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March 3rd, 2015

WPPI Panel: Photographers Test Canon’s 5DS and 5DSR

© Karen Seifert

© Karen Seifert

Canon’s recent announcement of it new  50-megapixel 5Ds and 5Ds R cameras excited a lot of comments, and a lot of speculation. The cameras won’t be on the market until June, but at the WPPI trade show yesterday, attendees got to see sample images shot with the new cameras. Four photographers–all members of the Canon Explorers of Light program– shared their experiences shooting with the new models. They were joined  by photographer Peter Hurley, who typically shoots medium-format, and PDN‘s Technology Editor Greg Scoblete for a panel on the new cameras: Photo Forward, the blog of PDN’s sister publication, Rangefinder, has a recap of the panel.

It includes comments by Hurley as well as photographers George Lepp, Hanson Fong, Ken Sklute and photographer/cinematographer Bruce Dorn about the cameras’ resolution, speed and performance when shooting stills and video.

To read more, check out the Photo Forward blog.

Related
Canon 5Ds Takes Aim at Medium Format with a 50-Megapixel Sensor

February 26th, 2015

Iturbide, Fink, Van Houtryve to Be Honored at ICP Infinity Awards 2015

The International Center of Photography (ICP) announced their list of 2015 Infinity Award Winners this morning. The awards will be presented April 30 at a gala in New York City.

The 2015 Cornell Capa Lifetime Achievement Award will be given to Graciela Iturbide. ICP will give the award for Art to photographer Larry Fink. Tomas van Houtryve will receive this year’s award for Photojournalism.

For the first time, ICP is giving a New Media award. The award goes to Question Bridge: Black Males, an interactive exhibition created through a collaboration between Hank Willis Thomas, Chris Johnson, between Bayete Ross Smith, Kamal Sinclair and Jesse Williams.

The other Infinity Award winners are:
Publication: LaToya Ruby Frazier, The Notion of Family
Special Presentation: Mario Testino
Young Photographer: Evgenia Arbugaeva
Trustee: The Lean In Collection, by Getty Images and LeanIn.Org

The 2015 Selection Committee consisted of: Kristen Lubben, Curator, ICP; Kathy Ryan, Director of Photography, The New York Times Magazine; and Deb Willis, Chair of the Department of Photography & Imaging at the Tisch School of the Arts, New York University. ICP says that due to a personal conflict, Willis recused herself from the selection for the New Media prize. (Hank Willis Thomas is her son.)

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February 23rd, 2015

Artist Residency for Photographers of Color: Deadline February 28

© Rose Wind Jerome. Photographer Maria Buyondo working at the Center for Photography at Woodstock on her handmade book, Where No One Can See Me.

© Rose Wind Jerome. Photographer Maria Buyondo working at the Center for Photography at Woodstock on her handmade book, Where No One Can See Me.

The artist-in-residency program at the Center for Photography at Woodstock supports artists of color working in the photographic arts who reside in the US. The residency comes with an honorarium, a stipend for food and travel, and access to the Center’s darkroom and assistants. Equally important, the AIR provides artists time to work on projects without the interruptions or distractions of everyday life. Applications for the next CPW residency program must be postmarked February 28 or earlier.

For insights into how photographers have successfully landed this prestigious residency in the past — and how they used their quiet time in upstate New York — check out our article, “Anatomy of a Successful Grant Application: Center for Photography at Woodstock,” and read the comments by photographers Caleb Ferguson and Maria Buyondo and CPW executive director Ariel Shanberg.

An application and submission guidelines are available on the CPW website.

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Anatomy of a Successful Grant Application: Center for Photography at Woodstock

13 Tips for Building Your Fine-Art Network

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January 14th, 2015

Nadia Sablin Wins CDS/Honickman First Book Prize in Photography

"Two-handed Saw." © Nadia Sablin

“Two-handed Saw.” © Nadia Sablin

Nadia Sablin has won the 2014 CDS/Honickman First Book Prize in Photography for her series on her aunts who live in northwest Russia. The Center for Documentary Studies at Duke University, which administers the prize with The Honickman Foundation, announced the award today. Sablin’s book will be published in November 2015 by CDS Books and Duke University Press.

The prize, which is awarded every two years, supports North American photographers who have never published a book-length work. Past winners have included Gerald H. Gaskin, Benjamin Lowy and Danny Wilcox Frazier.

Sablin, who is based in Brooklyn, New York, has been making color photographs documenting the lives of her aunts, Alevtina and Ludmila, for more than six years. Sablin says in her description of the project that  the women, who are in their seventies, “carry on the traditional Russian way of life, chopping wood for heating the house, bringing water from the well, planting potatoes and making their own clothes.”

