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September 17th, 2014

The 50,000 Euro Controversy Over Artistic Freedom and the Carmignac Gestion Prize

carmignac-pageNewsha Tavakolian, the Tehran-based photojournalist who won the 2014 Carmignac Gestion Photojournalism Award, announced last week that she will return the 50,000 Euro prize, due to “irreconcilable differences over the presentation of my work.” Tavakolian claims Edouard Carmignac, head of the Carmignac Gestion investment bank which funds the Carmignac Foundation and the photojournalism prize, edited her work and changed its title “in ways that were simply not acceptable to me.” In a statement sent to PDN, a spokesperson for the Carmignac Foundation claims the organization has “postponed” planned exhibitions and the publication of Tavakolian’s work to protect the photographer and her family from threats from the Iranian government.

Created in 2009, the Carmignac Gestion photojournalism award “aims to support photojournalists who find themselves working on the front line of different situations.” Selected by a jury of photographers, curators and editors, the prize winner receives 50,000 Euros to complete a project, exhibitions in Paris and elsewhere, and the publication of a book. Previous winners of the Carmignac Gestion prize have included Kai Wiedenhoefer and Davide Monteleone. Tavakolian is the first woman awarded the prize.

Though Tavakolian was selected the 2014 winner in November of last year, her identity was kept confidential due to security concerns while she worked on her project in Iran, according to the Carmignac Foundation. She delivered images to the Foundation in July; her win was announced that month at the Recontres D’Arles photo festival.

On September 11, Tavakolian posted on her Facebook page a statement saying that she was returning the money because of disagreements with Edouard Carmignac.

“Unfortunately…from the moment I delivered the work, Mr. Carmignac insisted on personally editing my photographs as well as altering the accompanying texts to the photographs. Mr. Carmignac’s interference in the project culminated in choosing an entirely unacceptable title for my work that would undermine my project irredeemably.” Tavakolian says she titled the project, which depicts everyday life in Iran, “Blank Pages of an Iranian Photo Album,” but in announcing the prize, the Carmignac Foundation called it “The Lost Generation,” a title Tavakolian calls “overused and loaded” and “unnecessarily controversial.” She said in her Facebook statement that in her emails to Carmignac, “I tried to convince him that as the creator of this project, I am entitled to my artistic freedom. Whilst I absolutely welcome other points of view, I cannot accept that anyone other than myself should have the final say about my work. But at no point would he accept this as my right.”

Tavakolian told PDN on she had contacted the Foundation to arrange the transfer of funds to their account.

A spokesperson sent PDN a statement from the Carmignac Foundation that says Tavakolian had changed the project she had originally proposed to the jury. According to the foundation, Tavakolian “notified the Foundation of specific and significant risks posed to her own safety, and that of her family, and expressed her intention to tone down and shift the focus of her proposed ‘Burnt Generation’ project that had been selected by the Jury.

“Under these circumstances, the Foundation made the difficult decision to postpone the project rather than accept such a change, which it felt would have distorted the Award’s mission without necessarily guaranteeing the safety of its winner.”

Tavakolian told PDN via email, “The reaction from the Carmignac Foundation is a clear manipulation of the truth.” She considers the mention of safety issues “a threat” from Carmignac, she says.

“The issue at hand here is my right for artistic freedom and Mr. Carmignac’s misplaced ambition to edit, alter, and change my project, including the title to his own liking. I do not need Mr. Carmignac’s ‘protection’ as he prefers to call this drama. I have been working in Iran for 15 years and have faced many problems, but solved them myself and managed to tell the story. What [I] need from him is simple: my artistic freedom and the right to have the final say over my own project.”

Though one of Tavokolian’s images remains on the Carmignac Foundation website, exhibitions of her work have been canceled, the Foundation statement says.

Davide Monteleone, last year’s winner, served on the jury that selected Tavakolian for the 2014 prize. He says when he turned in the project on Chechnya he shot with the Carmignac Gestion prize, he worked only with artistic director Nathalie Gallon. “I had no interference from Mr. Carmignac.” Monteleone says his book and exhibition “are exactly the way I wanted them to be. I think for such a prize, this is the only way it should be.”

The Carmignac Foundation is continuing with plans to offer the prize in 2015, this time supporting works on the theme of “lawless areas in France.”

September 15th, 2014

New $10K Grant Will Send Newborn Babies Home From Hospital As Photo Collectors

A new $10,000 grant to support programs that engage new audiences with photography has been awarded to Pittsburgh photographer Matthew Conboy. The photographer won the grant, which was established by the non-profit Crusade for Art, for a proposal to send newborn babies at West Penn Hospital in Pittsburgh home with signed prints from local photographers.

Conboy took his inspiration for the project from a program created by a local hospital. There, they send each newborn home with a “Terrible Towel,” the yellow towel waved by fans at Pittsburgh Steelers NFL football games.

