You are currently browsing an author archive.

July 14th, 2014

Chicago Photographer Murdered In Apparent Case of Mistaken Identity

Wil Lewis, a 28-year-old photographer, was shot and killed in broad daylight on Saturday afternoon as he waited for a bus in the Rogers Park neighborhood of Chicago, according to reports from the Chicago Sun-Times and Chicago Tribune.

Police have arrested a man in the shooting, charging him with first degree murder.

Lewis’s father told the Tribune that police believe Lewis was mistaken for someone else. “Somebody basically shot him dead. They felt it was a case of mistaken identity. Wil was not in the wrong,” he told the paper.

Born in Guatemala, Lewis was adopted at age 7 and grew up in California and Wisconsin. Lewis, a graduate of Milwaukee Institute of Art and Design, had worked as a photo assistant and digital tech for Kohl’s, Sears, Blackbox Visual and other clients. He opened his own studio, Wil Photography, in 2009. A friend told the Sun-Times that Lewis was due to begin a new job as a photographer at an online men’s clothing retailer this week. He and his wife, an art director at ad agency Leo Burnett, were expected to celebrate their second wedding anniversary next month.

 

July 3rd, 2014

Photographer Creates Free iPhone App for His Signature Style

New York City-based photographer Alexander Richter has used the Contrast by Hornbeck app to make images of the city's architecture for his Instagram feed.

New York City-based photographer Alexander Richter has used the Contrast by Hornbeck app to make a series of images of the city’s architecture for his Instagram feed. Photo © Alexander Richter

Photographer John Hornbeck couldn’t find a camera app for his phone that came anywhere close to the high-contrast, black-and-white photographs he makes with his camera, and he wasn’t interested in “having to purchase a bunch of add-ons.” Hornbeck, who earns money from his photography but also works in the software industry, decided to collaborate with a friend to build an app that would come close to reproducing his style.

After they finished the app, Contrast by Hornbeck, the photographer used it for a few months before he and the developer decided to “push it out to the public and see if there would be any interest from others.” There has been.

Hornbeck has promoted the app—it’s available for free—via his social media channels, and others have shared it. “I know at least a couple of respected photographers who use it and have told others about it, so it’s just word of mouth and people playing around,” he says. The downloads number “in the thousands,” and several hundred images on Instagram are tagged with the #contrastbyhornbeck hashtag.

The biggest thing this app offers that others don’t, Hornbeck says, is simplicity. Photographers can use it to make high-contrast, black-and-white shots. “That’s all it does and we have no plans to really change that.”

 

June 18th, 2014

NY Times Highlights Instagrammer Working For Met, Other Institutions, For Free

There was an article in the Art & Design section of the New York Times yesterday highlighting the social media photography that an Instagrammer, Dave Krugman, is doing for the Metropolitan Museum of Art, The New York Public Library and other cultural institutions in exchange for special access.

The article is full of language that suggests it’s Mr. Krugman’s great privilege to work for these institutions for free. “The Metropolitan Museum, for instance, allowed Mr. Krugman and his band of Instagram stars into its halls outside of normal business hours,” the author writes. She also quotes Krugman’s own post thanking the Met for the “opportunity.”

These are institutions with resources to pay for the social media communications work they do. Krugman isn’t a photographer by trade, he’s a retoucher, the article says. But he’s allowing these institutions to pay what the market will bear for this work: zero.

It would be interesting to know what the photographers and photo editors on the New York Times‘s staff think of this article devaluing the work of photographers.

“With his growing reputation, Mr. Krugman has begun thinking about charging money for his Instagram services,” the article concludes. Will these venerable and wealthy institutions pay, though, or will they just hire the next person with a big Instagram following who doesn’t know enough about the business of advertising and communications to charge for his or her work?

June 12th, 2014

Todd Hido Shoots Fall 2014 Campaign For Victoria Beckham’s Fashion Line

An image from Todd Hido's campaign for Victoria, Victoria Beckham's Fall 2014 collection.

An image from Todd Hido’s campaign for Victoria, Victoria Beckham’s Fall 2014 collection.

We never thought we’d mention Posh Spice and Todd Hido in the same sentence, but here goes: Victoria Beckham (previously known as pop singer Posh Spice) enlisted fine-art photographer Todd Hido to photograph ads her Fall 2014 collection of women’s fashion.

The images of models wearing Beckham’s looks recall Hido’s fine-art photographs of women in motel rooms who appear to be living on society’s fringes. In images on the fashion designer’s website we see models posed on bare mattresses or in rooms with shabby carpeting and unmade beds. Hido’s work for the label also appears to include video pieces. In one video we see a model standing against a wall in a dark room while fuzz flashes across the screen of an old-model television set.

Hido didn’t respond to our request for comment. According to W Magazine, Beckham herself said that, “Working with a photographer who doesn’t traditionally shoot fashion really enriched how I could portray the collection this season.”

