You are currently browsing the archives for the Contests category.

December 18th, 2013

World Press Photo, Alexia Foundation: Still Time to Enter

As 2013 comes to an end, a number of prestigious photo grants, competitions and contests are still accepting entries for their 2014 awards. If you’re looking for something to keep you busy during the holiday break, try submitting your work for one of the awards or grants listed below.

Leica Oskar Barnack Award
In honor of Leica’s centennial in 2014, the camera company is doubling the value of the Oskar Barnack Award’s cash prizes to 10,000 euros for the winner of the professional photographer category and 5,000 euros for the winner of the emerging photographer category. The only requirement for photographers is that they must submit a series that includes images made in 2013. The award, which is named after the inventor of the 35mm Leica camera, recognizes “professional photographers whose unerring powers of observation capture and express the relationship between man and the environment in the most graphic form in a sequence of a minimum of 10 [but] up to a maximum of 12 images.”

This year Leica has added a new category to the competition, the Public Award, and the winner is determined based on the number of votes received on www.i-shot-it.com. When photographers submit their work in consideration for the Leica Oskar Barnack Award, they can also opt-in to participate in the Public Award at no additional fee. The cash prize is 2,500 euros.

The deadline for submissions is January 31, 2014; no submission fee. More information can be found at www.leica-oskar-barnack-award.com.

Alexia Foundation Grants
Every year the Alexia Foundation recognizes a professional and student photographer whose work helps “promote world peace and cultural understanding.” The 2014 Professional Grant winner will receive $20,000—an increase from last year’s prize of $15,000—while the Student Grant winner will win $1,000, a semester at Syracuse University in London and more. Additionally, the Alexia Foundation established a new student grant this year in honor of Robert E. Gilka, the former director of photography for National Geographic who passed away in June 2013. The Gilka Grant, which is a $1,500 scholarship to attend The Kalish workshop, will be awarded to a “project proposal that also includes a multimedia component.”

The deadline for professional submissions is 2 PM on January 13, 2014; $50 submission fee. The deadline for student submissions is 2 PM on January 27, 2013; no submission fee. More information can be found at www.alexiafoundation.org.

World Press Photo and Multimedia Contest
The 57th annual World Press Photo is currently accepting submissions in a variety of categories including General News, Contemporary Issues, Sports and Nature. Additionally, the 4th annual World Press Multimedia Contest is accepting submissions in the Short Feature, Long Feature and Interactive Documentary categories. Both competitions honor outstanding work in the field of photojournalism. The winner of the prestigious World Press Photo of the Year award will win a cash prize of 10,000 euros, while the first-prize winners in all of the photo and multimedia categories will receive a cash prize of 1,500 euros.

The deadline to request a username and password for the submission website is 11:59 PM on January 9, 2014, while the deadline for submissions is 11:59 PM on January 15, 2014; no submission fee. More information can be found at www.worldpressphoto.org/enter.

PDNEdu Student Photo Contest
PDNEdu, The Photo Group publication for photography students, is seeking entries for its annual Student Photo Contest. College students who are currently enrolled in classes can submit a single image or a series of work in a number of different categories including Fashion/Portraiture, Documentary/Photojournalism, Still Life and Multimedia/Video. High-school students can also submit any type of photographic work in the Pre-College category. Grand-prize winners in each category will receive a Nikon camera, B&H gift card, portfolio review and more. Plus, they will be featured in the Spring 2014 issue of PDNEdu.

The deadline for submissions is December 21, 2013; $12 submission fee. More information can be found at http://contest.pdnedu.com/index.shtml.

Related Articles:

Jurying the World Press Multimedia Contest
Abir Abdullah, Sara Naomi Lewkowicz Win Alexia Foundation Grants
Successful Grant Applications: Tips From Grant Judge Toren Beasley
Paul Hansen Wins 2012 World Press Photo of the Year

June 5th, 2013

Events, Awards and Other Photo Happenings

Events

Tonight at the New York Public Library, photography educator and historian Deborah Willis will discuss Leonard Freed‘s photographs of the 1963 March on Washington for Jobs and Freedom. Joining Willis on the panel will be photographers Eli Reed and Jamel Shabazz, scholar Paul M. Farber, writer Michael Eric Dyson, and Freed’s widow, Brigitte Freed. The event begins at 6pm.

