Fine-art photographer Michael Levin says he first came across filmmaker Brad Kremer’s video work in late 2010 and was immediately engaged. “His video “Hayaku” is like a poem told through time-lapse photography. I felt moved along by the kinetic energy in the piece and he had me hooked,” says Levin, who needed some video footage shot in Japan for a separate project. He contacted Kremer with a basic pitch. The resulting video shown here reveals Levin’s personal experience of witnessing Japan as he worked in different locations. “I wanted to show the process, the journey, the adventure in a way that would give the viewer an emotional connection to Michael and his photography,” Kremer explains.
Before the widespread use of color film, you could earn a living hand-coloring photographs. More ›
What would it be like to assist Josef Koudelka? What could an assistant learn simply by observing and helping the legendary Czech photographer? Koudelka Shooting Holy Land, a new documentary film making its U.S. debut today at the San Francisco Jewish Film Festival (and showing again this Sunday, July 31), gives viewers an opportunity to... More ›
When Charles Woodard was in the history of photography class taught by Nick Muellner at Ithaca College, he sketched each masterpiece on a 4×6 flash card, to help him memorize the titles and dates for the final exam. His crude lines and stick figures are reductive, but also uncannily recognizable. The gallery Higher Pictures in... More ›