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August 22nd, 2013

Photography Trade Organizations Take Aim at Instagram Terms

Several professional photography trade organizations have banded together to study Instagram’s Terms of Service, and today the American Society of Media Photographers issued the following press release:

Photographic Community, Led by The American Society of Media Photographers, Deems Instagram Terms Too Far-Reaching

PHILADELPHIA, Aug. 22, 2013 (GLOBE NEWSWIRE) — The American Society of Media Photographers (ASMP), joined by National Press Photographers Association (NPPA), The Digital Media Licensing Association (PACA), American Photographic Artists (APA), This Week in Photography (TWiP), Professional Photographers of America (PPA), Coordination of European Picture Agencies Stock, Press and Heritage (CEPIC), Graphic Artists Guild (GAG) and American Society of Picture Professionals (ASPP), has mounted a campaign to address the far-reaching Terms of Use of the image sharing service Instagram. Since 2010, more than 16 billion images and movies have been uploaded to Instagram. The organizations believe that few of the users who share images on the site understand the rights they are giving away. ASMP has issued “The Instagram Papers,” information in the form of essays and analysis about the Terms of Use in which the key issue is that users should have the ‘right to terminate’ their agreement with Instagram, allowing them to remove permissions for the use of their identities and content at any time.

Specifically, the Terms of Use give Instagram perpetual use of photos and video as well as the nearly unlimited right to license the images to any and all third parties. And, after granting this broad license to Instagram, users also relinquish the right to terminate the agreement. Once uploaded, they cannot remove their work and their identity from Instagram. Additionally, in the event of litigation regarding a photo or video, it is the account holder who is responsible for attorney and other fees, not Instagram.

Moreover, while Instagram’s agreement includes the right to sublicense images, it specifically excludes the need to ever pay creators, regardless of the way the company may use or sell their work. The photographic community believes strongly that fair compensation for the creators of work is a vital component of a fair agreement.

According to ASMP Executive Director Eugene Mopsik, “While clearly benefiting Instagram, the rights of imaging professionals and general users stand to be infringed upon in an unprecedented way. We are concerned that not only have Instagram’s Terms of Use gone beyond acceptable standards, but also that other social media providers may use these onerous terms as a template for their own agreements.”

Peter Krogh, ASMP’s Digital Standards & Practices Chair, said, “As online services become larger repositories of intellectual property, power has shifted away from the user and toward the company provider. Unless changes are made by Instagram, we believe the terms will have a profound and negative impact on imaging professionals, publishers and general users.”

In the coming weeks and months ASMP, along with the other listed organizations, will continue to reach out to gain support in addressing these egregious terms before they become the industry standard.

Related: Bowing to Pressure from Users, Instagram Retracts New Terms of Use
Now That We Know Instagram Isn’t a Charity, What Would You Be Willing to Pay?

August 19th, 2013

RED Founder Jim Jannard Steps Down, Says He’s Tired of Criticism

In a “final post” in the REDUSER forum for RED Digital Cinema cameras, Jim Jannard announced today that he is stepping down as “the face” of RED Digital Cinema, the company he founded in 2005.

“I read on CML and other idiotic forums, that I an [sic] a hypester, a scam artist,” Jannard writes in reference to Cinematography Mailing List, the mailing list for professional cinematographers founded in 1996 by cinematographer Geoff Boyle. “I just have to wonder what these guys are smoking. But I have to say… they have gotten to me. I don’t need this. I don’t deserve this. Life is short and I am tired.”

In the post Jannard singles out critics, in particular Boyle and director of photography Art Adams, as well as other members of “CML and other idiotic forums.”

He also outlines his reasons for founding RED, and delineates what he believes are the company’s accomplishments. “My thought was to create a film alternative that actually was the equal or better to film in every aspect,” he writes.

According to Jannard, RED president Jarred Land will take over as the public face of the company. “I will now sink into the background, I hope with my reputation intact,” Jannard concludes. “I will work on the future of digital cinema… behind the scenes.”