“While I am a proud Steelers Fan, I believe that babies could be sent home with something else that could change their lives and the lives of those around them: art,” Conboy wrote in his proposal.

The jury that awarded Conboy the grant included Museum of Contemporary Photography curator Karen Irvine, Colorado Photographic Arts Center executive director Rupert Jenkins, and New Yorker photo director Whitney Johnson.

Irvine and Crusade For Art executive director Jennifer Schwartz hailed the creativity of Conboy’s idea in a press release announcing the award. “We are excited to award this grant to someone whose idea feels completely original and unique,” Irvine said.

Conboy chose 12 local photographers—including himself—to participate in the program. Their work represents a broad spectrum of photographic interests. The program will run for one year, and Conboy estimates the group of artists will send 3500 newborn babies home with an original artwork. He also hopes to expand the project to include other hospitals in the region “and beyond,” he says.

September 3rd, 2014

Mary F. Calvert Wins $25,000 Women’s Initiative Grant

From "Missing in Action: Homeless Female Veterans." © Mary F. Calvert

From “Missing in Action: Homeless Female Veterans” © Mary F. Calvert

Photographer Mary F. Calvert has won the Alexia Foundation’s 2014 Women’s Initiative Grant to fund her project called “Missing in Action: Homeless Female Veterans,” the foundation announced this morning. Calvert was a finalist for the $25,000 grant last year, when it was initiated by the Alexia Foundation to support photojournalism projects about issues affecting women.

The Alexia Foundation says Calvert explained in her grant proposal that female veterans are the fastest growing segment of the US homeless population, and are four times more likely than civilian women to become homeless because of health issues, and psychological and economic stress. Those issues are often exacerbated by the strains of parenthood. But the Department of Veteran’s affairs is ill-equipped to address the needs of female veterans, according to critics.

“Mary Calvert’s project on homeless female veterans in Los Angeles qualifies as the poster story for our mission statement,” Alexia Foundation co-founder Aphrodite Tsairis said on the foundation’s blog. “The stark emotion evoked in her images promises to deliver the raw naked truth about a neglected segment in the military.”

Calvert’s work will focus on homeless female veterans in the Los Angeles area. She will explore the efforts of the Department of Veterans Affairs and other organizations to provide services, as well as “put a human face on this neglected crisis” by allowing women to tell their stories in their own voices, according to the Alexia Foundation.

As a condition of the grant, Calvert is expected to submit a project portfolio of at least 60 images by March 1, 2015. The Alexia Foundation expects to assist her in creating a multimedia production of the finished work, according to communications director Eileen Mignoni.

Mignoni says the Alexia Foundation received 400 applications for the Women’s Initiative Grant this year. The foundation’s nine-member Photojournalism Advisory Council selected the winner. The advisory council members include Jim Dooley, Brian Storm, Ed Kashi, Ami Vitale, Pim Van Hemmen, Huang Wen, Whitney Johnson, Aidan Sullivan and Lacy Austin.

Related Articles:
Anatomy of a  Successful Grant Application: Tim Matsui on the Women’s Initiative Grant (for PDN subscribers)

Tim Matsui Wins Alexia Foundation Women’s Initiative Grant

August 20th, 2014

Aaron Siskind Foundation Announces 2014 Grant Recipients

The Aaron Siskind Foundation announced the five winners of their 2014 Individual Photographer’s Fellowship grants yesterday. The grant recipients are Lucas Foglia, Curran Hatleberg, Gillian Laub, Peter van Agtmael and Tomas van Houtryve. Each of this year’s winners receives an $8,000 award.

There were two rounds of judging for this year’s IPF grants. The first round judges included curator Elisabeth Biondi, Harper’s Magazine Art Director Stacey D. Clarkson and Alexa Dilworth, of the Center for Documentary Studies at Duke University. Photographer Elinor Carucci, Curatorial Assistance CEO Graham Howe, and Morgan Library Curator of Photography Joel Smith were the final round judges.

The IPF program was started in 1991, the same year that the Foundation was created, in keeping with photographer Aaron Siskind’s request that upon his death his estate be used to support and inspire contemporary photography. The grants are open to photographers of all levels who reside in the U.S. and are 21 years of age or older, as long as their work is “based on the idea of the lens-based image,” according to the Foundation’s website. Awards of up to $10,000 have been given every year since the IPF’s inception—with the exception of 1999, 2002, 2003 and 2006. Past recipients have included Gregory Crewdson, Matt Eich, Lisa Elmaleh, Ashley Gilbertson, Ron Jude, Wayne Lawrence, Jenny Riffle and Joshua Lutz.

