Seventeen war photographers tell the stories behind the images they made in life-threatening situations in a slideshow put together by The Guardian. In the feature, titled “The shot that nearly killed me,” Greg Marinovich describes photographing a man being killed by ANC combatants in South Africa in 1990; João Silva discusses his motivation to continue shooting after his legs were blown off by a landmine in Afghanistan in 2010; Tom Stoddart talks about photographing “sniper alley” in Sarajevo in 1992, a strip of road that he says paralyzed the city with fear; Lynsey Addario recounts some of her thoughts after being kidnapped in Libya earlier this year; and John Stanmeyer tells the story of nearly being struck by a bullet in East Timor in 1999, then photographing a man being killed by the military.
The stories and photographs are gruesome and gut-wrenching. In their accounts some of the photographers deny the stereotype about war shooters being adrenaline junkies. Throughout the stories a theme emerges, summed up by Alvaro Ybarra Zavala in his account of a photograph he made in Congo in 1999: “What’s important is that we show what human beings are capable of. The day I don’t do that with my photography is the day I’ll give up and open a restaurant.”
Photographer Mathias Depardon, who was arrested and detained by Turkish police on May 8, has begun a hunger strike to protest his detention, Reuters and other news outlets report. Depardon, a French citizen based in Istanbul, was arrested while on assignment for National Geographic photographing in the town of Hasankeyf. An order for Depardon’s deportation... More ›
Photographers and filmmakers looking to partner with nonprofits shouldn’t count on funding from those organizations, a new survey of nonprofits by Blue Earth Alliance suggests. According to the survey, many nonprofits hire professional photographers infrequently, relying instead on images made by staff and volunteers, or on images donated by professional photographers. The survey was released... More ›
Yesterday, photographer Souvid Datta was accused of having manipulated a photo he took in 2013 at a brothel near Kolkata, by Photoshopping into his photo a a section of an iconic photo by Mary Ellen Mark. After the accusation was published yesterday on PetaPixel, editors at PDN reviewed the portfolio he submitted to PDN’s 30 which we... More ›