Seventeen war photographers tell the stories behind the images they made in life-threatening situations in a slideshow put together by The Guardian. In the feature, titled “The shot that nearly killed me,” Greg Marinovich describes photographing a man being killed by ANC combatants in South Africa in 1990; João Silva discusses his motivation to continue shooting after his legs were blown off by a landmine in Afghanistan in 2010; Tom Stoddart talks about photographing “sniper alley” in Sarajevo in 1992, a strip of road that he says paralyzed the city with fear; Lynsey Addario recounts some of her thoughts after being kidnapped in Libya earlier this year; and John Stanmeyer tells the story of nearly being struck by a bullet in East Timor in 1999, then photographing a man being killed by the military.
The stories and photographs are gruesome and gut-wrenching. In their accounts some of the photographers deny the stereotype about war shooters being adrenaline junkies. Throughout the stories a theme emerges, summed up by Alvaro Ybarra Zavala in his account of a photograph he made in Congo in 1999: “What’s important is that we show what human beings are capable of. The day I don’t do that with my photography is the day I’ll give up and open a restaurant.”
The National Press Photographers Association (NPPA) has adopted an anti-harassment standard as part of its Code of Ethics, the organization announced this week. The new standard, adopted by unanimous vote of the NPPA board of directors on July 22, states: “Do not engage in harassing behavior of colleagues, subordinates or subjects and maintain the highest... More ›
In our recent series about how photographers cover stories as outsiders, we featured Tasneem Alsultan, among other photographers. Alsultan grew up in both the U.S. and Saudi Arabia, so she sees each culture from the perspective of the other. Our story focused on how that influences stories she’s done in Saudi Arabia, particularly “Saudi Tales... More ›
Fake news is much in the news these days and a new study from the University of Warwick has some disheartening, if not surprising, survey results showing that the public often has difficulty sorting real images from manipulated ones. Researchers led by Sophie Nightingale from the Department of Psychology asked 659 people aged 13-70 to... More ›