Related: Out West: Lucas Foglia’s Frontcountry
Tomas van Houtryve Drone Essay Longest Ever Published by Harper’s
Heroes & Mentors: Tina Barney and Gillian Laub

August 12th, 2014

Alejandro Cegarra Wins 2014 Ian Parry Scholarship

© Alejandro Cegarra

© Alejandro Cegarra

Photographer Alejandro Cegarra, 24, has been awarded the 2014 Ian Parry Scholarship for “The Other Side of the Tower,” his project on people living illegally in the Tower of David, an unfinished skyscraper in Caracas, Venezuela.  Cegarra will receive 3,500 pounds (approximately $5,450 US) and equipment from Canon. He is also automatically named to the shortlist of photographers selected for Joop Swart Masterclass, conducted by World Press Photo.

The Ian Parry Scholarship, now in its twenty-fifth year, was named for the Sunday Times of London photographer who was killed at the age of 24 while covering the Romanian Revolution. The scholarship supports projects by full-time photography students and photographers under 24.

Aidan Sullivan, founder and director of the Ian Parry Scholarship, says Cegarra’s work on the Tower of David is “in the finest photographic tradition of the scholarship.” In addition to the winner, one “highly commended” photographer and two “commended” photographers were also announced. They will receive 500 pounds (approximately $780 US). Save the Children will offer one of the finalists an all-expense-paid assignment.

This year’s “highly commended” photographer is Rahul Talukder of Bangladesh. Mario Wezel of Germany is the “commended” photographer.

For the first time, the jurors for the Ian Parry Scholarship also gave a Judges Special Award: It was awarded to Hosam Katan of Syria. Rebecca McClelland, deputy director of the scholarship, noted that for the first time, judges received numerous portfolios from photographers in Egypt and Syria.

A exhibition celebrating 25 years of scholarship winners will be shown at this year’s Visa Pour L’Image Festival in Perpignan, France.
Information on the Ian Parry Scholarship can be found at www.ianparry.org

Related Articles

Farzana Hossen Wins 2013 Ian Parry Scholarship for Project on Violence Against Women

Adrian Fussell Wins 2012 Ian Parry Scholarship

May 21st, 2014

German Photographer Michael Schmidt Awarded $112,500 Prix Pictet

From "Lebensmittel," Michael Schmidt's series on food production and consumption.

From “Lebensmittel,” Michael Schmidt’s series on food production and consumption.

Michael Schmidt was awarded the fifth Prix Pictet, a photography prize worth $112,500, in a ceremony this evening at the Victoria and Albert Museum in London. The award is sponsored by Swiss wealth managers the Pictet Group.

Schmidt was recognized for his long-term project “Lebensmittel,” translated as “food stuff,” which he made between 2006 and 2010. Sir David King, the jury chair, called Schmidt’s project “an epic and hugely topical investigation into the ways in which we feed ourselves,” according to a press release issued by the Prix Pictet organization. The Prix Pictet honors photographers whose work examines critical social and environmental issues, and the theme for this iteration of the prize was “Consumption.”

The shortlisted photographers included Adam Bartos (United States), Motoyuki Daifu (Japan), Rineke Dijkstra (The Netherlands), Hong Hao (China), Mishka Henner (Belgium), Juan Fernando Herrán (Colombia), Boris Mikhailov (Ukraine), Abraham Oghobase (Nigeria), Michael Schmidt (Germany), Allan Sekula (United States) and Laurie Simmons (United States).

Kofi Annan, the former UN secretary-general and honorary president of Prix Pictet, praised the shortlisted photographers for their “powerful images that ought to persuade governments, businesses—and each of us as individual consumers—of the need for a fundamental rethink of the principles on which present-day affluence is founded. The issue of unsustainable consumption, and in particular food and nutrition security, is not simply at the forefront of the global political stage, it is now firmly on the personal agenda of each and every one of us.”

Previous winners include Benoît Aquin, Nadav Kander, Mitch Epstein and Luc Delahaye.

The jury for the fifth Prix Pictet included: Sir King, chairman, UK Foreign Secretary’s Special Representative for Climate Change (SRCC); Peter Aspden, arts writer, Financial Times; Luc Delahaye, photographer; Fumio Nanjo, director, Mori Art Museum; Loa Haagen Pictet, art consultant & curator; Martin Barnes, senior curator of photographs, Victoria and Albert Museum; Wang Shu, architect; Elisabeth Sussman, curator of photography, Whitney Museum of American Art.

An exhibition of the work of the shortlisted photographers opens tomorrow at the Victoria and Albert Museum, where it will show through June 14, 2014.

May 12th, 2014

Richard Mosse Wins $50K Deutsche Borse Prize for The Enclave

Richard Mosse, "Safe From Harm," North Kivu, eastern Congo, 2012, © Richard Mosse, Courtesy of the artist and Jack Shainman Gallery.

