Reading a Philadelphia Magazine report about the decision by editors at the Philadelphia Daily News to change a cover photo in response to some outrage on social media left us wondering: Did photo editors at the Philadelphia Daily News change their minds because they thought they’d made a mistake? Or did they change their minds to avoid controversy and public outcry?
The Philadelphia Daily News cover in question (above, left) featured a photo from Ferguson, Missouri that showed a protestor about to hurl a burning
Molotov cocktail gas canister at police. Protests began in Ferguson over the weekend, after police shot and killed an unarmed black teenager, Michael Brown. The protests began peacefully, and have remained mostly peaceful, but some violence and looting have erupted, and police have been widely criticized for their iron-fisted and highly militarized response to all protestors.
Against that backdrop, the Daily News published a cover photo of a protestor with the
Molotov cocktail burning canister over the headline, “Hell Breaks Loose.” The photo drew immediate and harsh criticism on Twitter: Readers said the image could be taken to suggest that the (mostly white) police response was justified because the (mostly black) protestors were being so violent. In response the Daily News put out another edition of the paper with a different photo.
The second cover photo shows a distraught-looking female protestor, holding up a sign demanding answers from police about the shooting of Michael Brown. Police in riot gear can be seen lined up behind the protestor. The Daily News did not change the headline.
And that leads to some larger questions about photo editing in the social media age: Should editors show deference to the instant opinions on Twittering readers, on the theory that input from the public leads to more informed picture choices? Or does deference to the instant opinions on social media undermine photo editors by encouraging readers to constantly demand changes and retractions on coverage of controversial or sensitive topics?
Philadelphia Magazine published Tweets from Daily News readers, followed by a Tweet from a Daily News senior writer who wrote, “Based on reader reaction we’re changing our front page image — so we actually do listen.” That was followed by a Tweet from Daily News assistant city editor David Lee Preston that said: “Big takeaway from tonight should be that a bunch of pros with hearts & souls inhabit this newsroom.”
But it remains unclear why the Daily News changed the cover photo: Did they think they’d made a mistake? Or were they simply bowing to pressure from some angry readers?
Regardless of their motives, we throw open the floor to PDN readers: Did the Daily News make a mistake publishing the Molotov cocktail-throwing protestor? Should the paper have changed the cover photo? Should photo editors let social media reaction influence their decisions, and if so, to what extent?
Note: Earlier version of this story described the burning object in the protester’s hand as a “Molotov cocktail.” Readers noted it was a burning gas canister. We changed it. In this case, we listened to readers on social media, too.
Outside magazine is celebrating its 40th anniversary in May with an issue devoted to “The New Icons” of adventure, a group of ten women that includes American photojournalist Erin Grace Trieb. Among the women featured alongside Trieb on the cover of Outside’s May issue are retired U.S. soccer player Abby Wambach, champion skier Lindsey Vonn, endurance... More ›
New York-based photographer Sarah Blesener has won the $20,000 Professional Grant from the Alexia Foundation for her series “Toy Soldiers,“ which documents youth patriotic clubs, education and summer camps in Russia. Blesener, a recent graduate of the International Center of Photography and recipient of the Alexia Student Award in 2016, will use the funds to photograph rising... More ›
In our recent interview with photography consultant and former VII Photo CEO Stephen Mayes, he shared his ideas about how photojournalists can stay relevant in the 21st century. He had provocative things to say about current photojournalism practices that we didn’t have room to include in the print edition of PDN. Here are some excerpts.... More ›