Related: The Prevailing Wind: Todd Hido’s Excerpts from Silver Meadows

May 21st, 2014

German Photographer Michael Schmidt Awarded $112,500 Prix Pictet

From "Lebensmittel," Michael Schmidt's series on food production and consumption.

From “Lebensmittel,” Michael Schmidt’s series on food production and consumption.

Michael Schmidt was awarded the fifth Prix Pictet, a photography prize worth $112,500, in a ceremony this evening at the Victoria and Albert Museum in London. The award is sponsored by Swiss wealth managers the Pictet Group.

Schmidt was recognized for his long-term project “Lebensmittel,” translated as “food stuff,” which he made between 2006 and 2010. Sir David King, the jury chair, called Schmidt’s project “an epic and hugely topical investigation into the ways in which we feed ourselves,” according to a press release issued by the Prix Pictet organization. The Prix Pictet honors photographers whose work examines critical social and environmental issues, and the theme for this iteration of the prize was “Consumption.”

The shortlisted photographers included Adam Bartos (United States), Motoyuki Daifu (Japan), Rineke Dijkstra (The Netherlands), Hong Hao (China), Mishka Henner (Belgium), Juan Fernando Herrán (Colombia), Boris Mikhailov (Ukraine), Abraham Oghobase (Nigeria), Michael Schmidt (Germany), Allan Sekula (United States) and Laurie Simmons (United States).

Kofi Annan, the former UN secretary-general and honorary president of Prix Pictet, praised the shortlisted photographers for their “powerful images that ought to persuade governments, businesses—and each of us as individual consumers—of the need for a fundamental rethink of the principles on which present-day affluence is founded. The issue of unsustainable consumption, and in particular food and nutrition security, is not simply at the forefront of the global political stage, it is now firmly on the personal agenda of each and every one of us.”

Previous winners include Benoît Aquin, Nadav Kander, Mitch Epstein and Luc Delahaye.

The jury for the fifth Prix Pictet included: Sir King, chairman, UK Foreign Secretary’s Special Representative for Climate Change (SRCC); Peter Aspden, arts writer, Financial Times; Luc Delahaye, photographer; Fumio Nanjo, director, Mori Art Museum; Loa Haagen Pictet, art consultant & curator; Martin Barnes, senior curator of photographs, Victoria and Albert Museum; Wang Shu, architect; Elisabeth Sussman, curator of photography, Whitney Museum of American Art.

An exhibition of the work of the shortlisted photographers opens tomorrow at the Victoria and Albert Museum, where it will show through June 14, 2014.

May 13th, 2014

Photojournalist Camille Lepage, 26, “Murdered” in Central African Republic

In her most recent post on Instagram on May 6, slain photojournalist Camille Lepage shared a photograph of people she was traveling with and details about her location.

In her most recent post on Instagram on May 6, slain photojournalist Camille Lepage shared a photograph of anti balaka [Christian militia] she was traveling with and details about her location.

Camille Lepage, a 26-year-old French photojournalist, has been killed in the Central African Republic, say reports from the Associated Press and Reuters.

According to the Reuters report, citing a statement released today by French President Francois Hollande, Lepage’s body was found when French-affiliated soldiers stopped “a car driven by anti-balaka [Christian militia] groups, in the Bouar region.”

The Associated Press report, citing Lepage’s colleagues, says the photojournalist was caught in fighting “while traveling in a village about 37 miles (60 kilometers) west of Bouar, near the country’s border with Cameroon.”

Lapage, who is from Angers, France, last posted on her social media accounts on May 6. In the caption to a photograph posted to her Instagram she wrote: “Travelling with the Anti Balaka to Amada Gaza, about 120km from Berberati, we left at 3.30am to avoid the Misca checkpoints and it took us 8 hours by motorbike as there is [sic] no proper roads to reach the village. In the region of Amada Gaza, 150 people were killed by the Seleka between March and now. Another attack took place on Sunday killing 6 people, the anti balaka Colonel Rock decides to send his elements there to patrol around and take people who fled to the bush back to their homes safely.”

In addition to covering Central African Republic, LePage had also photographed stories in South Sudan, and had been published in The New York Times, Le Monde, Der Spiegel, The Guardian and Le Monde among other publications. Lepage had also worked with Medecines Sans Frontiers, Amnesty International, the World Food Program, and other non-governmental organizations.

In their statement, the French President’s office called Lepage’s death a “murder,” saying, “Everything will be done to uncover the circumstances of this assassination and to track down who murdered our compatriot.”

May 12th, 2014

Richard Mosse Wins $50K Deutsche Borse Prize for The Enclave

Richard Mosse, "Safe From Harm," North Kivu, eastern Congo, 2012, © Richard Mosse, Courtesy of the artist and Jack Shainman Gallery.

Richard Mosse, “Safe From Harm,” North Kivu, eastern Congo, 2012, © Richard Mosse, Courtesy of the artist and Jack Shainman Gallery.