Richard Mosse, “Safe From Harm,” North Kivu, eastern Congo, 2012, © Richard Mosse, Courtesy of the artist and Jack Shainman Gallery.

Richard Mosse has won the 2014 Deutsche Börse Photography Prize. The £30,000 award (about $50,000 US) is given annually to a photographer whose photo book or exhibition contributed to the medium of photography in Europe during the previous year. The news was announced this evening during a ceremony in London at The Photographers’ Gallery. Read the full story on PDNOnline.

May 6th, 2014

Good Food: Romas Foord, Ditte Isager, Food & Wine Honored in 2014 James Beard Foundation Awards

© Romas Foord. From Historic Heston.

© Romas Foord. From Historic Heston.

The James Beard Foundation announced the winners of its annual Books, Broadcast and Journalism awards on May 2, and two cookbooks shared the prize for best photography. Historic Heston, by chef Heston Blumenthal, features historic English recipes photographed by Romas Foord in the style of Old Master still-life paintings. Historic Heston also won the top award for Cookbook of the Year.

The other winner in the photography category is Rene Redzepi: A Work in Progress, which encompasses three volumes: a journal by the chef and author of Noma: Time and Place in Nordic Cuisine (published in 2010); a book of 100 recipes, photographed by Ditte Isager; and a collection of iPhone photos shot by the staff of the restaurant Noma.

Food & Wine magazine won the award for Visual Storytelling, which recognizes excellence in photography and graphic design.  The magazine’s winning submission included three stories published last year. The award was shared by Food & Wine‘s art directors James Maikowski and Patricia Sanchez, creative director Stephen Scoble, and director of photography Fredrika Stjarne.

The James Beard Foundation is a non-profit based in New York City that organizes lectures, workshops, events, and other educational initiatives around the country to promote the exploration of American culinary history and culture. All the James Beard Foundation honorees can be found at JamesBeard.org.

The year’s nominees can be found at www.jamesbeard.org/blog/complete-2014-jbf-award-nominees.

Related articles
Katie Quinn Davies and Gather Journal Win 2013 James Beard Awards for Food Photography

Ditte Isager: Traveling Light

May 2nd, 2014

Bon Appétit, W, National Geographic, Glamour Win National Magazine Awards for Visuals

bon appetit cover2Bon Appétit, National Geographic, W, and Glamour were the winners of the photography, multimedia and video category awards in the 2014 the National Magazine Awards competition, the American Society of Magazine Editors (ASME) has announced. The winners were honored at a ceremony last night in New York.

Bon Appétit won the Photography award for overall excellence in print magazine photography. The magazine also won the Style and Design award for fashion, decorating, design and travel coverage.  Alex Grossman and Alex Pollack serve as the magazine’s creative director and photo director, respectively.

W magazine won the Feature Photography award for a May 2013 feature titled “Stranger Than Paradise” with a series of fanciful photographs of Tilda Swinton by Tim Walker.

National Geographic won the Mulitmedia award for “The Last Chase” by Robert Draper, a story about storm chaser Tim Samaras’s death last May 31 in a tornado near El Reno, Oklahoma.

National Geographic also won the Tablet Magazine award for its August, October and November iPad editions.

Glamour won the Video award for three videos from its “Screw You Cancer” series: “Confronting Cancer: BRCA1 & BRCA2 Gene Mutations,”  “Recovery: Meds. And Love,” and “Life Post-Surgery: Back on Stage.” All were posted on Glamour.com last October.

According to ASME, which sponsors the awards, sixty-six magazines were honored as finalists in 24 categories, and 17 magazines won awards. Among the other winners were Fast Company, which won Magazine of the Year; New York magazine, which won the General Interest, Design, and Website awards; and TIME magazine, which won the Public Interest award. The Magazine Editors’ Hall of Fame Award went to Graydon Carter, the editor of Vanity Fair since 1992.

A complete list of winners and finalists is posted on the ASME website.

April 30th, 2014

Joanna Piotrowska Wins 2014 First Book Award

Polish photographer Joanna Piotrowska has won the 2014 First Book Award for Frowst, a study of familial relationships through staged photographs, award sponsors announced today.

Piotrowska’s project will be published this June by MACK Books, which co-administers the award with Britain’s National Media Museum.

The First Book Award, now in its third year, is open to photographers who have not previously released a book project with a publisher. However self-published and print-on-demand projects do not disqualify a photographer.

Judges for this year’s award included publisher Michael Mack; National Media Museum curator of photographs Greg Hobson; Wilson Centre for Photography Director of Special Projects Polly Fleury; Photoworks co-editor Ben Burbridge; and Magnum Photos exhibition coordinator Fiona Rogers.

In order to be considered for the award, photographers must be nominated by one of an international group of nominators.

Previous winners include Paul Salveson (2013) and Anne Sophie Merryman (2012).