Seventeen war photographers tell the stories behind the images they made in life-threatening situations in a slideshow put together by The Guardian. In the feature, titled “The shot that nearly killed me,” Greg Marinovich describes photographing a man being killed by ANC combatants in South Africa in 1990; João Silva discusses his motivation to continue shooting after his legs were blown off by a landmine in Afghanistan in 2010; Tom Stoddart talks about photographing “sniper alley” in Sarajevo in 1992, a strip of road that he says paralyzed the city with fear; Lynsey Addario recounts some of her thoughts after being kidnapped in Libya earlier this year; and John Stanmeyer tells the story of nearly being struck by a bullet in East Timor in 1999, then photographing a man being killed by the military.
The stories and photographs are gruesome and gut-wrenching. In their accounts some of the photographers deny the stereotype about war shooters being adrenaline junkies. Throughout the stories a theme emerges, summed up by Alvaro Ybarra Zavala in his account of a photograph he made in Congo in 1999: “What’s important is that we show what human beings are capable of. The day I don’t do that with my photography is the day I’ll give up and open a restaurant.”
Don McCullin, 81, the London-born war photographer who covered conflict in Northern Ireland, Cyprus, Bangladesh, Vietnam, Cambodia and, most recently, Iraq, has been awarded a knighthood. McCullin was one of a handful British citizens who received the award as part of the New Year Honours list issued by the Queen of England. McCullin told the... More ›
For the cover story in the current issue of New York magazine, Platon made portraits of 44 immigrants, ranging in age from one month to 91 years old. His portraits of the subjects, photographed singly and in groups, fill nine pages in the annual “Reasons to Love New York” issue. Platon photographed the parade of... More ›
Hacking is much in the news of late, but the Freedom of the Press Foundation is concerned about a less visible, yet no-less-vital, aspect of information security: the security of digital cameras. Or, more accurately, the lack thereof. The Foundation has published a letter from over 150 documentary filmmakers and photographers that calls on the major... More ›