Manual for Speed (MFS), a website covering professional cycling created by writer/photographer Daniel Wakefield Pasley and photographer Emiliano Granado, is currently featuring daily reports from the Giro d’Italia, a cycling race through Italy that dips into neighboring European countries.
Granado and Pasley created MFS in 2011 with sponsorship from Castelli, a cycling apparel company. Pasley’s reporting on the Giro d’Italia has included access to two cycling teams that Castelli sponsors: Garmin-Sharp and Team Colombia, the Colombian national team.
MFS’s coverage of the Giro d’Italia is unique not only for the quality of photography—action, landscapes, crowd portraits, and a typology of cycling team buses, among other goodies—but also for its diaristic tone. Pasley’s account of the highs and lows of photographing a month-long sporting event is honest and highly entertaining.
If you’ve ever wondered what it’s like to persevere through maddening daily logistical challenges, to “lite-stalk” professional athletes, to be heckled by spectators, to drop one’s expensive camera in a puddle, or to see Italian children cursing in English at a race helicopter, the daily reports by Pasley are worth a read.
Outside magazine is celebrating its 40th anniversary in May with an issue devoted to “The New Icons” of adventure, a group of ten women that includes American photojournalist Erin Grace Trieb. Among the women featured alongside Trieb on the cover of Outside’s May issue are retired U.S. soccer player Abby Wambach, champion skier Lindsey Vonn, endurance... More ›
New York-based photographer Sarah Blesener has won the $20,000 Professional Grant from the Alexia Foundation for her series “Toy Soldiers,“ which documents youth patriotic clubs, education and summer camps in Russia. Blesener, a recent graduate of the International Center of Photography and recipient of the Alexia Student Award in 2016, will use the funds to photograph rising... More ›
In our recent interview with photography consultant and former VII Photo CEO Stephen Mayes, he shared his ideas about how photojournalists can stay relevant in the 21st century. He had provocative things to say about current photojournalism practices that we didn’t have room to include in the print edition of PDN. Here are some excerpts.... More ›