Jannard previously founded apparel and eyewear company Oakley, Inc., which he sold in 2007 for more than $2 billion.

August 16th, 2013

Photographer Partners with Billboard Company On Public Art Project

© Chi Modu. An early portrait of rapper Snoop Dogg as it appears on a billboard in Brooklyn's Williamsburg neighborhood.

© Chi Modu. An early portrait of rapper Snoop Dogg as it appears on a billboard in Brooklyn’s Williamsburg neighborhood.

Wanting to get his portraits of Tupac Shakur, Snoop Dogg and other images from the early years of hip hop stars in front of the public, photographer Chi Modu decided not to go to a gallery or a museum: Instead, he’s taken over billboards around New York City. Modu, a former director of photography at the hip-hop magazine The Source, contacted a billboard company, Prince Media, when he saw that they had unused billboards.

The company had worked before with artists and were eager to provide him with unused billboard space, he says. “They were fired up about it.” Within days he and the company had come to an agreement on a deal that allowed Modu to put up his photographs on four billboards in Manhattan and Brooklyn through the end of September. “[Photographers] don’t need Nike to get us a billboard,” Modu says. “You can get a billboard without Nike; go ahead and show your work.” (more…)

August 8th, 2013

Fed Up with Self-Serving Noise from Photo Bloggers, Zack Arias Started a Blog, Then Published a Book in His Spare Time

Photographer Zack Arias is the accidental “Dear Abby” of the photo industry. He started a Tumblr blog last year called Photography Q&A, inviting readers to “ask me anything about photography.” He has since fielded more than 1,000 “Hi Zack” e-mails with questions about gear, technique, art and creativity, and business.

The blog is popular not only for the information Arias provides, but because of his honesty, good humor, and horse sense. He often recounts his own mistakes to instruct and encourage his readers, and isn’t afraid to cajole them, or challenge the industry’s conventional wisdom and egos.

Arias, who is also a popular workshop instructor, recently compiled some of the blog’s best installments into a book called Photography Q&A: Real Questions. Real Answers, published by New Riders. An excerpt of the book appears in the August issue of PDN, and is now available on our web site. We asked Arias how his blog got started, and he replied with his usual candor.

“It was because I got pissed off at another photographer [who] came out with a web site that was this ‘Top Ten Steps’–like a system to help get you started becoming a photographer. There was just a lot of bad information in it. A lot of people were in an uproar. I was staying out of the fray, but people kept asking me, ‘Zack, what do you think of it?’

“Finally I said, ‘The hell with it. Here’s what I think of it: I think it’s a bunch of trash, and nobody should listen to it for these reasons.’ Then I was in the fray, and then I was pissed off, and it was just one of those things: OK, you’re going to do a top ten? I’m going to do a top 100–no, I’m going to do a top 1000. There’s a lot of noise in our industry right now. There’s a lot of top ten lists, and ‘get this going quick’ [schemes] and people just walking all over the craft and people not preaching that you have to be patient, you have to work hard, and this is going to take a long time and it’s not easy. If you think it’s just about taking pictures, you’re missing the other 90 percent of what it means to be a professional photographer. And I wanted to create something that had more signal, and wasn’t noise, and wasn’t just an affiliate link aggregator, like hey, we’re going to bring a lot of people to our blog, and hope they click on our links so we can monetize it.

“So it [the blog] started because I wanted to create something that had a more honest look [at the profession] than have a shiny, happy infomercial that was getting a lot of traction.”

Meanwhile, Arias is taking a break from teaching workshops, but that’s another story.

Related:
School of Hard Knocks: Zack Arias, Lost and Found (subscription required)
PDN Reader Survey: The Best Workshop Instructors

July 18th, 2013

Startup Aims to Help Media License Amateur News Photos for $20 Apiece

An image sourced by CrowdMedia from a Twitter user who was on the tarmac at SFO during the Asiana Airlines crash was used in a gallery on Huffington Post.