The Chris Hondros Fund, which supports photojournalism with fellowships and other programs, is holding a benefit online print auction through June 7. Work by Slim Aarons, James Balog, Al Bello, Andrea Bruce, Robert Capa, Ernst Haas, Michael Kamber, Ed Ou, Joao Silva and many other photographers is for sale.

Free seminars at Review Santa Fe start this Friday with “The Business of Photography.” On Saturday a panel of photographers will discuss “New Methods For Engaging Audiences,” and on Sunday Guggenheim Fellow John Gossage will lecture on “Contemporary Photographic Practice.” For more public events check out the Review Santa Fe event schedule.

Italian photographic education organization Cesura is running a travel workshop in Cairo in November. Led by Gabriele Micalizzi, who covered the Egyptian revolution, workshop participants will also have the option of a two-day supplemental workshop with photographer Moises Saman.

Awards

Kevin Miller received The New Orleans Photo Alliance‘s 2013 Michael P. Smith Fund for Documentary Photography Grant for his project on the Panama Canal expansion. (more…)

May 15th, 2013

No Sense of Irony In Hansen “Fake” Journalism Accusation

Let’s review: On Monday Paul Hansen, a veteran photojournalist and two-time newspaper photographer of the year award winner was accused of “faking” his World Press Photo award winning image. An analysis by independent experts recruited by the World Press Photo organization has since cleared Hansen of the charge.

The accusation was leveled by a tech blogger over at ExtremeTech, citing a single source: a computer scientist, Dr. Neal Krawetz, who wrote about the photograph on the blog for his company The Hacker Factor, a computer security consultancy.  Talking about Hansen’s photo, which shows a group of mourners in Gaza City carrying children killed in an Israeli air strike, Krawetz stated that in his “opinion, [Hansen's photo] has been significantly altered.” Krawetz provided his analysis and concluded that the image was “a digital composite.”

The ExtremeTech blogger got hold of Krawetz’s post, rehashed it, and tacked on this headline: “How the 2013 World Press Photo of the Year was faked with Photoshop.”

As of this morning the blog post had been shared on various social media platforms by roughly 25,000 people, and had received 271 comments. (Which, by the way, is about 24,450 more shares than a typical ExtremeTech blog post gets, so mission accomplished, right?). Sadly, many of the people sharing the accusation were members of the professional photography community. (more…)

April 29th, 2013

4 Photo Contests With Approaching Deadlines—and Prizes Up to $10,000

Last month we wrote about some upcoming deadlines for major photography grants. Below are four photo contests that have deadlines fast approaching.

Newspace Center for Photography 2013 Juried Exhibition
The Newspace Center for Photography in Portland, Oregon, is hosting a contest in which the winners will be part of its 2013 Juried Exhibition. Additionally, one photographer will be selected from all of the entries for a solo exhibit at the Newspace in 2014. Deadline: April 30, 2013.
www.newspacephoto.org/gallery/call-for-entries

Image13
The American Society of Media Photographers’ New York chapter is one of the co-sponsors for the Image13 international photo contest. First, second and third place prizes will be awarded in two categories: Professional and Student. Prizes include inclusion in a New York City exhibition, a promotional e-mail sent to industry professionals and an ad in PDN announcing the names of winners. Only images created after January 1, 2012, will be eligible for the contest. Deadline: May 1, 2013.
www.asmp.org/image13/

