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December 3rd, 2014

Shortlist for Deutsche Börse $47,000 Prize Announced

© Nikolai Bakharev. Collection of the Moscow House of Photography Museum

© Nikolai Bakharev. Collection of the Moscow House of Photography Museum

The shortlist for the 2015 Deutsche Börse Prize was announced today.  The annual prize, which comes with 30,000 pound award (about $47,200 US), was established by The Photographers’ Gallery in London. It is given annually to a living photographer (or collaborative partners) to recognize a specific body of work in an exhibition or publication that has contributed significantly to photography in Europe.

The finalists are:
Nikolai Bakharev, nominated for his exhibition at the 55th Venice Biennale of images of bathers on public beaches in Russia, shot during the 1980s and 1990s.

Viviane Sassen, nominated for her exhibition “Umbra,” shown at Nederlands Fotomuseum, Rotterdam. The show combined Sassen’s abstract photos, drawings and light installations with poems by Maria Barnas.

Zanele Muholi, nominated for her book Faces and Phases 2006-2014 (Steidl), featuring her black-and-white portraits of members of the LGBT community in South Africa, accompanied by first-person testimonies.

Mikhael Subotzky and Patrick Waterhouse, nominated for their book Ponte City (Steidl), about a 54-story apartment block in Johannesburg that has become a refuge for new immigrants to the city. The book, which includes 17 booklets, encompasses architectural plans, essays, personal accounts, and archival material.

The judges for this year’s prize are Chris Boot, Executive Director, Aperture Foundation; Rineke Dijkstra, photographer; Peter Gorschlüter, Deputy Director, MMK Museum für Moderne Kunst in Frankfurt and Anne Marie Beckmann, curator of the Deutsche Börse art collection.

The winner will be announced in May 2015 at an award ceremony at The Photographers’ Gallery in London.

Related Articles
Richard Mosse Wins $50K Deutsche Borse Prize for The Enclave

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November 14th, 2014

Nicoló Degiorgis Wins $10k Paris Photo-Aperture First PhotoBook Award

Nicoló Degiorgis received the First PhotoBook prize from the Paris Photo-Aperture Foundation PhotoBook Awards, the Aperture Foundation announced today. The award, which is given for an outstanding first monograph, comes with a $10,000 prize. Degiorgis’s first book, Hidden Islam (Rorhof, 2014), depicts semi-permanent and makeshift Muslim places of worship in Italy and elsewhere in Europe.

The book is made entirely of gatefold pages. Black and white depictions of unassuming buildings like garages, shops and warehouses open to reveal color images of the interiors of these places of worship.

In other prize categories, Christopher Williams won Photography Catalogue of the Year honors for his exhibition catalogues Christopher Williams: The Production Line of Happiness and Christopher Williams: Printed in Germany (Art Institute of Chicago, 2014).

PhotoBook of the Year went to Oliver Sieber for his book Imaginary Club (Editions GwinZegal and BöhnKobayashi, 2014), an assemblage of years of work depicting the places and people that define various music subcultures.

Vytautas V. Stanionis received a special mention for his book Photographs for Documents (Kaunas Photography Gallery). To create the book, Stanionis printed photographs from negatives his father shot as passport photos for residents in a small Lithuanian town who were applying for Soviet passports.

Judges for the awards were Alkazi Foundation for the Arts curator Rahaab Allana; MoMA chief photography curator Quentin Bajac; designer and director Cléo Charuet; curator Sebastian Hau; and gallerist and publisher Pierre Hourquet.

Via Aperture.

October 16th, 2014

LaToya Ruby Frazier Awarded United States Artists Fellowship

Photographer LaToya Ruby Frazier is among the 34 people named United States Artists fellows for 2014. The awards, announced on October 13, 2014, come with an unrestricted prize worth $50,000. The “United States Artists” (USA) program is described as investing in “the fundamental value artists contribute to American society.” The organization is funded by individuals and philanthropic groups such as the Bloomberg and Knight Foundations. This year, 16 women and 18 men were selected from among 116 nominated artists; awards were given in architecture and design, crafts and traditional arts, dance, literature, media, music, theater and visual arts.

