Seventeen war photographers tell the stories behind the images they made in life-threatening situations in a slideshow put together by The Guardian. In the feature, titled “The shot that nearly killed me,” Greg Marinovich describes photographing a man being killed by ANC combatants in South Africa in 1990; João Silva discusses his motivation to continue shooting after his legs were blown off by a landmine in Afghanistan in 2010; Tom Stoddart talks about photographing “sniper alley” in Sarajevo in 1992, a strip of road that he says paralyzed the city with fear; Lynsey Addario recounts some of her thoughts after being kidnapped in Libya earlier this year; and John Stanmeyer tells the story of nearly being struck by a bullet in East Timor in 1999, then photographing a man being killed by the military.
The stories and photographs are gruesome and gut-wrenching. In their accounts some of the photographers deny the stereotype about war shooters being adrenaline junkies. Throughout the stories a theme emerges, summed up by Alvaro Ybarra Zavala in his account of a photograph he made in Congo in 1999: “What’s important is that we show what human beings are capable of. The day I don’t do that with my photography is the day I’ll give up and open a restaurant.”
What would it be like to assist Josef Koudelka? What could an assistant learn simply by observing and helping the legendary Czech photographer? Koudelka Shooting Holy Land, a new documentary film making its U.S. debut today at the San Francisco Jewish Film Festival (and showing again this Sunday, July 31), gives viewers an opportunity to... More ›
The sister of deceased American journalist Marie Colvin has filed a civil lawsuit in U.S. district court in Washington D.C. against the state of Syria, alleging that Colvin was deliberately targeted for extrajudicial killing by the regime of Syrian President Bashar al-Assad. The 2012 artillery attack on a media center in Homs killed Colvin, 56,... More ›
The candid conversation between Christopher Morris and MaryAnne Golon at the LOOK3 Festival of the Photograph in Charlottesville, Viriginia, highlighted the varied paths Morris’s career has taken, from documenting conflict and politics to shooting fashion, and the struggles photographers face in a changing industry. Morris, a founding member of the VII photo agency and contract... More ›