© Huffington Post. An image sourced by CrowdMedia from Twitter user @mcc_maryland, whose plane was on the tarmac at SFO during the Asiana Airlines crash, was used in a gallery on Huffington Post.

A six-week-old company that connects media organizations to amateur photographers who have taken newsworthy photographs is creating some buzz, and could add yet another wrinkle to the market for news photography—one professional photographers and their photo agencies may not like.

CrowdMedia, the Montreal-based startup, uses a combination of an algorithm and a manual process to analyze more than 100 million images shared everyday via Twitter. The company identifies the .03% of these images that they consider valuable and newsworthy, reaches out to the creators via Twitter, and asks them to click a link if they would like to make their image available to media organizations. Once the creator of the photo creates an account, images are uploaded to the CrowdMedia platform, where media companies can find and purchase them for roughly $20 apiece, regardless of the usage.

Roldan says, “News outlets want [photos shared on social media] but it’s really cumbersome.” CrowdMedia promises to streamline the process, connecting editors directly to social media users.

CrowdMedia launched in June, shortly after the Chicago Sun-Times layed off its photo staff.

To read the full interview with CrowdMedia’s Roldan and learn more about the company’s pricing and functionality, see our full story, now on PDNOnline.

Related: Chicago Sun-Times Eliminates Photo Staff

July 9th, 2013

New Look PhotoShelter Adds Portfolio Sites and Social Media Integration

The homepage of photographer Robin Moore's new PhotoShelter Beam portfolio site.

The homepage of photographer Robin Moore’s new PhotoShelter Beam portfolio site. Moore was among the photographers who beta tested Beam.

Today PhotoShelter launched Beam, its new portfolio website platform, which is connected to its e-commerce, cloud storage, image delivery, client proofing and marketing tools for professional photographers.

The launch also includes integration with popular social media, blogging and video tools like Instagram, Tumblr, Vimeo and WordPress, allowing users to add content from those platforms to their Beam site, and to easily share content from their site to other platforms.

Beam is available immediately, at no cost, to current PhotoShelter users with Standard and Pro accounts, and to non-users on a 14-day trial basis. After the 14-day trial, new PhotoShelter users can pay either $29.99 per month for a Standard account, which includes a Beam site, 60GB of storage and all of PhotoShelter’s other tools, or $49.99 for a Pro account with 1000GB of storage.

At launch, Beam offers four different portfolio website designs that were created using HTML5 and CSS3, which the company says will allow images to render on “virtually any” digital device.

The “Site Builder” tool allows photographers to quickly update the look of their site and requires no coding experience.

“The biggest upgrade is the user interface, which means that I now use Photoshelter as my primary online portfolio to showcase my images,” said Robin Moore, a DC-based conservation photographer, in an email interview with PDN. Moore was among the beta testers for Beam.

A longtime PhotoShelter user, Moore used to use PhotoShelter for storage and WordPress for his portfolio. “Now,” he says, “I don’t have to fuss with that integration, and I can display my images, blog and videos on one site that I would be happy to share with prospective clients.”

Though Moore says there were “some hiccups” in the beta testing process, he is pleased with how easily he can modify his new portfolio site. “For someone who gets goosebumps every time they see code, I have really enjoyed the user-friendly interface,” Moore adds.

For more information, visit the PhotoShelter Beam microsite.

July 1st, 2013

Magnum Announces Just One Nominee, Welcomes Olivia Arthur and Peter van Agtmael as Full Members

Magnum Photos has announced that just one photographer, Michael Christopher Brown, will join the agency as a nominee this year. Olivia Arthur and Peter van Agtmael will become full members of the agency, and Alex Majoli will continue as president of Magnum Photos.

The announcements were made this afternoon following Magnum’s annual general meeting last week in London.