Frazier, who was selected for PDN‘s 30 2012, released her first book, The Notion of Family, published by Aperture Foundation in September. In it, she tells the story of the racism and economic decline of small-town America through the lens of three generations of her family—herself, her mother, and her grandmother—in her hometown of Braddock, PA. In April 2014, she was awarded a  John Simon Guggenheim Memorial Foundation fellowship. She has held academic and curatorial positions at Yale, Rutgers and Syracuse.

Since it was founded in 2006, the program has given $19.1 million to 405 artists. Past visual arts recipients who work in lens-based media include Luis Camnitzer, William Leavitt, Kerry Tribe and Lorraine O’Grady. A complete list of winners can be found at www.unitedstatesartists.org/2014fellows.

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October 15th, 2014

2014 Eddie Adams Workshop Award Winners Announced

The annual four-day Eddie Adams Workshop for emerging photographers ended Monday with presentations by students and announcements of awards. Winners included:

Palestinian photojournalist Eman Mohammed, who received the $2,500 Chris Hondros Fund Award.

Zack Wittman, a junior at Central Michigan University, recipient of the Nikon Award, including a Nikon D4S camera, three NIKKOR zoom lenses and Speedlight flash, worth approximately $11,000.

Sean Proctor, a Michigan-based photojournalist, winner of the inaugural Bill Eppridge Memorial Award, a $1,000 cash prize. The prize was created this year in memory of the long-time LIFE photographer who died in October 2013 at age 75.

Rachel Woolf, a student at Ithaca College, who received the Colton Family Award for the student who best embodies the spirit of the workshop, including a $1,000 cash prize.

New York-based Nancy Borowick, recipient of a $1,000 grant from the visual storytelling app Storehouse for innovation in storytelling. (For more on Borowick’s work, see “Picture Story: Love in a Double Shadow of Cancer” on PDNOnline.)

Jonas Wresch, a German photographer based in Colombia, and Adriane Ohanesian, an American photographer based in Kenya, who each received a $1,000 cash award from National Geographic.

Numerous awards in the form of photo assignments and internships were given by the Associated Press, The Denver Post, Education Week, Getty Sports, the Los Angeles Times, The New York Times, Newsweek, The New Yorker, Sports Illustrated, Washington Post, a Lightbox feature on Time.com and a one-week internship at the White House.

The four-day, tuition-free workshop hosts 100 photo students and emerging pros with an international mix. Among the more than 20 workshop speakers and coaches at this year’s event were veteran photographers James Nachtwey, Eugene Richards and John White and contemporary talents Barbara Davidson, Gillian Laub, Phil Toledano and Marco Grob.

More information is available at the Eddie Adams Workshop website
www.eddieadamsworkshop.com.

October 15th, 2014

Attention Photojournalists: Upcoming Grant and Prize Deadlines

Looking for support for your visual journalism? Take note of these calls for entries.

Tim Hetherington Grant
A joint initiative of World Press Photo and Human Rights Watch, the Tim Hetherington Grant is a 20,000 euro prize awarded annually to a visual journalist. The grant is intended to help photographers and filmmakers finish ongoing projects on a human rights theme. The deadline to enter is October 31. The grant was created in memory of Tim Hetherington, who was killed in April 2011 while covering fighting in Misrata, Libya. Past winners of this juried prize have included Olivier Jobard and Fernando Moleres.
www.worldpressphoto.org/tim-hetherington-grant

Photo Philanthropy Activist Awards
PhotoPhilanthropy, which connects photographers with nonprofits to drive action for social change, is now accepting entries in its 2014 Activist Awards, open to all professional and emerging photographers who have collaborated with a nonprofit organization on a photo project. The grand prize for a professional photographer is $15,000. A prize of $5,000 will be awarded to an emerging photographer. The deadline is December 3, 2014. The jury will be announced later this month.
photophilanthropy.org/award/

