Penelope Tree, who first modeled for Richard Avedon in 1966, is back, appearing in a new fashion campaign for Barney’s shot by Mario Sorrenti. This week’s installment of Who’s Shooting What has details on the campaign, the creative director behind it, and the other fashion personalities being featured. PDN Pulse would just add that at age 62, Tree looks great.
Vogue editor Diana Vreeland spotted Tree at Truman Capote’s famous Black and White ball in 1966, and asked her to model for Richard Avedon and later for David Bailey, who soon after ditched wife Catherine Deneuve and became Tree’s companion for eight years.
(Wow, there were a lot of Sixties icons packed into that sentence.)
Tree’s look ushered in a new, waifish look in models. Bailey told PDN in a Legends Online interview, “I think she changed a generation of young American girls.” Funny, now we look at photos of Tree from the Sixties or today, and she looks quite healthy compared to the anorexic models we’re now used to seeing. Tree has other assets besides her unusual looks. A student of Buddhism, she has been a patron of a charity which supports women’s groups in Cambodia. She was also, as Bailey told PDN, “Bright, bright, bright, bright.”
The candid conversation between Christopher Morris and MaryAnne Golon at the LOOK3 Festival of the Photograph in Charlottesville, Viriginia, highlighted the varied paths Morris’s career has taken, from documenting conflict and politics to shooting fashion, and the struggles photographers face in a changing industry. Morris, a founding member of the VII photo agency and contract... More ›
Fashion photography icon Irving Penn is having a retrospective of his work at the Dallas Museum of Art. If you can’t make it out to Dallas, the Art of Photography was given a special treat–a tour of Penn’s work by museum’s American Art Curator, Susan Canterbury. Enjoy. Hat tip: Michael Zhang More ›
Presented by Canon The dissemination of photography online has plenty of advantages, and the ability to visually communicate without barriers on the Web has become a monumental boon for contemporary photographers. But for fashion and beauty photographer Lindsay Adler, who does attribute much of her success to her online reach, printing her work still makes... More ›