Dorothea Lange-Paul Taylor Prize
The Center for Documentary Studies at Duke University relaunched the Dorothea Lange-Paul Taylor Prize this year, with updated guidelines that reflect the changing approaches to documentary projects. The new guidelines include accepting audio files or graphic novels in the written section of the submission; artists need to have already started the documentary project to be eligible; and photographers no longer need to work with a writer to qualify, as solo submissions are now accepted. According to the award’s online FAQ section, “All entries must have one thing in common: evidence that they were created with reliance on documentary methods—research and interviews—and immersive, long-term fieldwork.” The winner will receive $10,000 and an exhibition at the Center for Documentary Studies. Deadline: May 7, 2013.
www.documentarystudies.duke.edu/awards/dorothea-lange-paul-taylor-prize

Daylight Photo Awards
Non-profit book and magazine publisher Daylight is sponsoring the Daylight Photo Awards 2013. According to the contest’s guidelines, jurors are looking for analogue or digital images that “demonstrate the ability to build a strong series of images and a cohesive body of work.” Prizes include $1,000, an exhibition at the Daylight Project Space and a set of Daylight books. Deadline: May 15, 2013.
www.daylightphotoawards.com

April 24th, 2013

Fabio Bucciarelli Wins Robert Capa Gold Medal Award

©Fabio Bucciarelli

©Fabio Bucciarelli

Fabio Bucciarelli, who has covered the civil war in Syria for Agence France-Presse, has won the Robert Capa Gold Medal Award, the Overseas Press Club (OPC) has announced. Bucciarelli won the award for a portfolio of images titled “Battle to Death,” showing Free Syrian Army soldiers battling intensely against government forces in the streets of Aleppo.

In announcing the award, OPC said, “The images from this portfolio put you ‘in the moment’ and have a palatable sense of urgency. There is a consistency to the images that helps the viewer identify with the subjects and the perils they are encountering.”

The award, given annually by the OPC, recognizes photographers who have shown exceptional enterprise and courage while covering world news events.

In other OPC award categories, freelance photographer Samuel James won the Olivier Rebbot Award for  best photographic reporting from abroad in magazines and books. James won for “The Water of My Land,” a story about oil production and its consequence in the Niger Delta. The story was published in Harper’s magazine.

Bernat Armangue of The Associated Press won the OPC’s John Faber Award for feature photography. Armangue won for his portfolio of images about the conflict in Gaza.

Oded Balilty, also of The Associated Press, also won a feature photography award for his story about an ultra-orthodox wedding near Tel Aviv.

An awards ceremony will be held tonight in New York City. A complete list of award recipients is available on the OPC Web site.

April 24th, 2013

Sangosti, Weatherwax Win BOP Photojournalist of the Year Honors

RJ Sangosti of The Denver Post and David Weatherwax of The Herald in Jasper, Indiana were named Photojournalists of the Year in the Best of Photojournalism (BOP) competition, the National Press Photographers Association (NPPA) has announced.

There are two winners because NPPA recognizes a winner for both larger and smaller markets. Sangosti won in the larger market division. Runners up were Damon Winter and Tyler Hicks, both of The New York Times.

Weatherwax won the Photojournalist of the Year title for the smaller market division for the second year in a row. (The Herald has a circulation of 11,300). Runners up this year were Tom Kelly IV (Daily Local News, Westchester, PA) and Gerry Melendez (The State, Columbia, South Carolina).

Patrick Smith, a freelancer for Getty Images, won the Sports Photojournalist of the Year title. Runners-up were Quinn Rooney (Getty Images) and Bill Frakes (Sports Illustrated).

Aaron Huey, shooting for National Geographic Magazine, is the winner of Cliff Edom’s “New America Award” for his photographic essay, “In The Shadow Of Wounded Knee.”

In the competition’s editing division, Mark Edelson of The Palm Beach Post won Newspaper Picture Editor of the Year, and Jamie Wellford of Newsweek was named Magazine Picture Editor of the Year.

Judges for the BOP still photo competition were photographers Amy Sancetta of the Associated Press and Jack Gruber of USA Today; and Boyzell Hosey, the director of photography and multimedia for the St. Petersburg Times. More details about the still photo competition are posted on the NPPA site at this link.