Open Society Moving Walls
Open Society Foundations is now accepting proposals for Moving Walls 2015, an exhibition which will open June 2015 at the Open Society Foundations’ offices in New York City. The application deadline is November 18. Moving Walls highlights long-term photo-based documentary projects addressing human rights or social justice issues in an area where Open Society is active. Open Society covers the cost of printing, travel to attend the opening, and return shipment of photos, and provides a $2,500 participation fee.
www.opensocietyfoundations.org/grants/moving-walls

Related Articles

Olivier Jobard Wins 2013 Tim Hetherington Grant
Liz Hingley Wins PhotoPhilanthropy Prize

September 17th, 2014

The 50,000 Euro Controversy Over Artistic Freedom and the Carmignac Gestion Prize

carmignac-pageNewsha Tavakolian, the Tehran-based photojournalist who won the 2014 Carmignac Gestion Photojournalism Award, announced last week that she will return the 50,000 Euro prize, due to “irreconcilable differences over the presentation of my work.” Tavakolian claims Edouard Carmignac, head of the Carmignac Gestion investment bank which funds the Carmignac Foundation and the photojournalism prize, edited her work and changed its title “in ways that were simply not acceptable to me.” In a statement sent to PDN, a spokesperson for the Carmignac Foundation claims the organization has “postponed” planned exhibitions and the publication of Tavakolian’s work to protect the photographer and her family from threats from the Iranian government.

Created in 2009, the Carmignac Gestion photojournalism award “aims to support photojournalists who find themselves working on the front line of different situations.” Selected by a jury of photographers, curators and editors, the prize winner receives 50,000 Euros to complete a project, exhibitions in Paris and elsewhere, and the publication of a book. Previous winners of the Carmignac Gestion prize have included Kai Wiedenhoefer and Davide Monteleone. Tavakolian is the first woman awarded the prize.

Though Tavakolian was selected the 2014 winner in November of last year, her identity was kept confidential due to security concerns while she worked on her project in Iran, according to the Carmignac Foundation. She delivered images to the Foundation in July; her win was announced that month at the Recontres D’Arles photo festival.

On September 11, Tavakolian posted on her Facebook page a statement saying that she was returning the money because of disagreements with Edouard Carmignac.

“Unfortunately…from the moment I delivered the work, Mr. Carmignac insisted on personally editing my photographs as well as altering the accompanying texts to the photographs. Mr. Carmignac’s interference in the project culminated in choosing an entirely unacceptable title for my work that would undermine my project irredeemably.” Tavakolian says she titled the project, which depicts everyday life in Iran, “Blank Pages of an Iranian Photo Album,” but in announcing the prize, the Carmignac Foundation called it “The Lost Generation,” a title Tavakolian calls “overused and loaded” and “unnecessarily controversial.” She said in her Facebook statement that in her emails to Carmignac, “I tried to convince him that as the creator of this project, I am entitled to my artistic freedom. Whilst I absolutely welcome other points of view, I cannot accept that anyone other than myself should have the final say about my work. But at no point would he accept this as my right.”

Tavakolian told PDN on she had contacted the Foundation to arrange the transfer of funds to their account.

A spokesperson sent PDN a statement from the Carmignac Foundation that says Tavakolian had changed the project she had originally proposed to the jury. According to the foundation, Tavakolian “notified the Foundation of specific and significant risks posed to her own safety, and that of her family, and expressed her intention to tone down and shift the focus of her proposed ‘Burnt Generation’ project that had been selected by the Jury.

“Under these circumstances, the Foundation made the difficult decision to postpone the project rather than accept such a change, which it felt would have distorted the Award’s mission without necessarily guaranteeing the safety of its winner.”

Tavakolian told PDN via email, “The reaction from the Carmignac Foundation is a clear manipulation of the truth.” She considers the mention of safety issues “a threat” from Carmignac, she says.

