villa, Jerry Ghionis and Bambi Cantrell—will critique prints and portfolios that were submitted to the event. Holders of full-conference passes will be able to hear their insights into what each judge likes or dislikes, and why. “It’s fascinating to go from room to room and listen to their critiques,” says Rangefinder editor Jacqueline Tobin.

Master classes take place March 10, 11 and 12; platform classes begin on Sunday March 10 and continue through Thursday. Among the speakers delivering master classes are Colleen Wainwright, the marketing consultant wrote about branding in The ASMP Guide to New Markets in Photography.” (You can read an excerpt in PDN’s February issue.) Wainwright’s master class at WPPI is called “You, Amplified: Standing Out in the Attention Economy.” Among the other marketing experts offering classes are Matt Hill, who will discuss “Your Web Hitlist: Choosing and Using the Right Tools,” and Jon Goldman, who will give a class in relationship marketing.

ASMP Past President Richard Kelly will lead a class called “Creating Value: Essential Tools for Professional Photographers.” David McClain, the photographer and videographer, is offering a platform class titled “New Opportunities: When Still Photography and Video Converge.” One platform class that promises to get to the heart of the matter is “Learn to Thrive: Lessons of a Studio Makeover,” lead by Karen Carey and Mara Blom Schantz, who are known for conducting what they call the THRIVE Workshop.

PDNOnline.com will be posting product news and seminar reports from WPPI thanks to our sister publication, Rangefinder.

January 15th, 2013

$15K Alexia Foundation Grant Deadline, Exhibition Coming Up

© Justin Maxon. Jasmine Rasheed-Bacon, 6, consoles her cousin, Breonna Starkey-Bacon, 6, after she went into a closet to cry because of a disturbance in the house. The two cousins are very close and rely on each other for support. The girls live in a dangerous neighborhood called the Sun Village in Chester, PA, which is notorious for its drug trafficking and drug related crime.

© Justin Maxon, from his Alexia Grant supported project. Jasmine Rasheed-Bacon, 6, consoles her cousin, Breonna Starkey-Bacon, 6, after she went into a closet to cry because of a disturbance in the house. The two cousins are very close and rely on each other for support. The girls live in a dangerous neighborhood called the Sun Village in Chester, PA, which is notorious for its drug trafficking and drug related crime.

The deadline for the 2013 Alexia Foundation grant is this Friday, January 18. The $15,000 grant will be awarded to a photographer who is looking for funding “to produce a substantial picture story that furthers the Foundation’s goals of promoting world peace and cultural understanding.”

The Alexia Foundation supports photojournalism that explores issues of social justice and cultural awareness. It was founded by Peter and Aphrodite Tsairis, in memory of their daughter, Alexia, who was killed in the bombing of a Pan Am flight over Lockerbie, Scotland, in 1988.

In addition to the professional grant, the Alexia Foundation will also give out student awards that provide educational opportunities and cash grants for photography undergraduate and graduate students who are making work that coincides with the goals of the foundation. The deadline for entries for the student awards is February 1.

Last year’s professional grant was awarded to Justin Maxon, who has used the funding to work on a project about the number of murders that go unsolved in America. The student award went to Katie Orlinsky, who completed an internship at MediaStorm and worked on her project about the human cost of Mexico’s drug war.

Both Maxon and Orlinsky will speak about their work at “Images & Issues,” an Alexia Foundation exhibition and fundraising event that will be held January 23 at 25CPW Gallery in New York City. The event will feature an exhibition of the work of last year’s grant recipients, and images from past Alexia Grant winners, including Melanie Blanding, Wesley Law, Ismail Ferdous, Ezra Shaw, Bob Miller, Marie Aragon, Juliette Lynch, Matt Lutton, Veronica Wilson, Justin Yurkanin, Mark Murrmann, Christopher Lane, Ryan Henriksen, Peggy Peattie, Matt Black, Mackenzie Reiss, Ami Vitale, Katie Orlinsky, Justin Maxon, Stephanie Sinclair and Khaled Hasan.

Visit the Alexia Foundation site for more information on the grants and the exhibition.

Related: Anatomy of a Successful Grant Application: Tim Matsui on the Women’s Initiative Grant [Subscribers only; PDN subscribers can login to read this story]
Justin Maxon Wins $15,000 Alexia Foundation Grant