Magnum Photos has announced that just one photographer, Michael Christopher Brown, will join the agency as a nominee this year. Olivia Arthur and Peter van Agtmael will become full members of the agency, and Alex Majoli will continue as president of Magnum Photos.
The announcements were made this afternoon following Magnum’s annual general meeting last week in London.
Michael Christopher Brown, who is from Washington State, has recently worked in Libya and Congo and his clients include The New York Times, GEO, Time and The Atlantic. He was one of the subjects of HBO’s “Witness” documentary series on conflict photography.
Olivia Arthur joined Magnum in 2008 and was made an associate of the agency in 2011. Her recent work is focused on Saudi Arabia, particularly the lives of women. In 2012 she published a book of her work, called Jeddah Diary.
Like Arthur, Peter Van Agtmael joined Magnum in 2008 as a nominee and was voted an associate in 2011. A winner of the W. Eugene Smith Grant and an ICP Young Photographer Infinity Award, Van Agtmael’s work has focused on the U.S. wars in Iraq and Afghanistan, and the legacy of those wars in the United States.
(Sponsored by Workbook) The Launch of the new Workbook.com Combines the Best User Experience and Access to the Best Talent. As the creative industry has rapidly evolved over the past several years, Workbook and its contributors have continued to keep pace with the latest trends. More photographers now direct live action, illustrators increasingly explore animation,... More ›
California-based Brooks Institute and Massachusetts-based Hallmark Institute of Photography have cancelled classes for the fall and announced plans to close down. The two schools, both private for-profit visual arts colleges, have struggled over the past decade with declining enrollments, financial stress, and management shake-ups. Administrators are also blaming new regulations regarding for-profit schools. “[R]ecent changes... More ›
When we were researching our story “What Lawyers See When They Look at Editorial Photography Contracts,” which appeared in the June issue of PDN, we asked photographers to tell us about editorial contracts they feel are unfair to photographers. We received a copy of a Condé Nast contract sent to a photographer in 2013 as... More ›