Richard Mosse has won the 2014 Deutsche Börse Photography Prize. The £30,000 award (about $50,000 US) is given annually to a photographer whose photo book or exhibition contributed to the medium of photography in Europe during the previous year. The news was announced this evening during a ceremony in London at The Photographers’ Gallery. Read the full story on PDNOnline.

April 30th, 2014

Joanna Piotrowska Wins 2014 First Book Award

Polish photographer Joanna Piotrowska has won the 2014 First Book Award for Frowst, a study of familial relationships through staged photographs, award sponsors announced today.

Piotrowska’s project will be published this June by MACK Books, which co-administers the award with Britain’s National Media Museum.

The First Book Award, now in its third year, is open to photographers who have not previously released a book project with a publisher. However self-published and print-on-demand projects do not disqualify a photographer.

Judges for this year’s award included publisher Michael Mack; National Media Museum curator of photographs Greg Hobson; Wilson Centre for Photography Director of Special Projects Polly Fleury; Photoworks co-editor Ben Burbridge; and Magnum Photos exhibition coordinator Fiona Rogers.

In order to be considered for the award, photographers must be nominated by one of an international group of nominators.

Previous winners include Paul Salveson (2013) and Anne Sophie Merryman (2012).

April 29th, 2014

ICP Celebrates Infinity Award Winners (Recap and Video Links)

Last night the International Center of Photography honored photographers working in photojournalism, fine-art and fashion at the 30th annual Infinity Awards. The awards were inaugurated in 1985 as a way to recognize outstanding achievements by photographers working in various genres within the medium.

It was the first Infinity Awards ceremony for new ICP director Mark Lubell, who promised the crowd that the organization would remain at the “center of the conversation” about the medium. Perhaps as a way to illustrate that point, ICP arranged for a drone to photograph partygoers during the cocktail hour, then put those photographs on-screen at the beginning of the ceremony.

The Cornell Capa Lifetime Achievement Award was given to German-born photographer Jürgen Schadeberg, who as an expatriate in South Africa during Apartheid, made some of the most famous images of Nelson Mandela, and encouraged black South African journalists to pick up cameras and tell their stories.

James Welling was honored for his contribution to fine-art photography; Steven Klein for fashion; Stephanie Sinclair and Jessica Dimmock were honored for photojournalism; Adam Broomberg and Oliver Chanarin were honored for their publication Holy Bible; and Samuel A. James received the Young Photographer award.

Sinclair and Dimmock received a standing ovation from the crowd for their work documenting the practice of child marriage and its effects on adolescent girls, their families and their communities. The project, “Too Young To Wed,” is a decade-long pursuit for Sinclair that has spawned a non-profit that she hopes will help young girls and communities do away with the practice of child marriage.

Samuel A. James, who in his young career has worked extensively in Nigeria documenting the impact of oil extraction on the culture—including photographing the illegal tapping of oil pipelines and makeshift refining operations by impoverished Nigerians—thanked the Nigerians who “gifted me these stories” during a short acceptance speech. James also dedicated the award to a friend who was killed in an explosion while attempting to refine black-market crude oil.

In accepting the Publication award for their book Holy Bible, for which they combined the King James Bible with images from the Archive of Modern Conflict, Broomberg and Chanarin called the book their “attempt to somehow illustrate this text,” and said they hoped it would be an invitation to others to make their own attempts. They also paid tribute to their publisher, Michael Mack for his production of the book, and to the Queen of England, who owns the copyright to the King James Bible.

In a slightly incongruous presentation, pop star Brooke Candy spoke about Steven Klein and introduced a high-octane video that reviewed much of Klein’s work. The fashion photographer briefly thanked the crowd after noting that, “photography pretty much saved my life.”

MediaStorm produced short documentary films about all of the recipients except Klein. Watch those films on the MediaStorm site here.

Related: Tour de Force: James Welling’s Artistic Versatility
Best Photo Books of 2013

April 24th, 2014

Exhibition in Bangladesh Remembers Garment Workers Who Died Tragically

lives-not-numbers-pulse

Photo © Taslima Akhter

A group exhibition currently open through the end of this week at the Pathshala South Asian Media Institute remembers the 1,134 garment workers who died on April 24, 2013 when Rana Plaza collapsed after years of neglect. The show, “1134—Lives Not Numbers,” was curated by Mahbubur Rahman and Munem Wasif, and includes contributions by photographers, performance artists, actors and others.

“Through the photographs of the needless deaths, through performance art reflecting the sorrow of the deprived, [the exhibition] attempts to leave a lasting mark on our collective psyche,” writes Pathshala founder Shahidul Alam about the exhibition.

The effort reminds us that our own understanding of this event has been heightened by the work of photographers like Taslima Akhter, whose photo of bodies in the rubble became famous around the world, and Abir Abdullah, whose project, “Deathtrap,” on the ongoing dangers of the garment factories in which millions of Bangladeshis work, won an Alexia Foundation grant.

Visit Alam’s blog to read more about this exhibition and check out a schedule of events.