Judges for the BOP photo editing awards were picture editor Molly Roberts of Smithsonian magazine, photographer Matt Moyer, and Bert Fox, photography director of The Charlotte Observer. More information about the photo editing awards are posted on the NPPA site at this link.

Related:
Paolo Pellegrin Named POYi Freelance Photographer of the Year
Paul Hansen Wins POYi Newspaper Photographer of the Year

April 3rd, 2013

2013 Grants and Awards Announced by CENTER

"Son magnifique champ de fleurs," from "Gaijin," © David Favrod. Courtesy CENTER.

“Son magnifique champ de fleurs,” from “Gaijin,” © David Favrod. Courtesy CENTER.

CENTER, the Santa Fe nonprofit whose mission is to aid photographers and promote their work, has announced the winners of two grants and a series of awards.

The Project Launch Grant, which aids a photographer in completing and disseminating a fine-art or documentary project and carries an award of $10,000, was given to David Favrod for his series “Gaijin.” The work explores the displacement Favrod experiences as a result of feeling he belongs neither where he grew up, in Switzerland, nor where he was born, in Japan. The grant was judged by Library of Congress Curator Verna Curtis, COLORS Magazine Photo Editor Mauro Bedoni, and Pier 24 exhibition space Director Christopher McCall.

The Project Development Grant, which supports a photographer’s work-in-progress with an award of $5,000, went to Ignacio Evangelista for his project “After Schengen,” a series of landscapes of disused border checkpoints in Europe. The grant was judged by Denise Wolff, Aperture books program senior editor.

CENTER received more than 1000 entries for the grants from photographers around the world, the organization said in a statement.

CENTER’s Choice Awards give a curator, editor and gallerist an opportunity to recognize the work of photographers with exhibition, publication and portfolio review opportunities, among other prizes. (The winners of the two grants mentioned above are also offered exhibition, publication and portfolio review opportunities.)

For the Curator’s Choice Award, curator Tina Schelhorn of the Kolga Tblisi Photo organization recognized Marc Asnin for his long-term project about his drug-addicted uncle. For the Editor’s Choice Award, Vanity Fair Photography Director Susan White recognized Jennifer McClure for her series about her personal struggle for meaning. For the Gallerist’s Award, Pace/McGill Gallery Director Lauren Panzo recognized Bryan Schutmaat for his documentary series on old mining towns in the American West.

The winning work was selected from submissions that totaled 6,000 images, and which came from 43 countries, CENTER said.

For galleries of work by the winners and runners up visit the CENTER site here.

March 26th, 2013

Short Poverty Film Wins Top Multimedia Prize at BOP Competition

Photographer and director Alan Spearman of the Memphis Commercial Appeal has won the Best Use of Multimedia prize at the NPPA Best of Photojournalism contest, judges announced yesterday.

Spearman won the prize for his short film called As I Am, a rich, poetic film about the hard edges of poverty, from the viewpoint of an insider struggling to pull himself out. Spearman entered the film in the NPPA contest under the title, “Memphis Poverty: What Obama Didn’t See.”

The subject of the film, Christopher Dean, had a moment in the YouTube spotlight in 2011 for his charming introduction of Barack Obama at a high school graduation, where Obama spoke.  Community leaders in Memphis rallied around Dean afterwards to help him pay for college. During the summer of 2012, Dean was an intern at the Memphis Commercial Appeal, where he worked with Spearman on the “As I Am” film.

“Memphis Poverty masterfully tells an important American story in a non-traditional way, bypassing the literal translation of poverty to strike the soul,” Best of Photojournalism jurors said in an announcement posted on the NPPA web site. “The artful blend of documentary moments, poetry, music, cinematic shooting and editing craftsmanship moves our art of storytelling forward in a dramatic way.”

The jury, which included Nancy Andrews, Zach Wise, and Jonathan Quilter, gave special recognition to “Dying for Relief,” a multimedia story about the overuse and abuse of prescription drugs, produced by Liz O. Baylen of the Los Angeles Times.