Sandra S. Philips, curator of photography at the San Francisco Museum of Photography, was the judge for this year’s prize. Joshua Chuang, chief curator of the Center for Creative Photography at the University of Arizona, chaired the selection committee that chose the finalists for the prize. The finalists are: Victor Blue, Scott Dalton, Cate Dingley, Hannah Kozak, Nate Larson and Marni Shindelman, Joseph Michael Lopez, Diana Markosian, Jeanine Michna-Bales, Chrystie Sherman, Jeffrey Stockbridge and Donna Wan. Their images will be featured on the first Book Prize blog this year.

Related Article
Project on African American and Latino Ballroom Subculture Wins CDS/Honickman First Book Prize

January 7th, 2015

New Instagram Feed Highlights Effects of Climate Change

Everyday Climate Change (photos © the individual photographers)

Everyday Climate Change (photos © the individual photographers)

An Instagram feed showcasing the work of photographers documenting the causes and effects of global climate change launched on January 1. Founded by Tokyo-based photographer James Whitlow Delano, @everydayclimagechange was inspired by the @everydayeverywhere feed, which presents selected images of daily life around the world, and will show how extreme weather and changes to the climate affect life in the developing and the developed world. So far, the feed has featured images by Sara Terry, Katharina Hesse, Michael Robinson Chavez, Janet Jarman, Paolo Patrizi, Ed Kashi, David Butow, John Trotter, Delano and other photographers who have covered such topics as water shortages, pollution caused by the burning of fossil fuels, deforestation, forest fires, rising sea levels and the destruction of crops by infestations of funguses and insects.

Delano says that before launching the feed, he contacted photographers he knew who had completed bodies of work relating to climate issues. “I am looking for photographers who are able to see how local climate changes relate to the bigger, global picture,” he says. Delano, who has covered logging and deforestation in Southeast Asia, says he sought photographers based around the world. The contributing photographers are from five continents, and the images featured so far have shown diverse locations: a farm in Mexico; wetlands in Guinea Bissau; a denuded rain forest in southern Papua; a stretch of beach in Far Rockaway, Brooklyn. Says Delano, “I love the way that the photographs tell us that we must all consider how to deal with these issues.”

Though he gave contributors suggestions for hashtags, Delano says he wants to take a hands-off approach to editing. “I have told photographers that I will not curate or interfere unless photos go way off theme. As a photographer, I cherish latitude and freedom.”

Seven days after its launch, the feed has attracted over 1,600 followers. Photographers who have agreed to contribute in the future include Patrick Brown, Ron Haviv, Dominic Bracco II, Veejay Villafranca, Suthep Krisanavarin and Peter DiCampo, co-founder of @EverydayAfrica and @EverydayEverywhere. Delano says he’s happy with the work so far, but might expand the feed in the future. “In a month or so, we may start accepting hashtags or doing a Follow Friday like other everyday feeds. I like the democratization of the feeds that way,” he says. “First, though, I wanted to have a look how the feed functioned. So far, so good.”

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December 23rd, 2014

Amazon Sells iPhone Accessories Infringing Copyrighted News Images of War, Death

Amazon page offering a smartphone case decorated with Daniel Berehulak's image from Liberia.

Amazon page offering a smartphone case decorated with Daniel Berehulak’s image from Liberia.

Dealers of cellphone and iPad cases emblazoned with copyrighted news images by Tomas Van Houtryve, Daniel Berehulak, Tyler Hicks and other photojournalists are using Amazon’s marketplace to sell their wares without permission from the photographers. All the images had been featured by TIME magazine on its “Picks of the Top 10 Photos of 2014.” In addition to the cases featuring news images—such as a photo of a child dying of Ebola and a child killed in an air attack on Gaza—the sellers listed on Amazon also sell cases featuring photos of nature, pets, cars, celebrity actors, major sports teams and other subjects.

A Tyler Hicks image from Gaza on a cellphone case sold by a vendor via Amazon.

A Tyler Hicks image from Gaza on a cellphone case sold by a vendor via Amazon.

One of the infringed photographers, Tomas Van Houtryve, had complained that Amazon removed some of the items infringing his photo, but not all. Van Houtryve tells PDN that after he discovered the unauthorized use of his black-and-white image on cases being sold through Amazon, he contacted the online retailer through the email it provides to report copyright infringement. An automated form asked for more information verifying that he holds the copyright to the image. He says, “I provided that along with a detailed list of links to all of the products infringing on my copyright. I also requested the contact information of the vendors/manufacturers providing the illegal cases,” he says. The following day, some of the products were removed, but many remained. He received another automated email from Amazon saying, “We trust this will bring the matter to a close.” He says, “As you can imagine, I’m not satisfied with this response.” On December 20, he took to Instagram and Facebook, posting images of the pages where the products decorated with his image were sold.

