We live in an era where photography is so pervasive and ephemeral that apps get multi-billion dollar valuations on the promise of deleting your images.
It’s a state of affairs that would no doubt flummox Ansel Adams, who saw in photography the possibility for “endless horizons of meaning” (today, it’s endless horizons of memes).
Readers are no doubt intimately familiar with Adams’ life and work, but we still found this short video appreciation of the master enjoyable. It details Adams’ growth as a photographer, his technique and his legacy in an era of image overload.
A study published this spring by The City University of New York’s Guttman College argued that the art world remains predominantly white and male. Nearly 70 percent of the artists represented at 45 prominent New York galleries were male, the study suggested. One exception to this trend is Yancey Richardson, who represents 18 women and... More ›
How the legendary street photographer Henri-Cartier Bresson used dynamic symmetry and geometry in his work. More ›
Formerly homeless photographer Robert Shults recently explained in a Q&A with PDN the ethical and esthetic challenges of photographing homeless people, and how photographers can approach the topic in ways that dignify the subjects and elicit empathy and deeper understanding on the part of viewers. In his own photography, Shults has concentrated lately on scientific... More ›