Two photographers, Richard Mosse and Zanele Muholi, made Foreign Policy (FP) magazine’s list of “The Leading Global Thinkers of 2013.” The list of 100 people Foreign Policy chose to single out in its hefty digital feature includes Edward Snowden, John Kerry, Elon Musk, The Pope, Rand Paul, scientists, innovators, politicians and artists.
FP cited Mosse for “seeing war through a new lens.” His pink-hued images of military and militia in eastern Democratic Republic of Congo, created using now-discontinued Kodak Aerochrome film developed for the U.S. Military, have captivated audiences through their unusually esthetic interpretation of a conflict-ridden landscape and population. FP notes that Mosse’s film, “The Enclave,” “stole the show” at the 2103 Venice Biennale.
Mosse’s works “are allowing viewers to see conflict in a way they never imagined they could,” FP writes.
Zanele Muholi, a South African artist, has documented the black LGBT community in her country through striking black-and-white portraits. FP singles Muholi out “for photographing hidden lives,” and notes that her work has been widely published and exhibited, bringing much-needed awareness to the gulf between the legal rights of LGBT South Africans and their actual treatment in their communities.
FP divided their list of Global Thinkers into groups that included “Artists,” “Advocates,” “Challengers” and “Decision-Makers” among others. Mosse and Muholi are considered “Chroniclers,” people who, FP says, “[show] us novel ways of understanding the world and our place in it.”
A study published this spring by The City University of New York’s Guttman College argued that the art world remains predominantly white and male. Nearly 70 percent of the artists represented at 45 prominent New York galleries were male, the study suggested. One exception to this trend is Yancey Richardson, who represents 18 women and... More ›
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Formerly homeless photographer Robert Shults recently explained in a Q&A with PDN the ethical and esthetic challenges of photographing homeless people, and how photographers can approach the topic in ways that dignify the subjects and elicit empathy and deeper understanding on the part of viewers. In his own photography, Shults has concentrated lately on scientific... More ›