The Massimo Sestini image, cropped on a smartphone case.

The Massimo Sestini image, cropped on a smartphone case.

A search of Amazon for the names of other photographers featured on the TIME list turned up cellphone and iPad cases featuring Tyler Hicks’ image from Gaza of a boy carrying a dead child, Daniel Berehulak’s image of health workers in Liberia carrying a child suffering from Ebola (who later died), and part of Massimo Sestini’s photo of a crowded boat transporting migrants from Africa to Malta, and a tight crop on a portion of Whitney Curtis’s image of police pointing automatic weapons at a protester in Ferguson, Missouri.

Erik Fairleigh, PR spokesperson for Amazon, declined PDN’s request for comment, except to tell PDN “the item is no longer listed for sale,” referring to the product Van Houtryve had complained about. On December 23, however, products made with images by Berehulak, Hicks and Sestini remained on the site.

JP Pappis of Polaris Images, which represents Sestini, says that purusing the makers of the cases would be too costly, since they would be difficult to identify and locate and, if they are overseas, would be beyond the reach of U.S. federal courts. (All the cases “ship from China,” according to the delivery information listed on Amazon.) Sarah Lochting of Getty Images, which represents Daniel Berehulak said the agency is “pursuing the matter. We find it particularly egregious given the content of these images.”

The cases sell for between $12 and $15 through Amazon’s third-party vendor system, which allows any individual or company that fills out an online form to sell their products on Amazon. Amazon’s only requirement is that the seller pay a fee, agree to let Amazon take a cut of sales, and agree to the “Amazon Services Business Solutions Agreement,” which includes a clause indemnifying Amazon against “any claim, loss, damage, settlement, cost, expense or other liability” arising from “any actual or alleged infringement of any Intellectual Property Rights.”

Recognize this photo? Let us know.

Recognize this photo? Let us know.

The sellers offering the photo-emblazoned cases use many names, including David Ray Floyd, Sonja B Williams, DODO7899, Janice Lee Curry, NicoleWilliamHarris. 

Take a look. And if you see your photo on one of the cases being sold, let us know.

Recognize the photo? Let us know.

Recognize the photo? Let us know.

December 19th, 2014

Project on Ukraine Wins $20,000 2015 Aftermath Grant

Justyna Mielnikiewicz has won the 2015 Aftermath Project Grant for “A Ukraine Runs Through It,” a project exploring tensions in modern Ukraine using Dnieper River as a symbolic dividing line. The $20,000 grant, offered by the nonprofit Aftermath Project, supports documentary photography that addresses the legacy of conflict.

The Aftermath Project also announced several finalists, whose work will be published in War Is Only Half the Story, the annual publication of the Aftermath Project. The finalists are:

Bruno Boudjelal, whose project, “Mapping of Massacre Sites in Algeria,” explores the sites of massacres that occurred in 1997 and 1998.

Glenna Gordon for her project, “Artifacts of a Kidnapping: The Things They Carried Home,” a survey of the objects brought home by ransomed kidnapping victims of terrorist groups around the world.

Adam Patterson for “Men and My Daddy,” a project on Northern Ireland, exploring how former terrorists function during peacetime and whether aging ex-paramilitaries find purpose in their lives.

Donald Weber for”War Sand,” a landscape and archeological project about the beaches of Normandy, which still contain particles of shrapnel from the 1944 D-Day invasion of  France during World War II.

A special discretionary grant of $2,500 was given to buy gear for two Syrian refugee teenagers, who have been photographing their lives of Syrians in refugee camps. The money will be administered by photographer Brendan Bannon, who has run UNHCR-sponsored arts education programs for children in refugee camps.

The judges for the 2015 grant were Denise Wolff of Aperture; Amy Pereira of MSNBC; Stephen Mayes, Executive Director of the Tim Hetherington Trust; Elizabeth Rappaport, photographer and Aftermath Project board member;  and Sara Terry, photographer and founder of the Aftermath Project.

Related articles:
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December 8th, 2014

Luke Somers, Killed in Failed Rescue Attempt, Remembered for Compassionate Photos

© Luke Somers for Al Jazeera. Thousands of male and female protesters marched to the residence of President And Mansour Hadi to demand political reforms, December 7, 2012.

© Luke Somers for Al Jazeera. Thousands of male and female protesters marched to the residence of President And Mansour Hadi to demand political reforms, December 7, 2012.