Michael Christopher Brown, who is from Washington State, has recently worked in Libya and Congo and his clients include The New York Times, GEO, Time and The Atlantic. He was one of the subjects of HBO’s “Witness” documentary series on conflict photography.

Olivia Arthur joined Magnum in 2008 and was made an associate of the agency in 2011. Her recent work is focused on Saudi Arabia, particularly the lives of women. In 2012 she published a book of her work, called Jeddah Diary.

Like Arthur, Peter Van Agtmael joined Magnum in 2008 as a nominee and was voted an associate in 2011. A winner of the W. Eugene Smith Grant and an ICP Young Photographer Infinity Award, Van Agtmael’s work has focused on the U.S. wars in Iraq and Afghanistan, and the legacy of those wars in the United States.

June 25th, 2013

Chicago Sun-Times’ Suburban Papers to Pay $10 Per Photo, Give or Take

The photo editor for a chain of suburban newspapers owned by Sun-Times Media of Chicago told freelance photographers yesterday that news and feature photo assignments will pay $65 each, and that photographers are expected to deliver 5 to 7 photos per assignment.

“Of course more photos is always nice for choices and file art if the story is revisited,” Pioneer Press Newspapers photo editor Geoff Scheerer wrote in a memo to freelancers. The memo was obtained and published today on the Jim Romenesko media blog.

The rate for sports photo assignments is $90, according to the memo.

In May, Sun-Times Media fired its staff photographers at the Chicago Sun-Times and its suburban papers. STM executives explained that they were diverting resources from photo to video because readers wanted more video. They said the papers would rely on reporters and freelancers for photo coverage.

Scheerer told freelancers for the suburban papers in his memo that he was clarifying rates “now that I’ve been given a hardcore budget.” For more details about the rates and Scheerer’s expectations of photographers, see the original memo.

Related: Chicago Sun-Times Eliminates Photo Staff

June 18th, 2013

Pop-up Shop Brings Indie Photo Books to Brooklyn Subway Travelers

Photo courtesy ALLDAYEVERYDAY

Photo courtesy ALLDAYEVERYDAY

If you’re riding on the New York City subway and happen to notice photo books and ‘zines replacing iPads or free newspapers in the hands of your fellow passengers, this may be why: This past Saturday a subway newsstand at the Metropolitan Avenue subway station in Williamsburg, Brooklyn, opened as a temporary shop featuring independent photography and art books produced by a handful of well-respected small publishers.

Aptly called The Newsstand, the store is put together by creative firm ALLDAYEVERYDAY in partnership with 8-Ball, a ‘zine fair created by photo editor and curator Lele Saveri.

The shop will be open through July 20th, from 9am-8pm on weekdays and 12pm-5pm on weekends, which is probably a good idea given the level of pawing the books would be subjected to by the Williamsburg weekend night crowd. Participating publishers, artists and bookstores include:

Desert Island books
Dashwood Books
Ed Varie
Jason Polan
Hamburger Eyes
Nowork
Miniature Garden
MOSSLESS
Pau Wau Publications
Peradam
Swill Children
Rumore Nero
Toilet Paper Magazine
Karma
Dan Murphy Zines

The shop also has a selection of magazines put together by McNally Jackson bookstore in Manhattan, and a selection of music from Co-Op 87 record store in Brooklyn.

The Newsstand is accessible by both L and G subway lines.

June 10th, 2013

PDN Video Pick: Miller Mobley’s Tips for Landing Clients

Photographer Miller Mobley: How to Build Relationships with Clients from PDNOnline on Vimeo.

Miller Mobley built a successful business as an editorial and commercial photographer in his native Alabama, then gave it up to start all over again in New York City. In this video produced by PDN, he discusses how he landed jobs in both places, and the importance of showing new work to potential clients every time he approaches them. To learn more about how Mobley launched and then re-launched his career, see our story, “Miller Mobley’s Transition,” at PDNonline.com.