“The issue at hand here is my right for artistic freedom and Mr. Carmignac’s misplaced ambition to edit, alter, and change my project, including the title to his own liking. I do not need Mr. Carmignac’s ‘protection’ as he prefers to call this drama. I have been working in Iran for 15 years and have faced many problems, but solved them myself and managed to tell the story. What [I] need from him is simple: my artistic freedom and the right to have the final say over my own project.”

Though one of Tavokolian’s images remains on the Carmignac Foundation website, exhibitions of her work have been canceled, the Foundation statement says.

Davide Monteleone, last year’s winner, served on the jury that selected Tavakolian for the 2014 prize. He says when he turned in the project on Chechnya he shot with the Carmignac Gestion prize, he worked only with artistic director Nathalie Gallon. “I had no interference from Mr. Carmignac.” Monteleone says his book and exhibition “are exactly the way I wanted them to be. I think for such a prize, this is the only way it should be.”

The Carmignac Foundation is continuing with plans to offer the prize in 2015, this time supporting works on the theme of “lawless areas in France.”

September 15th, 2014

New $10K Grant Will Send Newborn Babies Home From Hospital As Photo Collectors

A new $10,000 grant to support programs that engage new audiences with photography has been awarded to Pittsburgh photographer Matthew Conboy. The photographer won the grant, which was established by the non-profit Crusade for Art, for a proposal to send newborn babies at West Penn Hospital in Pittsburgh home with signed prints from local photographers.

Conboy took his inspiration for the project from a program created by a local hospital. There, they send each newborn home with a “Terrible Towel,” the yellow towel waved by fans at Pittsburgh Steelers NFL football games.

“While I am a proud Steelers Fan, I believe that babies could be sent home with something else that could change their lives and the lives of those around them: art,” Conboy wrote in his proposal.

The jury that awarded Conboy the grant included Museum of Contemporary Photography curator Karen Irvine, Colorado Photographic Arts Center executive director Rupert Jenkins, and New Yorker photo director Whitney Johnson.

Irvine and Crusade For Art executive director Jennifer Schwartz hailed the creativity of Conboy’s idea in a press release announcing the award. “We are excited to award this grant to someone whose idea feels completely original and unique,” Irvine said.

Conboy chose 12 local photographers—including himself—to participate in the program. Their work represents a broad spectrum of photographic interests. The program will run for one year, and Conboy estimates the group of artists will send 3500 newborn babies home with an original artwork. He also hopes to expand the project to include other hospitals in the region “and beyond,” he says.

September 3rd, 2014

Mary F. Calvert Wins $25,000 Women’s Initiative Grant

From "Missing in Action: Homeless Female Veterans." © Mary F. Calvert

From “Missing in Action: Homeless Female Veterans” © Mary F. Calvert

Photographer Mary F. Calvert has won the Alexia Foundation’s 2014 Women’s Initiative Grant to fund her project called “Missing in Action: Homeless Female Veterans,” the foundation announced this morning. Calvert was a finalist for the $25,000 grant last year, when it was initiated by the Alexia Foundation to support photojournalism projects about issues affecting women.

The Alexia Foundation says Calvert explained in her grant proposal that female veterans are the fastest growing segment of the US homeless population, and are four times more likely than civilian women to become homeless because of health issues, and psychological and economic stress. Those issues are often exacerbated by the strains of parenthood. But the Department of Veteran’s affairs is ill-equipped to address the needs of female veterans, according to critics.

“Mary Calvert’s project on homeless female veterans in Los Angeles qualifies as the poster story for our mission statement,” Alexia Foundation co-founder Aphrodite Tsairis said on the foundation’s blog. “The stark emotion evoked in her images promises to deliver the raw naked truth about a neglected segment in the military.”

Calvert’s work will focus on homeless female veterans in the Los Angeles area. She will explore the efforts of the Department of Veterans Affairs and other organizations to provide services, as well as “put a human face on this neglected crisis” by allowing women to tell their stories in their own voices, according to the Alexia Foundation.

As a condition of the grant, Calvert is expected to submit a project portfolio of at least 60 images by March 1, 2015. The Alexia Foundation expects to assist her in creating a multimedia production of the finished work, according to communications director Eileen Mignoni.