Kidnapped photojournalist Luke Somers was killed December 5 in the midst of a failed attempt by US forces to rescue him from al Qaeda militants holding him hostage in Yemen. Somers, 33,  had been kidnapped in Sana’a, Yemen, in September 2013. He had been working in the country as a freelance photographer.

After President Barack Obama announced Somers’s death on Saturday, several news outlets that Somers had worked for, including Al Jazeera, and his agency, Corbis, shared samples of his photos, starting with images from Yemen’s revolution ousting President Ali Abdullah Saleh in 2011. Writer Tik Root of National Public Radio, who had crossed paths with Somers while they were covering Yemen, said the photographer’s work “reveals his deep and persistent love for the country.”

Last week, the photographer’s captors released a video threatening to kill Somers if the US did not meet their unspecified demands. According to CNN, The Yemen Times and other news outlets had pleaded for Somers’s release, noting days before his death that he “loves Yemen.”

Citing an anonymous source, BBC reports that Navy SEALs had tried to rescue Somers from the compound where he was being held, but a gunfight broke out when the militants spotted the SEALs. Somers was shot, and then evacuated to a US navy ship, where he died.  Committee to Protect Journalists reports that this is the third attempt by US special forces to rescue hostages held in Syria and Yemen; all three failed to rescue captured journalists.

December 3rd, 2014

Shortlist for Deutsche Börse $47,000 Prize Announced

© Nikolai Bakharev. Collection of the Moscow House of Photography Museum

© Nikolai Bakharev. Collection of the Moscow House of Photography Museum

The shortlist for the 2015 Deutsche Börse Prize was announced today.  The annual prize, which comes with 30,000 pound award (about $47,200 US), was established by The Photographers’ Gallery in London. It is given annually to a living photographer (or collaborative partners) to recognize a specific body of work in an exhibition or publication that has contributed significantly to photography in Europe.

The finalists are:
Nikolai Bakharev, nominated for his exhibition at the 55th Venice Biennale of images of bathers on public beaches in Russia, shot during the 1980s and 1990s.

Viviane Sassen, nominated for her exhibition “Umbra,” shown at Nederlands Fotomuseum, Rotterdam. The show combined Sassen’s abstract photos, drawings and light installations with poems by Maria Barnas.

Zanele Muholi, nominated for her book Faces and Phases 2006-2014 (Steidl), featuring her black-and-white portraits of members of the LGBT community in South Africa, accompanied by first-person testimonies.

Mikhael Subotzky and Patrick Waterhouse, nominated for their book Ponte City (Steidl), about a 54-story apartment block in Johannesburg that has become a refuge for new immigrants to the city. The book, which includes 17 booklets, encompasses architectural plans, essays, personal accounts, and archival material.

The judges for this year’s prize are Chris Boot, Executive Director, Aperture Foundation; Rineke Dijkstra, photographer; Peter Gorschlüter, Deputy Director, MMK Museum für Moderne Kunst in Frankfurt and Anne Marie Beckmann, curator of the Deutsche Börse art collection.

The winner will be announced in May 2015 at an award ceremony at The Photographers’ Gallery in London.

Related Articles
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November 13th, 2014

If that Kim Kardashian Photo Looks Familiar…

© Jean Paul Goude

© Jean Paul Goude

© Jean-Paul Goude

© Jean-Paul Goude

One of the photos of Kim Kardashian that’s been circulating around (and around) social media since Paper Magazine released its latest issue inspired a sense of déjà vu in people familiar with the work of the photographer who took the image, Jean-Paul Goude. The outlandish shot is a re-hash of a concept and pose Goude used in a 1976 image of model Carolina Beaumont. Perhaps he thought: I liked that photo of a woman balancing a champagne glass on her jutting buttocks looked good once, why not try it again? There are differences in the photos: While the latest overhyped Kardashian spectacle makes us cringe, the original Goude copied makes us squirm.

The Styleite website has insightfully unpacked what makes his use of the Beaumont image grotesque.

In Goude’s original, the subject, who is black, is nude. In his latest version, the subject, who is white, is dressed in evening gown and jewels. In the first, the black woman is “pleased to serve” while the white woman, Styleite notes, is not.  The photo of Beaumont was published in Goude’s 1983 autobiography which he titled Jungle Fever.  The image was controversial at the time, and it hasn’t gotten any more palatable when viewed from a few decades’ distance. The website The Grio delves into more of the history of Goude’s photographs of black women and his fetishization of their body parts in an article called “Kim Kardashian Doesn’t Realize She’s the Butt of an Old Racial Joke.

We wonder: Was Paper so eager for publicity they were willing to court not only Kardashian, but also racial controversy?