Major sporting events such as the Super Bowl and Olympic games are the incubation grounds for new camera technology, because news organizations are jockeying for competitive advantage and a chance to show off. And the Summer Olympics in London are no exception.
Associated Press has posted this promotional video touting the robotic cameras it has developed for this year’s games. Remote cameras are usually fixed, but operators of AP’s remote robotic cameras will be able to pan, zoom, and swivel the camera up and down using a joy stick, as they monitor the view on a computer screen–and click the shutter at decisive moments.
AP says it will have a robotic camera in each of 12 different venues. Anticipating where all this might be leading, we asked whether a single operator will be controlling several cameras at once, and whether operators can work from far-off locations–say a desk in New York–similar to the way the military flies its drones.
AP spokesperson Paul Colford says there will be one operator per camera. He adds that according to AP director of photography Santiago Lyon, the operator has to be at the venue where the camera is located, “because otherwise there would be a delay in what the operator is seeing.”
©Dotan Saguy A former tech entrepreneur now pursuing photography as a second career, Dotan Saguy has gained notice for his project about the vitality, energy and spectacle of Venice Beach. National Geographic, ABC News, and others have published the work online, and Saguy, 46, has been invited to attend both the Missouri Photo Workshop and... More ›
Mary F. Calvert, Kirsten Luce, Katie Orlinsky, Sergey Ponomarev and Jonathan Torgovnik have each won a $10,000 grant from Getty Images through its annual Grants for Editorial Photography program. The program aims to “showcase and support powerful and inspiring photojournalism projects,” says Getty Images, which announced the winners today. Ponomarev, based in Moscow, was recognized for his... More ›
Wilbur “Bill” Garrett, who methodically raised the standards for photography at National Geographic and pushed for coverage of timely and sometimes controversial subjects during his tenure as editor in the 1980s, died at his home on August 13, National Geographic has reported. He was 85. Garrett began pushing for a more photojournalistic approach to Geographic... More ›