Mignoni says the Alexia Foundation received 400 applications for the Women’s Initiative Grant this year. The foundation’s nine-member Photojournalism Advisory Council selected the winner. The advisory council members include Jim Dooley, Brian Storm, Ed Kashi, Ami Vitale, Pim Van Hemmen, Huang Wen, Whitney Johnson, Aidan Sullivan and Lacy Austin.

Related Articles:
Anatomy of a  Successful Grant Application: Tim Matsui on the Women’s Initiative Grant (for PDN subscribers)

Tim Matsui Wins Alexia Foundation Women’s Initiative Grant

August 20th, 2014

Aaron Siskind Foundation Announces 2014 Grant Recipients

The Aaron Siskind Foundation announced the five winners of their 2014 Individual Photographer’s Fellowship grants yesterday. The grant recipients are Lucas Foglia, Curran Hatleberg, Gillian Laub, Peter van Agtmael and Tomas van Houtryve. Each of this year’s winners receives an $8,000 award.

There were two rounds of judging for this year’s IPF grants. The first round judges included curator Elisabeth Biondi, Harper’s Magazine Art Director Stacey D. Clarkson and Alexa Dilworth, of the Center for Documentary Studies at Duke University. Photographer Elinor Carucci, Curatorial Assistance CEO Graham Howe, and Morgan Library Curator of Photography Joel Smith were the final round judges.

The IPF program was started in 1991, the same year that the Foundation was created, in keeping with photographer Aaron Siskind’s request that upon his death his estate be used to support and inspire contemporary photography. The grants are open to photographers of all levels who reside in the U.S. and are 21 years of age or older, as long as their work is “based on the idea of the lens-based image,” according to the Foundation’s website. Awards of up to $10,000 have been given every year since the IPF’s inception—with the exception of 1999, 2002, 2003 and 2006. Past recipients have included Gregory Crewdson, Matt Eich, Lisa Elmaleh, Ashley Gilbertson, Ron Jude, Wayne Lawrence, Jenny Riffle and Joshua Lutz.

Related: Out West: Lucas Foglia’s Frontcountry
Tomas van Houtryve Drone Essay Longest Ever Published by Harper’s
Heroes & Mentors: Tina Barney and Gillian Laub

August 12th, 2014

Alejandro Cegarra Wins 2014 Ian Parry Scholarship

© Alejandro Cegarra

© Alejandro Cegarra

Photographer Alejandro Cegarra, 24, has been awarded the 2014 Ian Parry Scholarship for “The Other Side of the Tower,” his project on people living illegally in the Tower of David, an unfinished skyscraper in Caracas, Venezuela.  Cegarra will receive 3,500 pounds (approximately $5,450 US) and equipment from Canon. He is also automatically named to the shortlist of photographers selected for Joop Swart Masterclass, conducted by World Press Photo.

The Ian Parry Scholarship, now in its twenty-fifth year, was named for the Sunday Times of London photographer who was killed at the age of 24 while covering the Romanian Revolution. The scholarship supports projects by full-time photography students and photographers under 24.

Aidan Sullivan, founder and director of the Ian Parry Scholarship, says Cegarra’s work on the Tower of David is “in the finest photographic tradition of the scholarship.” In addition to the winner, one “highly commended” photographer and two “commended” photographers were also announced. They will receive 500 pounds (approximately $780 US). Save the Children will offer one of the finalists an all-expense-paid assignment.

This year’s “highly commended” photographer is Rahul Talukder of Bangladesh. Mario Wezel of Germany is the “commended” photographer.

For the first time, the jurors for the Ian Parry Scholarship also gave a Judges Special Award: It was awarded to Hosam Katan of Syria. Rebecca McClelland, deputy director of the scholarship, noted that for the first time, judges received numerous portfolios from photographers in Egypt and Syria.

A exhibition celebrating 25 years of scholarship winners will be shown at this year’s Visa Pour L’Image Festival in Perpignan, France.
Information on the Ian Parry Scholarship can be found at www.ianparry.org

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