Spearman also won the first place prize in the Feature Multimedia category for the “As I Am” project. First place winners in other BOP multimedia categories included Albert Lee of the Los Angeles Times, who won both the Multimedia Package category and Visual Column/Recurring Series category for his photo and video blog called Framework; MediaStorm in the Documentary Multimedia story category for “A Shadow Remains” (an extension of Philip Toledano’s “Days with My Father” project); Chris Zuppa of the Tampa Bay Times in the New Multimedia/48 Hours category for  “RNC 2012, Inside and Out;” Misha Domozhilov for “Motoball Monsters” in the Sports Multimedia Story category;  and Reuters for “The Wider Image” in the Tablet/Mobile Delivery Project category.

Related:
Picture Story: A Guided Tour of Poverty in Memphis (PDN subscription required)

March 1st, 2013

Abir Abdullah, Sara Naomi Lewkowicz Win 2013 Alexia Foundation Grants

Workers line up unclaimed bodies of victims of on accidental fire in a mass funeral at a grave at Jurain in Dhaka, Bangladesh. ©Abir Abdullah

Workers line up unclaimed bodies of victims of on accidental fire in a mass funeral at a grave at Jurain in Dhaka, Bangladesh. ©Abir Abdullah

Abir Abdullah of Bangladesh has won the $15,000 professional award in the Alexia Foundation grant competition, organizers announced this morning.

Sara Naomi Lewkowicz won the Alexia Foundation Student Grant, which includes a full-tuition scholarship to study photojournalism at the Syracuse University London Program in Fall, 2013, plus a $1,000 grant.

Click here to read the full story.

 

February 27th, 2013

POYi Punts on Pellegrin Controversy

©Paolo Pellegrin

©Paolo Pellegrin

Pictures of the Year International organizers have finally weighed in on the controversy surrounding Paolo Pellegrin’s prize-winning contest entry. And they dodged the issue that is central to the debate: the legitimacy of one particular documentary-like image of a subject posing with a gun in a parking garage–at Pellegrin’s request. (The subject told PDN that the image “put him in a bad light.”)

Instead, POYi addresses only the less complicated issues about the sloppiness of Pellegrin’s captions for the story.

POYi’s statement about entry, posted in the POYi Winners Gallery below Pellegrin’s story, reads as follows:

“The spirit of Pictures of the Year International is to honor photojournalists and celebrate their outstanding documentary photography. We do not probe for reasons to disqualify work. POY understands that errors may occur in captions submitted by photographers. We are happy to make corrections and acknowledge the errors. Story summaries and captions are ‘published’ when posted on the POY website. Any misunderstanding regarding self-authorship for ‘published’ captions or story summaries will be corrected by the photographer. POY affirms the awards.”

That response to the controversy is even more tepid than that of the organizers of World Press Photo, which at least addressed the guy-with-gun image directly when they issued their statement about it yesterday:

“The jury is of the opinion that although a more complete and accurate introduction and captions should have been made available by the photographer, the jury was not fundamentally mislead by the picture in the story or the caption that was included with it.”

Asked what safeguards they have in place to vet winning entries for manipulation, World Press Photo told PDN today that they reserve the right “to ask for raw files or untoned scans and consult an external photo expert to advise on possible manipulation. This analysis focuses only on technical facts.”

Rick Shaw, director of POYi, did not immediately respond to PDN’s request for an interview about the POYi statement.

But what the POYi and WPP statements about the Pellegrin entry suggest is that the photo contests are equipped by their rules to deal perfectly well with black and white issues, and less well-equipped to deal with any ethical gray areas.

It is, after all, easier to come up with guidelines about technical questions of how much image manipulation is too much, than it is to make rules about what kinds of actions on the part of a photographer might be misleading or damaging to the subject.

But until the contests are willing to take on such ethical gray areas when they arise, they’re leaving photographers a lot of room to “make things happen,” as long as it doesn’t happen in Photoshop, and as long as the captions pass a basic smell test.

Related:
World Press Hits Pellegrin with Wet Noodle (And Other Contest Scandals)

Paolo Pellegrin and His Subject at Odds Over Photograph